| 1. |
- Axhamn, Johan, 1979-
(författare)
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Infopaq II : CJUE elucideaza unele aspecte ale exceptiei privitoare la anumite acte de reproducere temporara
- 2012
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Ingår i: Pandectele române. - 1582-4756 .- 2286-0576. ; :2, s. 173-178
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Any derogation from copyright must be interpreted in a strict manner, since it is a derogation from the general principle that the holder must authorize any reproduction of a work protected by copyright. The temporary reproduction acts performed during a "data capture", such as those in the case presented before the national court, must be considered as entirely meeting the conditions of the test made up of three stages, as provided in art. 5 par. (5) of Directive 2001/29/EC, if they meet the requirements under art. 5 par. (1) of Directive 2001/29/EC.
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| 2. |
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| 3. |
- Grossman, Alyssa, 1973
(författare)
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De la tricotat la Marx : From Knitting to Marx
- 2011
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Ingår i: Meţeriașii (foae cu mîini), edited by Răzvan Supuran. - Bucharest : Casa de Pariuri Literare. - 9786068342436 ; , s. 85-86
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 4. |
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| 5. |
- Bagiu, Lucian
(författare)
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Limba română la Universitatea Carolină din Praga
- 2013
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Ingår i: Philologica Jassyensia. - 1841-5377. ; IX:2 (18), s. 279-290
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Tidskriftsartikel (refereegranskat)abstract
- Founded in 1348, Charles University in Prague is among the oldest academic institutions in the world. Teaching the Romanian language has a longstanding tradition as well: it was established by the Czech philologist Jan Urban Jarník (1848-1923) within the Romance Department in 1882. Thus Charles University in Prague became the fifth university outside Romania that began teaching Romanian language (following those in Torino, Petrograd, Vienne and Budapest). A key moment for learning the Romanian language in Prague, as well as for the Romanian - Czech relations altogether was the foundation of the Romanian Language and Literature Section in 1950, within the Faculty of Arts. A year later, on the basis of a Romanian Ministry Agreement the activity of the Romanian language lectureship was inaugurated. This implied the ongoing presence of a Romanian language lecturer detached from a university in Romania in order to teach mainly practical courses to the Check students. Starting with 2009 the Romanian Language and Literature Section is part of the South-Slavonic and Balkan Department next to the Serbian, Croatian, and Slovenian, Bulgarian and Albanian language, literature and history. In the academic year 2012 - 2013 the Romanian lecturer is the only full-time employee and within the section have a part-time Mr. Mircea Dan Duță (the director of the Romanian Cultural Institute in Prague) and Mr. Jiri Nasinec (translator) for the Romanian language subjects and Mrs. Libuse Valentova and Mrs. Jarmila Horakova (PhD student) for Romanian literature subjects. The lectureship itself provides practical courses for the first and second year students that have Romanian as their major language (A); also a creative writing seminar for the master students and optional courses in Romanian language for the students from all specializations of Charles University. There are 18 students who are currently learning Romanian officially at Charles University and 8 more PhD students or other.
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| 6. |
- Nicolau, Felix
(författare)
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Codul lui Eminescu : Titan, demon si geniu in opera poetica a lui M. Eminescu
- 2010
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Bok (refereegranskat)abstract
- Titan, Demon and Genius in the Poetical Work of Mihai Eminescu is a book that furthers on the interpretation of the most representative Eminescu’s poems and also of his lyrical theatre. Besides, a special chapter is dedicated to the cultural context of the second half of the 19th century and another one records the literary works inspired by Eminescu’s works and personality throughout the 20th century.The research is realized with comparative methods, strategy that involved tackling and solving numerous translation problems when parallels were drawn to American and English romanticist works.Structurally, the book is founded on a three-level approach. The main intention was to highlight the evolution of triad: the demon’s fury and revolt, mostly set among narcissistic coordinates, are re-valued with the titanic character in the fight for public welfare and for spiritual evolution of the human species. Contrary to those opinions that apprehended genius as a defeated, exhausted titan, I tried to demonstrate that this stage represents the climax in the intellectual ascension of Eminescu’s triadic character. The genius’s involvement is obvious in The Dramatic Dodecameron, where Eminescu shapes the matrix of a national mythology founded on Dacian and Muşatinic bases. The literary analyses are constantly supported by concepts and philosophical theories that intersected the writer’s encyclopaedic preoccupations. Of crucial importance was the relief given to Eminescu’s gnoseological connections with alchemy, theology, and with the diverse gnoses. All these influences and personal developments offer universal radiation to a creativity that moved from the exotic romanticism to the hyper-stylized baroque, and up to the ascetic and perfectly balanced classicism.
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| 7. |
- Sampson, Steven, et al.
(författare)
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"Steven Sampson" (interview)
- 2010
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Ingår i: 1989-2009: Incredibila aventura a democratiei dupa comunism. - 9789736116575 ; , s. 277-284
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Bokkapitel (populärvet., debatt m.m.)abstract
- Answers to prepared questions by the editors on developments in Romania from 1989 to 2009, asked of several experts of Romania. Views on the Romanian revolution and the success of the transition to democracy. Translated from English to Romanian
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