| 41. |
- Jungselius, Beata, 1982-, et al.
(författare)
-
Keeping Memories Alive : A Decennial Study of Social Media Reminiscing, Memories, and Nostalgia
- 2023
-
Ingår i: Social Media + Society. - : Sage Publications. - 2056-3051. ; 9:4, s. 1-15
-
Tidskriftsartikel (refereegranskat)abstract
- In this article, we present findings from an analysis of social media users’ own descriptions of having lived with social media for over a decade. In doing so, we draw upon the users’ reflections as related in data collected over 10 years. We present findings from a unique dataset of 36 stimulated-recall interviews, where we have studied the same group of informants in 2012, 2017, and 2022. While previous work on reminiscing, memories, and social media have relied on descriptions of practices as they are remembered, our approach has allowed us to follow and examine how users reflect upon their own practices over time. In this article, we focus on social media reminiscing practices and show how social media users seek and engage with previously posted social media content to reminisce and how their reflecting upon how their social media practices have evolved over time evoke ambiguous feelings. Drawing upon previous work and our own empirical material, we define and discuss social media nostalgia. We describe how social media users experience both personal social media nostalgia (referring to how I was), and historical social media nostalgia (referring to how it was) when reflecting upon past social media practices and demonstrate how social media users nostalgize as they interact with and through social media memories. Finally, we discuss our findings in relation to the interplay between reminiscing practices and technology and point to how social media memories represent a detailed insight into an ongoing social transformation of everyday life.
|
|
| 42. |
|
|
| 43. |
- Malling, Milda, Doktorand
(författare)
-
Reconstructing the Informal and Invisible : Interactions Between Journalists and Political Sources in Two Countries
- 2023
-
Ingår i: Journalism Practice. - : Taylor & Francis. - 1751-2786 .- 1751-2794. ; 17:4, s. 683-703
-
Tidskriftsartikel (refereegranskat)abstract
- A significant part of the interaction between journalists and their sources in political journalism is informal or not mentioned in the media content. Visibility/invisibility and formality/informality are tactical choices applied by journalists and sources. They influence agenda building in the short term and shared interpretations that dominate the public sphere in the long term.However, the extent to which informal and/or invisible sources participate, what their role is, and why have not been consistently measured. This paper offers a matrix model to map and compare the usage of formal/informal and visible/invisible interactions between journalists and their sources. The data consists of 475 journalist-source interactions in Lithuania and Sweden reconstructed by 33 political journalists.The results demonstrate how different interactions presuppose different source roles in the news process. Formal invisible sources act as gatekeepers, and informal invisible sources act as agenda setters.
|
|
| 44. |
-
Mediebarometern 2019
- 2020
-
Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Mediebarometern är en årlig undersökning av den svenska befolkningens tillgång till, och användning av, olika typer av medier. Undersökningen har genomförts sedan 1979 och det gör Mediebarometern till den äldsta studien i sitt slag i världen. Resultaten i 2019 års undersökning bygger på svar från omkring 6 000 slumpmässigt utvalda personer i åldern 9 till 79 år. Mediebarometern genomförs av Nordicom vid Göteborgs universitet i samverkan med Dagens Nyheter, Göteborgs-Posten, Myndigheten för press, radio och tv, Sveriges Radio, Sveriges Television och Sveriges Utbildningsradio.
|
|
| 45. |
-
Mediebarometern 2020
- 2021
-
Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Mediebarometern är en årlig undersökning av den svenska befolkningens tillgång till, och användning av, olika typer av medier. Undersökningen har genomförts sedan 1979 och det gör Mediebarometern till den äldsta studien i sitt slag i världen. Resultaten i 2020 års undersökning bygger på svar från omkring 6 000 slumpmässigt utvalda personer i åldern 9 till 85 år. Mediebarometern genomförs av Nordicom vid Göteborgs universitet i samverkan med Dagens Nyheter, Göteborgs-Posten, Myndigheten för press, radio och tv, Sveriges Radio, Sveriges Television och Sveriges Utbildningsradio.
|
|
| 46. |
- Miguel, Cristina, 1979, et al.
(författare)
-
Self-branding and content creation strategies on Instagram: A case study of foodie influencers
- 2023
-
Ingår i: Information, Communication and Society. - 1369-118X .- 1468-4462.
-
Tidskriftsartikel (refereegranskat)abstract
- The purpose of this study is to better understand the processes and procedures adopted by micro-influencers to create ‘instagrammable’ content. It is based on 17 in-depth interviews with foodie micro-influencers based in London and Barcelona. Interview data was complemented with participant observation in restaurants or cafes. This paper makes three original contributions. Firstly, the study expands the understanding of the concept of ‘instagrammability’ by approaching it from the perspective of influencers creating content to satisfy and/or grow an audience. Secondly, it illustrates how two dominant factors drive influencers’ content creation process: the self/audience focus content branding orientation. The ‘audience-focus’ content development process varied drastically, with some influencers being very conscious of responding to their audiences’ needs whereas others maintained first and foremost a very strong ‘self-focus’. However, even for the influencers who were the most responsive to their audiences’ perceived wishes, a sense of ‘self-focus’ was maintained as an anchor point in all developed content, often linked to a passion for a certain type of food. Thirdly, this paper maps and describes the behind-the-scenes content creation process adopted by micro-influencers, including four stages (1) Content Planning, (2) Media Gathering, (3) Editing, and (4) Publishing, which was followed by an engagement phase. This study offers a timely contribution to better comprehend the content creation cycle adopted by micro-influencers by using foodie influencers as a case study.
|
|
| 47. |
- Najem, Chafic T., 1991-
(författare)
-
Smuggle, Frame, Shoot : Illicit Media Practices and Visual Insurgency from Lebanese Incarceration
- 2023
-
Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This research explores prisoners’ illicit use of digital-media technology during their incarceration in Lebanon. Prisoners smuggle cellphones and access internet and telecommunication connection to produce and mediate videos, images, and voice recordings documenting quotidian experiences of imprisonment, violent events, and the COVID-19 Pandemic inside the notorious and overcrowded Roumieh Central Prison. Fragmentary prison amateur cellphone media messages make their way from behind bars to various media ecologies, from social media to local and international news-media platforms, where they are (re)mediated and often appropriated to feed partisan and sectarian media narratives. In this dissertation, I investigate prison cellphone recordings and their political and testimonial possibilities by tracing the prison media practices responsible for their production and circulation. Influenced by Amel’s (1976, 1988) intellectual project of theorizing from the periphery and the lo popular approach to theorizing media with and from individuals’ media practices in their territory (Martín-Barbero, 1998), I propose a framework for the conceptualization of prisoners’ illicit use of digital-media technologies and the recordings they produce as media from the prison. Based on a foundation of media-practice theory, more specifically the articulation of activist media practices and mediation theory (Martín-Barbero, 1993; Mattoni, 2012; Mattoni & Treré, 2014), I introduce three overarching and overlapping conceptual themes: media witnessing, media mobilization, and vulnerability in resistance. Using this theoretical framework, I examine the categories, characteristics, and modes of framing reflected in prison cellphone recordings, explore their alignment with mechanisms of mobilization and organized protest, and consider them as visual and sonic recorded testimonies that document and communicate personal impressions and the conditions of quotidian life in confinement. The analysis draws on a qualitative, multi-method approach combining visual analysis and contextual interviews. Location- and event-based searches were used to systematically collect a corpus of prison cellphone recordings remediated between 2011 and 2022 on Facebook, YouTube, and local and international news-media platforms. I propose the notion of visual insurgency as a step towards understanding the role and function of recordings that are produced and mediated through inherently prohibited media practices. Through the examination of composition, POV, frame, sound, (re)mediation, and the partisan context of Lebanon and the colonial history of its prisons, I trace the illicit media practices responsible for these prison representations. I claim that, through their media practices, prisoners mediate from the prison testimonies of their lived experiences, expose their vulnerabilities to the precarious conditions they exist in, re-claim a sense of mundanity, and incite feelings of affinity to mobilize support. I conclude that prison cellphone recordings are the result of meticulous prison media practices that are intended to actively mobilize support and sympathy, as well as to establish communication networks with affiliates and media personnel. Prison media practices continue to grow as prisoners smuggle digital-media technologies, develop new approaches to framing their testimonies and shooting the precarious environment, stories, performative assemblies, and lived experiences behind bars.
|
|
| 48. |
- Ohlsson, Jonas, 1980, et al.
(författare)
-
Ekvilibrium
- 2016
-
Ingår i: Ohlsson, Jonas, Henrik Oscarsson & Maria Solevid (red) Ekvilibrium.. - Göteborg : SOM-institutet, Göteborgs universitet. - 0284-4788. - 9789189673359 ; , s. 11-44
-
Bok (övrigt vetenskapligt/konstnärligt)
|
|
| 49. |
|
|
| 50. |
- Schirrmacher, Beate, Dr. 1973-, et al.
(författare)
-
Introduction : The Dynamics of Truthfulness and Media
- 2023
-
Ingår i: Truth Claims Across Media. - : Palgrave Macmillan. - 2731-9520 .- 2731-9512. - 9783031420634 - 9783031420665 - 9783031420641 ; , s. 1-24
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- In this introduction to “Truth Claims Across Media,” we approach pressing questions related to facts and fakes, authority and authenticity, information and disinformation through an intermedial perspective. As digital technology allows us to blend different media and modes on an unprecedented scale, we need to delve deeper into how our media choices impact our perception of truthfulness. We present the concepts of truthfulness and truth claims, examining what kind of knowledge about the actual world can be derived from specific media products. The intermedial perspective serves as a lens through which we can elucidate how the interplay between facts, coherence, and audience engagement varies in different media contexts. From this perspective, it becomes possible to discuss how media choices influence knowledge production and relate to the evolving demands for authenticity and witnessing in today’s shifting media landscape.
|
|
