| 681. |
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| 682. |
- Rodéhn, Cecilia, 1977-
(författare)
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Galenskapens kulturarv
- 2022
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Ingår i: Mad studies, kulturarv och konst. - Vimmerby : Trapart Books. ; , s. 89-91
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Bokkapitel (populärvet., debatt m.m.)
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| 683. |
- Rodéhn, Cecilia, 1977-
(författare)
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Lost in Transformation : A critical study of two South African museums
- 2008
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- In this dissertation Transformation, as understood in South Africa, is investigated in the ‘Natal Museum’ and the ‘Msunduzi Museum Incorporating the Voortrekker Complex’ in terms of socio-political structures, the museum as a place, its collections and displays. I have emphasised the ethnographical perspective and analysed it by using key concepts such as new museology, time, space and place. My research focuses on the perception and mediation by museum staff-members of Transformation which is compared and positioned against South African and international museological theoretical discourses. I further explore the political backdrop to Transformation of South African museums and discuss related problems and aspects such as reconciliation, nation-building and the African Renaissance. Socio-political structures, acts, reports and policy documents are analysed over a long temporal sequence, but focus on the period 1980-2007. The long temporal sequence is a tool to capture the development connected to the museums in space and time and aims to compare and present previous developments in order to investigate how Transformation positioned itself as against the past. I hold that Transformation should be treated as an ongoing process connected to other transformation processes across time. I also propose that Transformation started earlier than previously suggested and that it is not a question of one Transformation but of many transformation processes. The urban landscape and the concept of place and name are explored. My research examines the urban landscape from the establishment of Pietermaritzburg to study how the museums were positioned in the landscape and how this has contributed to associated meanings. The museums are treated as demarcated places in the urban landscape which are named and infused with meaning and ownership. The museums are constituted and acted out within specific socio-political structures. The dissertation suggests that the objectives of Transformation reveal themselves through negotiation and alteration of place and name. My research explores the history of the museum collections – how objects were acquired, classified and used to materialise the museums´ institutionalisation of time and what this brought about for heritage production. I investigate what did and did not change when the museums transformed and I deconstruct the new and old objectives and socio-political ideas of collections. I analyse displays as socio-political spaces, the agent’s appropriation, and the discrepancies within dominant socio-political structures. When Transformation materialises in displays it becomes visible for the public to see. The negotiated displays show how the museum tries to visualise Transformation to the public. The discussion analyses the discussed concepts of Transformation, the structures, place, name, display and collection, and relates these to the concept of time, and to how agents create time and make it visual. I also discuss how museological writing and political speeches shape and negotiate Transformation through their articulation and how they sometimes constrain and form discrepancies to actual reality.
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| 684. |
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| 685. |
- Rodéhn, Cecilia, 1977-
(författare)
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The Msunduzi Museum A Contested Place?
- 2008
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Ingår i: Msunduzi Journal. - Pietermaritzburg : Msunduzi/Voortrekker and Ncome Museums. - 1996-7500. ; 1:1, s. 67-79
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Tidskriftsartikel (refereegranskat)
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| 686. |
- Rodin, Lika
(författare)
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‘Developmental talk’ as confession : The role of trade unions in workplace governance
- 2016
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Ingår i: Ephemera: Theory & Politics in Organization. - 1473-2866 .- 2052-1499. ; 16:2, s. 53-75
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Tidskriftsartikel (refereegranskat)abstract
- With increasing market deregulation, workplace relationships, identities, and functions are gradually transforming. This study problematizes the role of trade union organizations, looking at the phenomenon of performance appraisal interviews or so-called ‘developmental talks’ in the Swedish context. The critical tradition in organizational research and Michel Foucault’s notion of ‘technologies of governance’ (examination and confession) are utilized to scrutinize discourses produced by a trade union’s training video on developmental talk. As I will demonstrate, the trade union appears in the educational materials as an expert-therapist, assisting the worker in the development of a specific identity type — a ‘disciplined entrepreneurial self’ — that fits neoliberal demands addressed to labour. The paper emphasizes the legitimation of normalizing power by means of the video narration and it’s special concern for a particular category of employees, namely workers with non-Swedish background. The study ends with a discussion on a possibility of resistance to the regularity and normalizing effects of the video discourse.
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| 687. |
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| 688. |
- Romgard, Jan, 1966-
(författare)
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En levande forskning på museerna
- 2017
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Ingår i: Museerna - klarar staten av sitt uppdrag?. - Stockholm : Axel och Margaret Ax:son Johnsons stiftelse för allmännyttiga ändamål. - 9789189672994 ; , s. 19-35
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Bokkapitel (populärvet., debatt m.m.)
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| 689. |
- Ronström, Owe, 1953-
(författare)
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In retrospect: Dancing and music-making among Yugoslavs in Stockholm
- 2021
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Ingår i: Sounds of Migration. - Uppsala/Stockholm : Eddys AB. - 9789187403392 ; , s. 59-82
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Bokkapitel (refereegranskat)abstract
- In recent years, we have seen a renewed interest in the study of music and migration in the Nordic countries, following from the extensive migration waves in recent decades and the increasingly charged political discourse on refugees and integration. Many of these studies focus on the role of music as a collective emblem, a social catalyst and a unifying force for people in vulnerable situations.Studies of music and migration in the Nordic countries go further back in time. During the 1980s, migration research was expanded to include studies of expressive culture, cultural encounters and cultural diversity. During the 1990s and onwards, a number of works on music making and dancing among migrants were published that significantly strengthened and renewed the field of ethnomusicology in the Nordic countries.In April 2019, Nordic ethnomusicologists gathered in Stockholm to discuss how experiences and knowledge from previous studies could enrich today's research. This book is the result of this meeting.
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| 690. |
- Rosengren, Mathilda, et al.
(författare)
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Urban Space and Everyday Adaptations : Rethinking commons, co-living, and activism for the Anthropocene City
- 2022
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Ingår i: SPOOL. - : Stichting OpenAccess Foundation. - 2215-0897 .- 2215-0900. ; 9:2, s. 5-24
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Tidskriftsartikel (refereegranskat)abstract
- This paper addresses Jem Bendell’s concept of “deep adaptation” in the Anthropocene through the lens of everyday urban practices in contemporary Northern Europe. It proposes that this “deep adaptation” should be defined less in relation to a socio-ecological “collapse” and more through everyday occurrences in present- day urban environments.Entering into a critical conversation with Bendell’s conceptual “4 Rs” framework, the paper draws onprimary data from several cities in Sweden and Germany to show how, in practice, resilience can befound in the “quiet activism” of leisure gardeners; how ingrained notions of restricted land use may be relinquished through “commoning” urban space; how novel constellations of co-living restores old ideas of intragenerational urban cohabitation; and, finally, how a path to reconciliation may be articulated throughan ontological shift away from an anthropocentric urban planning, towards one that recognises other-than- human beings as legitimate dwellers in the urban landscape.Accounting for urbanities of enmeshed societal, ecological, and spatial trajectories, the paper reveals an inhibiting anthropocentrism in Bendell’s framework and ultimately points to how his “creatively constructed hope” for the future may be found, not in an impending global collapse, but in everyday adaptations and embodied acts that stretch far beyond the human.
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