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Search: db:Swepub > Södertörn University > Humanities

  • Result 1-10 of 8839
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1.
  • Rome and the guidebook tradition : from the Middle Ages to the 20th century
  • 2019
  • Editorial collection (peer-reviewed)abstract
    • Almost everyone has used a guidebook, when travelling or in the armchair at home. But how and when was the guidebook born? In this book, seven scholars from various disciplines argue that the guidebook emerged in Rome in the late Middle Ages, to form a surprisingly consistent model for guidebooks up to our time. The descriptions of must-see monuments, recommended routes, practical information and value-laden instructions have guided travellers to Rome through more than 1000 years.
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2.
  • Kärleken begär att detta tal skall fram - Jalal ud-din Rumis liv, lära och lyrik
  • 2008
  • Editorial collection (other academic/artistic)abstract
    • Kärleken begär att detta tal skall fram är en antologi med texter om den persiske 1200-tals mystikern och poeten Jalal ud-din Rumi. Bidragen är skrivna av Sveriges främsta kännare av persisk litteratur och muslimsk mystik. I anslutning till texterna finns ett urval av Rumis dikter i svensk översättning av Eric Hermelin, Eric von Post, Gunnar Ekelöf, Bo Utas, Ashk Dahlén och Simon Sorgenfrei.
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5.
  • Hegardt, Johan, et al. (author)
  • Inledning
  • 2016
  • In: Historiens hemvist III. - Göteborg : Makadam Förlag. - 9789170612022 ; , s. 15-30
  • Book chapter (other academic/artistic)
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6.
  • Wikström, Josefine, PhD, 1983- (author)
  • An Art for Art's Sake or a Critical Concept of Art's Autonomy? : Autonomy, Arm's Length Distance and Art's Freedom
  • 2023
  • In: Nordic Journal of Aesthetics. - Aarhus : The Nordic Society for Aesthetics. - 2000-1452 .- 2000-9607. ; 32:66, s. 74-99
  • Journal article (peer-reviewed)abstract
    • What is the relationship between the philosophical concept of the “autonomy of art” and the cultural policy-notion of “artistic freedom”? This article seeks to answer this question by taking the Swedish governmental report This Is How Free Art Is (Så fri är konsten 2021) and its reception in the Swedish main stream media as an emblematic example and by reading it symptomatically. Firstly, it traces the critical history of “artistic freedom” and the interrelated term “arm’s length distance”, primarily in the context of Great Britain. Secondly, it critically reconstructs the concept of the “autonomy of art” in the history of Western philosophy by making a critique of a fetishized notion of art’s autonomy in the name of l’art pour l’art. The main argument is that the idea about art’s autonomy, on which the Swedish report leans, resembles such philosophical and art historical idea of art’s autonomy. The claim is also that such an understanding of art does not tie up, either philosophically or historically, with the arm’s length principle, since they ultimately rely on different conceptions of art’s freedom.
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7.
  • Jezierski, Wojtek, 1979 (author)
  • Livonian Hospitality. The ‘Livonian Rhymed Chronicle’ and the Formation of Identities on the Thirteenth-Century Baltic Frontier
  • 2020
  • In: Frühmittelalterliche Studien. - : Walter de Gruyter GmbH. - 0071-9706 .- 1613-0812. ; 54:1, s. 395-427
  • Journal article (peer-reviewed)abstract
    • The conquest and colonization of the northeastern Baltic Rim in the thirteenth century durably shaped religious and ethnic identities of and relations between the native population and the arriving crusaders. This article explores the codes and displays of hospitality in the anonymous ‘Livonian Rhymed Chronicle’, which are seen here as ways of conceptualizing the relationship and conflicts between the Teutonic Knights and the pagan or apostate people in Livonia. It asks what consequences the framing of the host-guest relations might have had for the self-comprehension of the chronicle’s author and his audience. The analysis of the chronicle is pursued along three lines: the first focuses on the questions of chivalry, courtesy, and conversion; the second explores different renditions of a miracle story of inhospitality from the 1220s ; the third focuses on the conceptual metaphors of hospitality as a way in which the Teutonic Knights’ accommodated their adversaries’ viewpoints. In its conclusions, the article argues how a broad focus on the institutions, concepts, and discourses of hospitality can help account for both confrontational and amicable attitudes between the colonizers and the colonized both on the Baltic frontier and among other European frontier societies.
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8.
  • Jezierski, Wojtek, 1979 (author)
  • Politics of Emotions and Empathy Walls in Thirteenth-Century Livonia
  • 2020
  • In: Anu Mänd, Marek Tamm (eds.), Making Livonia: Actors and Networks in the Medieval and Early Modern Baltic Sea Region. - London : Routledge. - 9780367481285 ; , s. 113-142, s. 113-142
  • Book chapter (peer-reviewed)abstract
    • This chapter studies the representations and (self-)attributions of emotions to and of different social groups in two pieces of historiography penned in thirteenth-century Livonia, the Chronicle of Henry of Livonia and the Livonian Rhymed Chronicle. The processes of conversion and colonisation of Livonia in the thirteenth century durably shaped the relations between the native population and the arriving missionaries, settlers and crusaders, and formed the religious and ethnic identities of both groups. In order to access the emotional landscapes of thirteenth-century Livonia this study uses the only two locally penned historiographical accounts: The Chronicle of Henry of Livonia and the anonymous Livonian Rhymed Chronicle. The overuse of vro generates so much noise in this emotion’s data that it is difficult to isolate a meaningful signal. However, we can conveniently look at its less frequent but similarly attributed cognate, vreuden.
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  • Smedberg Bondesson, Anna, 1968-, et al. (author)
  • Luften så klar : Nordeuropeiska konstnärer och författare i Rom 1780-1950
  • 2020
  • Book (other academic/artistic)abstract
    • ”Även å den ödsligaste och osundaste sidan av Campagna di Roma, den åt Ostia till, […] är luften så klar, att den i de skarpaste drag visar de fjärmaste föremål. De förtrollande konturerna och perspektiven det veka smältande fjärran det harmoniskt rödaktiga i luften, som utbreder sig över alla föremål vid solens upp- och nedgång…” (Per Daniel Amadeus Atterbom minns sin resa till Italien 1817–19)Konstnärer, författare och andra kulturpersonligheter i norra Europa har längtat till Italien åtminstone från Goethe och framåt. Denna essäsamling ger ett brett perspektiv på den nordeuropeiska Italienbilden från sent 1700-tal till mitten av 1900-talet. Vi får följa såväl Goethe som H.C. Andersen och Georg Brandes på deras italienska resor, uppleva poeten John Keats sista dagar, se arbeten av målarna Gustaf Söderberg, Gustaf Wilhelm Palm, Carl August Ehrensvärd och Louis Masreliez, delta i salonger med aktrisen Emilie Högqvist, studera Colosseum genom arkitekten Gustaf af Sillén, höra romerska visor av Evert Taube och leva oss in i Percy Bysshe Shelleys dramatik, ta del av Selma Lagerlöfs förundran och August Strindbergs frustration.Sammantaget visar Luften så klar att den nordeuropeiska traditionen av Italienskildringar inte är så ensidigt romantiserande som historien vill göra gällande, utan i själva verket rymmer en stor komplexitet.Författarna är konst-, teater- och litteraturvetare verksamma i Sverige och Danmark.
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Sorgenfrei, Simon, D ... (241)
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Ruin, Hans, 1961- (70)
Faxneld, Per, 1978- (65)
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Ruin, Hans (64)
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