| 21. |
- Pettersson, Lennart, 1934-
(författare)
-
Verbböjningar i jukkasjärvifinskan
- 1987
-
Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This work deals with verb inflections in a Finnish dialect spoken by descedants of Finnish-speaking settlers in northern Sweden. The dialect has been given the name Jukkasjärvi Finnish, as the main area where it is spoken lies within the parish of Jukkasjärvi. Jukkasjärvi Finnish belongs to the Vittangi Finnish dialect group within the principal Torne-Finnish dialect, the use of which extends along both sides of the Swedish-Finnish border.The documentation of the dialect is based on the language spoken by older people, as younger people are with increasing frequency using Swedish for their spoken language.The linguistic material has been collected by means of direct questioning, tape recordings and questionnaires. In the documentation, the principles for Keruuopas by Terho Itkonen and others have been used. In this study the dialect is compared with standard Finnish.The result of the investigation shows that Jukkasjärvi Finnish has the following characteristics: short vowels in endings, low frequency of gemination, syllable contraction, roots as the infinitive forms of contracted verbs, and to a certain extent analogical formations. An earlier influence from Saamish (Lappish) can also be discerned. Recently the dialect has also been influenced by those Finland-Finnish dialects that scarcely deviate from standard Finnish.
|
|
| 22. |
- Tolentino, Felicia, 1976-
(författare)
-
Porträtt av ett landskap : Vera Friséns gestaltning av naturen i Västerbotten
- 2008
-
Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The present dissertation deals with the artistry of the Swedish artist Vera Frisén (1910-1990). The emphasis is being put on her landscape paintings from Västerbotten, in the northern parts of Sweden, but also includes self-portraits from her early years as a painter. Vera Frisén was born in Umeå, but lived more than half her life in Stockholm. During springtime and summer, she did however return to Västerbotten and the vil¬lages of Stöcksjö and Kolksele, where she painted the majority of her landscape paintings.The study has been given a chronological frame, where the first part sketches out the contexts and environments that came to have an influence on Vera Frisén and her artistic development. Consequently, the thesis starts with a brief biographical presen¬tation, but then moves forward to issues more central to the subject. Important as¬pects are for example her years as a student in the art academy of Otte Sköld in Stockholm during the late 1920’s, and her first separate exhibition at the gallery Färg & Form in 1941. Other issues that are being illuminated in the study are the artistic and cultural conditions in Vera Friséns hometown Umeå. The discussion mainly cen¬ters on issues that took place during the 1930’s and the 1940’s – the time when Vera Frisén established herself as an artist.The second part of the dissertation includes analyses of Vera Friséns paintings. In the search of concepts that further can explain the more profound existential values in her work, the study also links the themes in her paintings to other painters in the his¬tory of landscape painting. Concepts central for discussion are for example the aes¬tethical and philosophical issue of the sublime, as it is formulated in the discourse of Immanuel Kant during the late 18th century. Thoughts expressed by other artists, writers and philosophers, linked to Vera Friséns own thoughts on the subject, are also valuable instruments in gaining a deeper understanding of her work.
|
|
