| 11. |
- Aaboen, Lise, 1978, et al.
(författare)
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Incubator performance : An efficiency frontier analysis
- 2008
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Ingår i: International Journal of Business Innovation and Research. - 1751-0252 .- 1751-0260. ; 2:4, s. 354-380
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Tidskriftsartikel (refereegranskat)abstract
- Assessments and evaluations of incubators has been a topic of discussion for as long as incubators have been in existence due to the fact that there has not been an agreement on how to determine good performance. This paper demonstrates the use of Data Envelopment Analysis (DEA) when studying performance of incubators. More specifically, it does so within the four dimensions of cooperation with universities, business networks, external funding and competence development on a sample of 16 Swedish incubators. We show that DEA enables us to measure non-numerical dimensions, and to simultaneously take into account the efforts made by both the incubator and the outcomes. Moreover, DEA provides benchmarks and, based on a model that divides the incubators into four different groups, illustrates the difference between the benchmark and the incubators' current situation.
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| 12. |
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| 13. |
- Aare, Cecilia, 1959-
(författare)
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A Narratological Approach to Literary Journalism : How an Interplay between Voice and Point of View May Create Empathy with the Other
- 2016
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Ingår i: Literary Journalism Studies. - Evanstone, United States. - 1944-897X .- 1944-8988. ; 8:1, s. 106-139
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Tidskriftsartikel (refereegranskat)abstract
- The aim of this essay is to present a model for analyzing the in- terplay between voice and point of view in literary journalism/reportage. The model can be used to nuance previous researchers’ discussions about “subjective” and “objective” journalism. It also problematizes the reporter’s special role as an eyewitness by highlighting how narrative techniques can create empathy with the Other and move the reader’s gaze away from the reporter, away from the one who is witnessing. Using tools from classical narratology, I focus on the form of the texts. The tools help me investigate the narrator’s as well as the characters’ subjectivity and interpret the narra- tive’s construction as an expression of a journalistic mission. I systematize variables such as the narrator’s visibility, the relation between an experienc- ing reporter and a narrating reporter, the interplay between the experienc- ing reporter and other characters in the text, and in what way a level with a director (an implied author) can facilitate a comparison between vari- ous kinds of literary journalism. I also examine whether it might be time to abandon the theory that a first-person reportage is more subjective in general than a third-person reportage. I explore whether it is instead the narrator’s visibility that determines the position of the text on a scale be- tween “subjective” and “objective” forms. (Note: I have provided a glossary of terms at the end of the essay.)
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| 14. |
- Aare, Cecilia, 1959-
(författare)
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A Narratological Investigation Of Eyewitness Reporting : how a journalistic mission affects narrative structures of the text
- 2018
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Ingår i: Brazilian Journalism Research. - : Brazilian Association of Journalism Researchers. - 1808-4079 .- 1981-9854. ; 14:3, s. 676-699
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Tidskriftsartikel (refereegranskat)abstract
- Drawing upon the tenets of discourse narratology, this essay identifies and discusses the various narrative and rhetorical features typical of literary journalism/reportage that have evolved from the classical tradition of first-hand observation/eyewitness reporting. I give examples of narrative patterns that have influenced literary journalism throughout the 20th century and up until today, and argue that they differ from structures found in comparable ways of narrating in fiction as well as in autobiographies. I highlight four consequences of a rhetorical “position of witnessing”: a narrative perspective directed from the outside and inward, and an illusion of simultaneity of a reporter being present on the spot and seemingly witnessing and narrating at the same time. Furthermore, the essay explores how realism, in terms of mimetic (scenic) form and scrutinized details, works differently in literary journalism than in realistic fiction. In this article, I attempt to demonstrate how narratology can open new doors to our understanding how literary journalism works in its single structures and how these structures in turn affect the reader’s experience.
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| 15. |
- Aare, Cecilia, 1959-
(författare)
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A Poetry of Grayness : Stig Dagerman's German Autumn as Postwar Reportage from Germany
- 2022
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Ingår i: The Routledge Companion to World Literary Journalism. - London : Routledge. - 9780429331923 - 9780367355241 ; , s. 107-117
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Tysk höst (German Autumn) is perhaps the most famous Swedish reportage book from the twentieth century. It was written as a series of reportages by the young author Stig Dagerman and depicts the life of ordinary people in Germany in 1946. Themes such as suffering, guilt, and feelings of dejection are discussed, framed by an atmosphere of grayness. The reader is invited to empathize, not with certain individuals but rather with anyone who is cold, hungry, and bereaved of their beliefs. This chapter explores how these themes are made universally human by an advanced literary technique. Dagerman links the abstract to the concrete, the argumentation to what he has observed on the spot. This is achieved through figurative language, where key words are repeated, gradually transforming them in meaning and blurring the line between illustrated scenes and metaphors. The result becomes a paradoxical kind of gray expressiveness, where the power of the language seems to contradict the gloomy content.
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| 16. |
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| 17. |
- Aare, Cecilia, 1959-
(författare)
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Barbro Alvings folkhemsblick exotiserar Norrland
- 2023
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Ingår i: Mediehistorisk tidsskrift. - : Norsk Mediehistorisk Forening. - 2464-4277. ; 20:1, s. 299-323
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Tidskriftsartikel (refereegranskat)abstract
- När den legendariska svenska reportern Barbro Alving, signaturen Bang, 1951 åker på reportageresa till det svenska Norrland gör hon sig till talesperson för myndigheternas framväxande välfärdsprojekt. Detta innebär att norrlänningar ska uppfostras till bättre hygien, bättre matvanor och bättre läsvanor. Den här artikeln gör generaliserande värderingar synliga när narratologisk och medieretorisk analys samt stilanalys belyser ett samspel mellan berättarperspektiv och berättarröst i Bangs åtta reportage från Norrland. Analysen visar hur valet av källor återspeglar ett klassamhälle där högre samhällsföreträdare, tillsammans med den berättande reportern, får stå för artikelseriens problemformuleringar samtidigt som framför allt fattiga kvinnors livssituation skildras med medkänsla men sällan någon djupare inlevelse. Med en närmast filantropisk blick görs norrlänningar till föremål för ”folkhemmets” välfärdsförbättrande insatser, samtidigt som de själva inte inkluderas i det ”vi” där reportern och hennes Stockholmsläsare ingår.
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| 18. |
- Aare, Cecilia, 1959-
(författare)
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Den engagerade reportern : Svenska sociala reportage 1910–2010
- 2023. - 1
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Bok (refereegranskat)abstract
- Sociala reportage skrivs av reportrar som strider för de svaga och avslöjar missförhållanden. Så har det hetat inom yrket, i handböcker och bland genrens supportrar. Men vad döljer sig bakom idealet? Och hur ser engagemanget ut när det omvandlas till text? Den här boken lyfter fram reportage av några av 1900-talets mest hyllade svenska reportrar och synar på vilka sätt texterna förmedlar ett engagemang till läsaren. De narratologiskt grundade analyserna utförs mot en bakgrund av skiftande idéer om en reporters samhällsroll. Det visar sig att engagemanget ofta är tidsanknutet och kan motarbetas av generaliserande värderingar om porträtterade människor. Här blir skillnaden mellan inlevelse och medkänsla avgörande.De valda reportrarna representerar det svenska sociala reportaget vid centrala brytpunkter inom traditionen. Ester Blenda Nordström och Gustaf Hellström har valts för 1910-talet, Ivar Lo-Johansson för åren kring 1930, Barbro Alving för 1950-talet, Jan Guillou för 1970-talet och Maciej Zaremba och Karen Söderberg för 1990- och 2000-talen.
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