331. |
- Johansson, Niclas, 1981-
(författare)
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Konsten som kraftkälla eller livsförnekelse : Om Inger Edelfeldts konstnärsberättelser
- 2021
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Ingår i: Tidskrift för litteraturvetenskap. - : Foreningen for utgivande av Tidskrift for litteraturvetenskap. - 1104-0556 .- 2001-094X .- 0282-7913. ; 51:3-4, s. 200-219
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Tidskriftsartikel (refereegranskat)abstract
- This article examines the role of art in the work of Swedish author Inger Edelfeldt. Based on an analysis of the short story “Skapelsen” (“The Creation,” 1995), the article argues that Edelfeldt’s literary works present two opposing views of art: art as an imitation of life and art as a source of life, which in turn are aligned with Nietzsche’s distinction between the Apollonian and the Dionysian. Furthermore, the article investigates how this distinction relates to Edelfeldt’s stories of the artist as heroine. The article argues that these stories fall into two major categories: the comic and utopian Künsterlinroman – exemplified by Hustru (Wife, 1978) and Det hemliga namnet (The Secret Name, 1999) – and the tragic and critical Künstlerinroman – exemplified by Konsten att dö (The Art of Dying, 2014). The analysis shows that these novels, while antithetical in tendency and structure, are organized by the same dialectic between the Apollonian and Dionysian and between art as an imitation of life and art as a source of life. While one side offers a naïvely utopian and individualistic picture of the woman artist in contemporary society, the other gives a realistic and critical perspective on the same subject. And the interconnection between the two views of art reveals a deeper complexity in the author’s portrayal of the contemporary woman artist than can be achieved through isolated analyses of her individual works.
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332. |
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333. |
- Johansson, Sven Anders, 1968-
(författare)
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Det sublima i Ragnar Strömbergs poesi
- 1996
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :1, s. 3-26
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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334. |
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335. |
- Johansson, Sven Anders, 1968-
(författare)
-
Inledning
- 2019
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 49:2-3, s. 5-7
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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336. |
- Johansson, Sven Anders, 1968-, et al.
(författare)
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Möte med Jacques Rancière
- 2007
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :1-2, s. 35-42
-
Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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337. |
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338. |
- Johansson, Sven Anders, 1968-
(författare)
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Vad gör en facist? : Individen, mikropolitiken och aktivismens logik
- 2019
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 49:2-3, s. 47-56
-
Tidskriftsartikel (refereegranskat)abstract
- The article contains a discussion of fascism and anti-fascism, with a focus on the role of the individual subject. The author turns first to Theodor W. Adorno and then to Gilles Deleuze & Félix Guattari in order to question a common understanding of the constitution of fascism. While Adorno sees the individual subject as the locus of a possible anti-fascist resistance, he also regards modern individualism as one of the crucial factors behind the surge of fascism. Deleuze & Guattari opens another perspective on fascism through their distinction between micro- and macropolitics, and a discussion of ”segmentarity”. Hence the article argues that the boundary between fascism and humanism/liberalism/democracy is not as clear as it is normally understood today, when ”fascism” tends to become the abject of modern civilization. This argument is finally developed through a discussion of two very different contemporary examples of activism. Fascism, the article concludes, is in one sense a latent possibility within modern society, rather than its opposite.
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339. |
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340. |
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