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Sökning: hsv:(HUMANIORA) hsv:(Språk och litteratur) hsv:(Litteraturvetenskap)

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4541.
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4542.
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4543.
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4544.
  • Cariboni Killander, Carla, 1962-, et al. (författare)
  • Cinematic Ekphrasis and its Narrative Implications
  • 2013
  • Ingår i: <em>Emerging Vectors of Narratology: Toward Consolidation or Diversification?</em>,Paris, 29-30 mars 2013.
  • Konferensbidrag (refereegranskat)abstract
    • In recent years, the classical figure of ekphrasishas proved to be a very fruitful concept especially in the field of intermedialstudies. Theorists such as J. A. W. Heffernan, W. J. T. Mitchell, M. Kriegerand C. Clüver have contributed to the definition of ekphrasis, progressivelyenlarging its borders beyond the image-word relation. However, in Clüver’sdefinition of ekphrasis as the “verbalization of a real or fictitious textcomposed in a non-verbal sign system”, the focus remains on the verbal natureof the target medium. Following S. Bruhn, L. Sager Eidt and A. Pethö, we aim atquestioning this limitation by showing that the concept of ekphrasis iscritically viable even when the target is not verbal. Our examples will becases of cinematic ekphrasis, where energeiaand repurposing, two crucial aspectsof ekphrasis, both with narrative implications, are achieved by other meansthan only language. By doing this we join the post-classical narratologicaldiscourse and its increased interest in the question of narrative in non-verbalforms.
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4545.
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4546.
  • Cariboni Killander, Carla, et al. (författare)
  • Questioning ekphrasis by using eye-tracking technique
  • 2013
  • Konferensbidrag (refereegranskat)abstract
    • In recent years, the classical figure of ekphrasis has proved to be a very productive concept especially in the field of intermedial studies. Theorists such as J. A. W. Heffernan, W. J. T. Mitchell and C. Clüver have contributed to the definition of ekphrasis, progressively enlarging its borders beyond the image-word relation. However, in Clüver‖s definition of ekphrasis as the “verbalization of a real or fictitious text composed in a non-verbal sign system”, the focus remains on the verbal nature of the target medium. Following S. Bruhn, L. Sager Eidt and A. Pethő, we aim at questioning this limitation. We propose to analyse ekphrasis as a case of intermedial relation (W. Wolf) between qualified media (L. Elleström), a relation in which enargeia (the vividness of the description, according to ancient rhetoric) and repurposing (a new purpose for the source medium in the target medium) play a distinctive role. On the basis of an empirical eye-tracking test (a technique for measuring the point of gaze of the viewer), which we have conducted on informants watching a film sequence, we intend to show that the notion of ekphrasis can be applied even outside the language medium.
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4547.
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4548.
  • Carlenvall, Johannes (författare)
  • Gunno Dahlstierna och »andra schlesiska skolan»
  • 1947
  • Ingår i: Samlaren. - Uppsala : Svenska Litteratursällskapet. - 0348-6133 .- 2002-3871. ; N.F. 28, s. 91-100
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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4549.
  • Carlshamre, Katarina, 1972- (författare)
  • Helper and Obstacle : the image of the father in four Swedish mother-narrated novels of the early 21st Century : Myrén, Nordin, Sandberg and Sveland
  • 2013
  • Ingår i: Studies in the Maternal. - : Open Library of the Humanities. - 2342-5741 .- 1759-0434. ; 5:2, s. 1-17
  • Tidskriftsartikel (refereegranskat)abstract
    • In my research on French and Swedish mother-narrated novels, the role given to the father stands out as a prime locus of difference between the two literatures. In the French mother-narratives, the most striking feature of the father is his absence. In accordance with the 20th Century image of the father, he is typically excluded from the mother-child dyad, and when present, he generally incarnates not body and care, but rather a traditional image of the father as bread-winner, law-keeper and/or representative for the outer sphere. In the Swedish novels, things are different. Without idealizing neither the stories, nor Sweden as a country, I will, in this paper, display some examples of a new and insistent trope in Swedish literature: the father as a caring bodily presence. Partly in light of the French novels, I will explore what this presence amounts to in four novels in which the mother is a narrator, and what it means for the narrating mothers. The novels I analyse are: I en familj finns inga fiender by Viktoria Myrén (2009); Ta itu by Kristina Sandberg (2003); Bitterfittan by Maria Sveland (2007); and Gå sönder, gå hel by Sofia Nordin (2011). I argue that the father is ascribed a double role, as both a helper and an obstacle in the mother's quest for liberation and subjectivity. On the one hand, he helps the mother to free herself from the idea of the mother as the exclusive natural parent and to move towards gender equality. On the other hand, he is insensitive to the oppressive effects of the traditional mother image, and sometimes uses it himself to limit his partner, by inducing feelings of guilt. I suggest that this ambiguous literary image of the father can be understood as an articulation of the imbalance between norm and reality concerning gender equality, which is present in Sweden today.
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4550.
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