1.
Persson, Lina, 1978-
(författare)
Redigerad fredag! : Andra publiceringsvägar, andra publiceringsvärldar
2018
Ingår i: OEI. - Stockholm : Moderna Museet. - 1404-5095. ; :79
Tidskriftsartikel (refereegranskat) abstract
Redigerad fredag! Fem kvällar om undersökande publicering i OEI #79: redigera/publicera/distribuera!Andra publiceringsvägar, andra publiceringsvärldar En kväll med undersökande svenska förlag och publiceringsstrukturer.Utifrån skilda perspektiv och praktiker kommer gästerna att belysa och diskutera redaktionella strategier samt publiceringens kritiska potentialer, innovativa former och produktiva gemenskaper.Redigerad fredag! lyfter fram en ekologi av konstnärliga publiceringsalternativ i Danmark, Sverige, Portugal och Frankrike för att lyssna till några av de samtida initiativ som alstrar ny energi inom redigering, publicering och distribuering.Programmet gräver sig också bakåt i den alternativa publiceringens historier. Där finns bland annat Ernesto de Sousas genreutmanande arbete som kritiker, konstnär, filmare och curator under de portugisiska 1960-, 70- och 80-talen, och det svenska Kulturmagasinet Vargen (1974–1975) med dess egensinniga mix av dada, pop och anarkism.''En kväll med ett fyrverkeri av 7 undersökande svenska förlag och publiceringsstrukturer: Art Distribution (Percival), BILAGA (Mari Lagerquist och Lina Persson), Chateaux (Beata Berggren, Martin Högström och Peter Thörneby), Firework Edition (Leif Elggren och Thomas Liljenberg), Mount Analogue (Diana Kaur och Tris Vonna-Michell), tillexempel förlag (Kristian Carlsson) och Rönnells förlag (Pekka Särkiniemi).Presentationer, performancer, releaser, samtal, möten.Programserien ingår i nummer 79 av tidskriften OEI som publiceras som en rumslig presentation på museet.OEI #79: Redigera/publicera/distribuera!
2.
Parley : / edited by Marc Johnson ; with contributions by Colin Browne [and 27 others].
2024
Konstnärligt arbete (refereegranskat) abstract
"Parley is a vibrant anthology gathering interviews with 26 knowledge keepers based in Vancouver, ranging from curators and artists to writers, all sharing involvement in First Nations rights, study, heritage preservation, and cultural revitalization. The discussion expands beyond the individuals, delving into related topics such as archiving, collection, and dissemination of First Nations languages and cultural artifacts. The book enhances the reading experience with 62 color illustrations, featuring glimpses into three museum reserves in Vancouver (The Museum of Anthropology, MOA, The Vancouver Maritime Museum, VMM, and The Museum of Vancouver, MOV). With contributions by Colin Browne, Jim Breukelman, Dana Claxton, Stan Douglas, Karren Duffek, Sharon Fortney, Haa Huups, Marc Johnson, Darius Jones, Uno Langmann, Nicola Levell, Parker McIntosh, Duncan Mcleod, Peter Morin, Bryan Mulvihill, Susan Rowley, Anthony Shelton, Heidi Swierenga, Kamala Todd, Mauray Toutloff, Ian Wallace, Connie Watts, Laura Wee Lay Laq, Jordan Wilson, Paul Wong, Cease Wyss, Michael Nicoll Yahgulanaas, Lawrence Paul Yuxweluptun. This diverse array of voices offers an insightful, comprehensive, yet humble understanding of First Nations' culture and history."--Provided by publisher.
3.
In the archival multiverse, the blubber decays but the fever increases. : A contribution to VIOLENCE: the fourth biennial PARSE Research Conference at the Faculty of Fine, Applied and Performing Arts, University of Gothenburg, Sweden. Under the "Archives and Witnessing" section of the conference. Moderated by Åsa Sonjasdotter
2021
Konstnärligt arbete (film/video) (refereegranskat) abstract
The presented work is composed by Marc Johnson — a memory worker — who is currently a Ph.D. candidate in performative and media-based practices at the Stockholm University of the Arts. The shared perspectives are engaging issues of violence from the center of an artistic practice-based research focused on archival practices and concerned with how a documentary heritage circulates, is formed, debated, shared, and re-interpreted.The lecture-performance starts by considering the “Rights of Nature” — from recent environmental litigations in Aotearoa (New Zealand), Bolivia, and Ecuador — which focus on the idea of legal standing. What does it take to enforce the legal personhood of a river or other natural entities?Marc Johnson investigates and reflects on some ways to deal with representations of murdered bodies — human and more-than-human (cellular life forms) — without replicating historical patterns of abuse? Under what conditions shall these documents, artifacts, or, images be seen?Marc Johnson collaborates with Hitomi Ohki 大木瞳 — Soprano singer — to expose how polyphony[1] and counterpoint[2] applied to cinema can be used practically to navigate the uncertain archive(s) of violence studies.Marc Johnson addresses the dynamics of archival silences[3] and archival amnesty[4] as an important reminder of the ways in which violence — despite its presence in the everyday life of most people mainly through paper-based, and online news media (including social networks) — can also be deeply buried and invisible through institutional and corporate powers and other means; nonetheless impacting the lives of ordinary people (as opposed to powerful people, military, political and business leaders).The proposal does not intend to resolve; but rather to expose and to put oneself in the presence of using the means of montage.Skepsis is the deployed strategy throughout the duration of the time-based work as defined by Jacques Derrida as a “vigilance, and attention of the gaze during an examination. […] One is on the lookout, one reflects upon what one sees, reflects what one sees by delaying the moment of conclusion.”[5] [1] A process of combining two or more voices so that they harmonize with each other but maintain their individuality.[2] A process of adding one or more melodies as an accompaniment to a given melody according to certain fixed rules; a composition in which melodies are thus combined.[3] Rodney G. S. Carter, “Of Things Said and Unsaid: Power, Archival Silences, and Power in Silence,” Archivaria, September 25, 2006, 215–33.[4] Tonia Sutherland, “Archival Amnesty: In Search of Black American Transitional and Restorative Justice,” ed. Michelle Caswell, Ricardo Punzalan, and T-Kay Sangwand, Journal of Critical Library and Information Studies, Critical Archival Studies, 1, no. 2 (2017): 1–23, https://doi.org/10.24242/jclis.v1i2.42.[5] Jacques Derrida, Memoirs of the Blind: The Self-Portrait and Other Ruins, trans. Pascale-Anne Brault and Michael Naas (Chicago: University of Chicago Press, 1993).
4.
Mårtens, Ylva
(författare)
Kära lyssnare : radion som sällskap
2009
Bok (refereegranskat) abstract
Ylva Mårtens gör ofta radioprogram om minnen från barndomens värld. Hon har som skicklig och prisbelönad radioproducent intresserat sig för barns villkor i bl.a. USA, Kina och Japan, liksom situationen för invandrarbarn i Sverige. Idén till boken går långt tillbaka i tiden. Här berättas hur radiovanorna förändrats med åren, från att alla samlades kring den sällsynta mottagaren/ apparaten till dagens lyssnande då radion står på medan vi gör något annat, eller då vi har den i örat. Mårtens intervjuar filosofer, psykologer och idéhistoriker. Hon citerar poesi och besöker sjukhus och fängelser. "Kära lyssnare Med radion som sällskap" är både historia och kampskrift, reportage och idékälla. En stimulerande bok av en erfaren och uppskattad medarbetare på Sveriges radio sedan mer än 30 år.
