| 21. |
- Baraldi, Claudio, et al.
(författare)
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La mediazione interlinguistica e interculturale
- 2009. - 1
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Ingår i: Lingua, cultura e cittadinanza. - Bologna : I libri di Emil. - 9788896026168 ; , s. 105-157
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 26. |
- Barnohro Oussi, Broula, 1977-
(författare)
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Sentieri e radure : Le forme del cronotopo d'iniziazione in Alessandro Baricco
- 2016
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The purpose of the present dissertation is to study the elaborations of the initiation myth in contemporary Italian author Alessandro Baricco. The theoretical and methodological framework consists mainly of Mircea Eliade’s phenomenological theory of initiation. It is argued that the categories of space and time are interdepent in religious thought and should thus be studied as a unit, through the notion of the chronotope. The dissertation therefore proposes to introduce the concept of the chronotope of initiation as an operative tool, the intersection of the theories of Eliade and Mikhail Bakhtin, for the literary subgenre of the initiation novel.A hermeneutical analysis of the novels Oceano mare, Emmaus and Mr Gwyn demonstrates that the initiation myth is present in all three novels. The symbolism of death and rebirth is coherently enacted as a movement via the categories cosmos-chaos-cosmos, for which the author uses the symbolism of the earth to define cosmos (regularity and structure) and water symbolism for the regenerating chaos (dissolution and renewal). The different chapters of analysis accentuate the interaction of space and time within the different phases of the initiation pattern: the profane, the threshold, the sacred, the centre (the place where the actual ritual is enacted) and the return, which are all defined as chronotopes.The analysis shows that although the chronotope of initiation – the concept intending the fusion of the temporal event of ritual at the spatial centre – assumes different forms throughout the corpus, its function remains unmodified, with its purpose being the creation of ontological change. In its inherent structure, the chronotope of initiation unites antithetical spatial and temporal characteristics. Spatially it unites infinite and dissolving chaotic space with the constitutive envelope or sacred vertical centre, and temporally it brings together the ultimative ontological change at a fixed, historical moment with the eternal, sacred, time opened by ritual, representing the coincidentia oppositorum of the sacred. The analysis also shows that the so-called “portraits of the ineffable”, present in all three novels, reflect the same qualities. As immanent works of art, they function as thresholds into the infinite.From a chronological perspective, the dissertation shows a modification of the initiation pattern in Baricco’s writing: from the classical form in Oceano mare, via a more realistic application in Emmaus, to the most elaborate, meta-literary adaption in Mr Gwyn. Nevertheless, the use of the pattern and its thematic coherence reveals that Baricco consciously elaborates on the pattern to suit the contemporary context.
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| 28. |
- Berg, Ria, et al.
(författare)
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Erotica Ostiensia : Lucerne, statuette e amuleti in un ambiente multiculturale
- 2023
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Ingår i: Ostia e Portus dalla Repubblica alla Tarda Antichità. - Rome : École française de Rome. - 9782728315970 ; , s. 175-194
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Bokkapitel (refereegranskat)abstract
- In questo articolo presentiamo una serie di statuette, vasi plastici e lucerne trovate ad Ostia antica, e studiati nell’ambito del progetto “Segregated or Integrated? Living and Dying in the Harbour City of Ostia, 300 BCE-700 CE”, che ha esaminato le forme culturali della coesistenza degli abitanti romani e non-romani della città portuale. Il contributo si focalizza sulle rappresentazioni degli stranieri nelle arti minori in forma grottesca legate alla sfera sessuale e analizza gli usi di tali immagini come apotropaia. La discussione comincia da una serie di erme priapiche, continua con lucerne plastiche in forma fallica e con una statuetta c.d. pseudo-Baubo egiziana. La parte finale è dedicata alla discussione approfondita di una particolare lucerna erotica ostiense, importata dalla fabbrica ateniese di Preimos, e probabilmente trovata in contesto funerario.
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| 29. |
- Bernhard-Oettel, Claudia, et al.
(författare)
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Flessibilità organizzativa e lavori atipici
- 2019
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Ingår i: Introduzione alla psicologia delle organizzazioni. - Bologna : Societa Editrice Il Mulino. - 9788815284709 ; , s. 285-303
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Bokkapitel (refereegranskat)abstract
- In questo capitolo vedremo che cosa significa avere un lavoro atipico, cioè un lavoro che si discosta dai tradizionali impieghi a tempo pieno e indeterminato. I lavori atipici sono utilizzati frequentemente dalle odierne organizzazioni e spesso sono calibrati sulle necessità organizzative. Si è perciò sviluppata un’ampia varietà di fattispecie contrattuali, il che significa che le condizioni di assunzione e di lavoro e le loro conseguenze per l’individuo e per l’organizzazione possono variare considerevolmente. Il capitolo presenta anzitutto una tipologia dei contratti atipici utilizzati più spesso e considera fino a che punto siano tra loro comparabili al variare delle legislazioni nazionali sulla tutela occupazionale e dei mercati nazionali del lavoro. Il capitolo mostra inoltre che il significato che questi impieghi atipici assumono per i lavoratori varia secondo a) le strutture organizzative e del mercato del lavoro che determinano le condizioni lavorative in relazione ai diversi contratti, e b) la prospettiva individuale, che dipende dalle motivazioni e dalle percezioni individuali riguardo al rapporto di lavoro. Questi fattori strutturali e queste percezioni individuali possono ben spiegare la varietà di conseguenze, positive e negative, del lavoro atipico, che sono discusse in questo capitolo in termini di atteggiamenti lavorativi, comportamento organizzativo, salute e benessere individuali e sviluppo professionale.
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| 30. |
- Bloom, Karin, 1984-
(författare)
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Cordelia, 1881–1942 : Profilo storico di una rivista per ragazze
- 2015
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The purpose of this dissertation is to conduct a study of the history of the girls’ magazine Cordelia (1881–1942), founded in Florence by Angelo De Gubernatis. The analysis mainly focuses on the years 1881–1917; however, the latter period is also briefly treated. The theoretical framework consists of sociology of literature and gender history; the dissertation belongs to the field of history of publishing, which is integrated with a gender historical perspective. The methodological challenges faced when dealing with periodicals as research objects are also considered. In order to achieve bibliographic control and examine Cordelia’s contents and contributors, all issues of the magazine’s first 36 years were indexed. The study examines the commercial strategies of the magazine’s publishers, as well as the contributions of the chief editors and writers involved in the making of the magazine. Attention is drawn to the personal relationships between the individuals in these groups. As is shown, the magazine was not very successful in its first three years of publication, during the editorship of De Gubernatis. The two editors who followed, Ida Baccini and Jolanda (pseudonym for Maria Maiocchi Plattis), did succeed, however, in creating a familiar and attractive product for the young female public and to involve them in their magazine. Quantitative surveys of the contributors and contents have shown, for instance, that Baccini and Jolanda relied on regular contributions from relatively few writers and also published serial fiction to arouse the readers’ interest. Their comprehension of the potential of the periodical and the importance of their gender in addressing their readers, together with the capacity of long-time publisher Cappelli to develop commercial strategies to boost sales, seem to have been the reason for the longevity and success of Cordelia.
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