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  • A Slip of the Machinic Tongue
  • 2022
  • Konstnärligt arbete (refereegranskat)abstract
    • The title of the book, The Computer as Seen at the End of the Human Age, is a reference to the exhibition “The Machine as Seen at the End of the Mechanical Age”, curated by Pontus Hultén for MoMA in 1968, highlighting how technology was influencing art at a time when mechanical machines were increasingly replaced by electronic and chemical devices. Through its selection of contemporary art works the exhibition thus came to function as a recording of technological history.I never got to see the exhibition since I wasn’t born at the time, but a couple of years ago I came across a curious book with a tin cover. The book was published in connection to the exhibition, and the history recorded between its covers ends at approximately the same time that early computers start to make their way into the art world. In the fifty years that followed, art came to be marked by a digital presence.  It was that book, along with an interest in dead media, and a curiosity for art aided by algorithms, that sparked the idea for The Computer as Seen at the End of the Human Age.Here you will encounter new works by a selection of artists, specifically invited to use algorithms/AI to contribute to a continuous, self-reproducing, anachronistic, machine aided recording of history. A way to preserve, revise and/or comment upon digital history from the vantage point of present-day technology or through the lens of imagined future media, perspectives and technologies.The works have been created specifically for the book. Some are based on works by other artists, made in another era, repurposed for our time and technologies. Others are based on redundant technologies, revived and given new functions. Some adopt a critical or political approach to the algorithm and its impact on society. Several utilize it as an opportunity to create unique works for each separate copy of the edition. Thousands of files eventually compiled into 200 unique books, each with a different cover and different contents – generated, aided or influenced by algorithms. Participating artists: Geraldine Juárez, Cornelia Sollfrank/Winnie Soon, Mishka Henner, Shane Hope, !Mediengruppe Bitnik, Rosa Menkman, Rosemary Lee, Olle Essvik, Evan Roth, Jonas Lund, Darsha Hewitt, Carl-Johan Rosén, Linda Hilfling Ritasdatter and Jacek Smolicki.Editor: Olle Essvik 
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36.
  • A Slip of the Machinic Tongue : Performative Soundscape Installation
  • 2022
  • Konstnärligt arbete (refereegranskat)abstract
    • The performance was premiered at 'Digital Existence III: Living with Automation' an international conference at Sigtuna Foundation in Sweden, organized by BioMe project led by prof. Amanda Lagerkvist at Uppsala University and featuring Joanna Zylinska, Katherine Hayles, Nick Couldry, Sarah Pink and others. The performance is based on an essay written for a book 'The Computer as Seen at the End of the Human Age', edited by Olle Essvik (Rojal Förlag, Göteborg 2022). A dialog between several repurposed 'smart' speakers is accompanied by a spontaneously evolving soundscape generated by those devices' electromagnetic fields and micro-currents that make them operational. The piece is a component of an artistic inquiry into other, imperceptible voices and sonic realms that underlie and sustain contemporary technologies of voice recognition, synthesis and biometric capture. The project is part of  BioMe: Existential Challenges and Ethical Imperatives of Bio-metric AI in Everyday Lifeworlds led by professor Amanda Lagerkvist at the Informatics and Media Department of Uppsala University. 
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37.
  • A Smorgasbord of Cognitive Science
  • 2008
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • This book is intended as an introduction to the breadth of current research in cognitive science, with the research at Lund University Cognitive Science as our sample. The result is a smorgasbord for readers with some background in the neighbouring disciplines. Through the chapters we will follow some of the important cross-disciplinary issues in cognitive science. One is how the external world is represented, from cognitive maps in rats, to drawings made to enhance communication, or the organization of semantic knowledge. Another is to what extent such representations really are used: the world is often its own best model in areas from robotics to choice, and several chapters illustrate that even communication (despite its dependence on representations) is firmly situated in and constrained by its surroundings. In addition, many chapters emphasize the essentially dynamic relationship between mind and environment, in areas from development to interaction and learning. A third thread is how research concerning other animals= cognitive capacities, from pigeons to chimpanzees, has inspired research on human cognition, and how this comparative approach can be made to incorporate also non-animate fellow beings, such as robots and virtual characters. In sum, the book contains most of the areas we think are important in cognitive science today, and we hope that it will be of use for beginning researchers and advanced students in the area. Its production is part of the celebrations of Lund University Cognitive Science’s 20th anniversary. Our group hosts researchers with backgrounds in psychology, philosophy, computer science, linguistics, computational neuroscience, education, etc., and all of us have a multidisciplinary education. We encourage you to visit our web pages at www.lucs.lu.se to learn more about the activities of the group.
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38.
  • A Study of Universal Design Principles Assessment
  • 2012
  • Proceedings (redaktörskap) (refereegranskat)abstract
    • Goal in this pilot study is to explore the effect of universal design principles on the user’s behavior as they use a system. It is found that the universal design principles are not really able to symbolize the system’s attitude towards user’s action on the system. This research result is a part of a larger and ongoing research effort to discover if a system is designed universally or not based on the design principles and thereby come up with new innovative universal design principles.
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