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- Ahmed, Ali, 1977-, et al.
(författare)
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Diskriminering på bostadsmarknaden: effekten av att heta Mohammed
- 2007
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Ingår i: Ekonomisk Debatt. - : Nationalekonomiska Föreningen. - 0345-2646. ; 35:6, s. 34-41
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- I denna artikel studeras diskriminering på svensk bostadsmarknad med hjälp av ett fältexperiment utfört på internet. I experimentet studeras såväl etnisk diskriminering som könsdiskriminering genom att tre fiktiva personer, en med ett typiskt svenskt manligt namn, en med ett typiskt svensk kvinnligt namn samt en med ett typiskt arabiskt/muslimskt manligt namn söker hyresrättslägenheter vilka utannonserats som lediga av såväl privatpersoner som företag på Blocket. se. Våra resultat visar att den arabiske/muslimske mannen möter diskriminering när han söker lägenheter. Den arabisk/muslimske mannen fick långt färre positiva svar och erbjudanden till visningar av lägenheter än den svenske mannen. Vi finner också en könsdiskriminering på bostadsmarknaden där den svenska kvinnan fick fler positiva svar och visningserbjudanden än den svenske mannen.
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- Daunfeldt, Sven-Olov, 1970-, et al.
(författare)
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Habit Persistence in Food Consumption
- 2011
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Ingår i: Oxford Handbook on the Economics of Food Consumption and Policy. - Oxford : Oxford University Press. - 9780199569441 ; , s. 770-790
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Bokkapitel (refereegranskat)
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| 8. |
- Sörman, Richard, 1967-
(författare)
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La Perversion dans les dialogues de Tabarin
- 2009
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Ingår i: Origines: Actes du 39e congrès annuel de la North American Society for Seventeenth-Century French Literature. - Tübingen : Gunter Narr Verlag. - 9783823364801 ; , s. 35-44
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Konferensbidrag (refereegranskat)
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| 9. |
- Sörman, Richard, 1967
(författare)
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Le Temps fait tout à l'affaire, Conscience de mort et stratégie de vie chez Molière
- 2014
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- This monograph deals with awareness of death and life strategy in Molière’s comedies. The first part focuses on L’Avare and shows that notions as “action” and “economy” are vital for a conceptual understanding of the play’s fundamental topics. The starting point is the recognition of a remarkably high frequency of the word “affaire” in the play, suggesting the operating presence of an economy of action in Molière’s fictional world that literary criticism has not fully recognized. The miser himself offers an example of a highly dysfunctional economy of action. First because he looks upon money as an end in itself though it’s so clear that the important presence of money in traditional comedy largely comes from its being a means (and not end) of action and will. Secondly because money tends to become a means of suspending action end enjoyment in the miser’s life rather than achieving it: by constantly suspending fulfilment of the virtual value contained in his money, and thus by constantly suspending the achievement of enjoyment of consumption, he lives as if it were possible to overcome the reality of death. This fundamental motivation of the miser’s action also explains his dysfunctional relation to his children and his narcissistic relation to himself. In the second part the perspectives are widened and the general implications of the is-sues discussed in the first part are studied on the basis of Molière’s work in general and of some of his contemporary writers as well as of the Antique writers in which the French 17th century sought for inspiration. Molière has a clear Epicurean tendency which exhorts us to enjoy life while we can and to appreciate life as our most valuable gift. While Blaise Pascal can argue with the same economical vocabulary as Molière that life is nothing Molière seems to say life is everything. The notion of “action” is discussed and it is shown that there is a moral of action and entrepreneurship in the plays at the same time as the limits of individual action and will are painfully exposed. It is argued that the tragic element of the plays comes from the fact that the opponents to the comedies’ happy end are so important in Molière and that their own failing projects often surpass what is humanly possible. The project of the miser is fundamentally to escape from death and to escape from the debt he has to pay for having received the gift of life. In this perspective the main conclusion of the study is that Molière’s work teaches us that recognition of death is necessary for the fulfillment of life and that this universal problem gives a lot of its significant meaning to a play like L’Avare.
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