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Träfflista för sökning "WFRF:(Sanders Hanne) srt2:(2010-2013)"

Sökning: WFRF:(Sanders Hanne) > (2010-2013)

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  • Sanders, Hanne, et al. (författare)
  • Indledning
  • 2010
  • Ingår i: Flytande gränser. Dansk-svenska förbindelser efter 1658. - 9789170610783 ; Centrum för Danmarksstudier 25, s. 11-21
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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  • Bengtsson, Åsa, 1967- (författare)
  • Nyktra kvinnor : Folkbildare, företagare och politiska aktörer. Vita Bandet 1900-1930
  • 2011
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • In this thesis the female Christian temperance union the White Ribbon is in focus. The White Ribbon was founded in Stockholm in 1900 and it was part of the international organization World’s Woman’s Christian Temperance Union (WWCTU). The organization’s ambition was to create a temperate and moral society, running a variety of philanthropic institutions and adult education, as well as non-alcohol serving restaurants.The aim of the thesis is to study the White Ribbon’s social and political commitment and its ideological approach during the first three decades of the 20th century. The White Ribboners’ ideological approach and culture are problematized in relation to the prevailing and predominant view on women. The organization’s monthly journal has been closely studied and the ideas and practical social and political commitment have been analyzed in a theoretical perspective of social movement theory, according to the Swedish sociologist Håkan Thörn’s methodological framework. This theoretical approach is an instrument to analyze what the White Ribbon identified to be social problems; what was considered to be the reasons for these problems; and what strategy the organization regarded to be the best way to deal with them in order to reach the prognosticated change.The analysis shows that the White Ribbon identified the predominant gender system and the bourgeois view on women as a primary social problem. The organization’s strategy was to eliminate the patriarchal order of the gender system and to change the attitude of people through adult education, information and persuasion. The White Ribbon participated in public debate pursuing temperance and women’s suffrage, and was a lobbyist proposing motions and demanding legislative reforms. The White Ribbon’s ideological approach, as well as their philanthropic activities emanated from a bourgeois ideal of conscientiousness and cultivation, and from an interest in social politics. This was in contrast to the bourgeois view of what the ideal woman should do. From the White Ribboners’ point of view, society could only prosper when women had the same rights as men, and could participate the public sphere and become involved in politics.The study shows that the organization worked hard for equality and democracy, pursuing a feminist and liberal ideology. The White Ribboners regarded themselves, and also acted, as political agents. They introduced and increased women’s possibilities for adult education. They initiated and provided social protection for alcohol addicted women, and for poor and fallen women and girls. These activities must be seen as forms of enterprises and the White Ribboners  as entrepreneurs, since these institutions were, in fact, innovations and models for solving problems in order to build a welfare system and to create a temperate and prosperous society. The thesis put forward arguments that the White Ribbon’s social and political work are political innovations and important elements in the process of democratization and, therefore, played an important part in this process.
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  • Berggren, Lars, et al. (författare)
  • Fackliga rörelser över Sundet ca 1860-1920
  • 2010
  • Ingår i: Flytande gränser. Dansk-svenska förbindelser efter 1658. - 1651-775X. - 9789170610783 ; 25, s. 152-171
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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  • Hildeman Sjölin, Cecilia, et al. (författare)
  • Kyrkorum och bild i Brunnby kyrka
  • 2010
  • Ingår i: Flytande gränser: Dansk-svenska förbindelser efter 1658. - 9789170610783 ; , s. 62-93
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • Ever since Brunnby Church was first erected it has been altered and it has crossed boundaries in terms of both religious and national affiliation - from a Catholic to a Lutheran place of worship and from being a Danish to being a Swedish church. The boundaries around and within the church itself have changed, and have become displaced as new forms of worship have been introduced. Boundaries and intersections have formed around and inside the church that permit and prevent access, signal distance, frame the space, focus attention and create hierarchies within the sacred space through a physical as well as a visual access and orientation, to which the architecture, placing of images, design and inner context contribute. These boundaries and this orientation have changed throughout the history of Brunnby Church. The medieval room has a simple axial orientation directed toward the altar, which is the focal point of the room. This mode of orientation and focus is supported by the painted images on the vaults that were designed to cater for the needs og the church-goers. The late 15th century paintings appear to have been still exposed in 1558, when an adjoining image was added. The church was extended and given the form of an inverted T in the 16th century, by which time the sanctuary had lost its focal position. This was a result of the increased importance of the sermon whithin the Lutheran service and of the diminishing importance of the altar and Eucharist In conjunction with the demystification of the mass, the boundary between sanctulary and nave, as well as between the outer world and the sacred room a coherent whole, was toned down. A monumental pulpit was added in 1623 together with fixed seating, which served to glorify and set the stage for the sermon. The paintings were whitewashed in 1682 at the latest. The church was given a cruciform shape in the 18th century, resulting in a central rather than an axial space. The introduction of an organ in the western end of the church in 1841 displaces and alters the soundscape, which was earlier oriented toward the sanctuary.
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  • Resultat 1-10 av 18

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