| 31. |
- Buljančević, Rastko, 1991
(författare)
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Significantes intertextuales en la banda sonora de Bernardo Bonezzi: paradigma del cine de Pedro Almodóvar : Intertextual Signifiers in the Soundtrack of Bernardo Bonezzi: Paradigm of Pedro Almodóvar’s Cinema
- 2022
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Ingår i: Cuadernos de Investigación Musical. - : Universidad Castilla la Mancha. - 2530-6847. ; 15, s. 221-239
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Tidskriftsartikel (refereegranskat)abstract
- Despite his recognizable compositional skills, Bernardo Bonezzi could not escape the influence of great classical and film composers. Thus, several of his works, especially those from Pedro Almodóvar’s films, are imbued with the compositional language of Nino Rota, Bernard Hermann, Erik Satie and Igor Stravinsky. First, the borrowed musical references are identified and then placed in a new socio-historical, geographical and cultural-ideological context. The use of the waltz “What have I done to deserve this?”, composed as part of the intertextual interweaving of the soundtrack of various cult films, is analyzed in detail. In this paper, a new method of analysis is applied in which pre-existing sound resources are given new sensory, affective and conceptual meaning. It is thus possible to decipher the intertextual chains of signifiers in “Bonezzian” music and determine whether there is an authentic authorial voice in it.
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| 32. |
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| 33. |
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| 34. |
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| 35. |
- Carle, Jan, 1955
(författare)
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Jóvenes relaciones familiares un Suecia
- 2002
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Ingår i: Emancipación y Familia, Coordinación del nùmero Almudena Moreno Minguez. - 0211-4364. ; 58, s. 79-93
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Tidskriftsartikel (refereegranskat)
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| 36. |
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| 37. |
- Castro, Andrea, 1964
(författare)
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Buenos Aires - Nueva York: Paul Groussac y los dobleces de una traducción
- 2011
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Ingår i: Espéculo. Revista de estudios literarios. - 1139-3637. ; julio-octubre 2011:48
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- In this article I set out to discuss translation and exile in a short story by Paul Groussac that was first published in English -titled "A Hero"- and later on in Spanish -titled "La Herencia"-. To this end, consideration is taken both to the publishing circumstances and the textual relations that can be established with other texts of the French-Argentinian autor as to how diferent reading audiences are adressed by each of the versions of the story.
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| 38. |
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| 39. |
- Castro, Andrea, 1964
(författare)
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Educación, ciencia y blancura en Stella y Mecha Iturbe de César Duayen : Education, Science and Whiteness in Stella and Mecha Iturbe by César Duayen
- 2016
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Ingår i: Kamchatka. Revista de análisis cultural. - 2340-1869. ; 7, s. 341-361
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Tidskriftsartikel (refereegranskat)abstract
- The present article studies the role of education and science in the process of imagining the desired nation in the first two novels by César Duayen, namely, Stella (1905) and Mecha Iturbe (1906). To this end, the analysis focuses on the relations established between Education, Science and Nation as well as on the ways through which the narratives attribute themselves the authority to imagine the nation and realize this imagination in the diegetic world. Within this framework, the tension between the local and the global – or the national and the cosmopolitan – will play a central role, which is also discussed along the essay. Furthermore, it is argued that white as a colour as well as white bodies will be central elements for the conveyance of both the conflicts that the desired nation faces and the ideals that guide it.
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| 40. |
- Castro, Andrea, 1964
(författare)
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El arte como horizonte utópico del sentir en La Anunciación : Art as Utopian Horizon of Feeling in La Anunciación
- 2015
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Ingår i: 452° Farenheit. Revista de Teoría de la Literatura y Literatura Comparada. - 2013-3294. ; :12, s. 167-181
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Tidskriftsartikel (refereegranskat)abstract
- ABSTRACT || In La Anunciación (2007) by María Negroni, a survivor of the Dirty War in Argentina narrates her quest to reconstitute herself as a subject, in exile, thirty years later. Thus, the novel inserts itself in the series of narratives about the memories of the last dictatorship in Argentina. However, at the same time, departing from referentiality, the novel creates obstacles for a mimetic reading. This paper argues that this is achieved through the discussion about art that mainly focuses on the character of Emma, the painter, and on the pictorial tradition of the Annunciation. Nonetheless, this departure from referentiality is by no means complete as the narrative keeps a dialectical relationship with history and memory. Accordingly, this article suggests that the novel puts forward a utopian idea of art that enters in dialogue with the utopian ideals of the revolutionary movements of the 1970s. RESUMEN || En La Anunciación (2007) de María Negroni una sobreviviente de la Guerra Sucia en Argentina narra su intento de volver a constituirse como sujeto en el exilio, treinta años más tarde. A través de esta temática, se inserta en la narrativa argentina de la memoria de la última dictadura. Al mismo tiempo, la novela, desvinculándose de lo referencial, obstaculiza una lectura mimética. El presente trabajo argumenta que esto se logra a través de la discusión sobre el arte, discusión que, principalmente, se nuclea alrededor del personaje de la pintora, Emma, y de la tradición pictórica de la Anunciación. Pero esta desvinculación de ninguna manera es total, sino que se mantiene en una relación dialéctica con la Historia y con la memoria. De ahí, planteamos que, a través esa misma discusión sobre el arte, la narrativa propone una idea utópica de este, que entra en diálogo con las utopías de los movimientos revolucionarios de la década de 1970
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