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Sökning: swepub > Umeå universitet > Annan publikation > Konstnärligt arbete

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  • Ozmin, Janek, 1975-, et al. (författare)
  • The Extraordinary Life of Elements Review Exhibition, UMA School of Architecture, October ­ November 2014 : UMA Research Group Review of the 2014 Venice Biennale of Architecture: Elements of Architecture.
  • 2014
  • Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
    • The Extraordinary Life of Elements Review Exhibition Editor Professor Roemer van Toorn, Professor Jüri Soolep, Sepideh Karami, Katja Hogenboom, Hannes Frykholm and Janek Ozmin, UMA School of Architecture, October 2014 consists of six separate reviews collated into a single exhibition. The content was captured on site at the Biennale including record conversations by the review group, interviews with Biennale exhibition contributors, collected media, photographs, sound recordings and videos by the authors. The collated work formed a pluralist, dialogical platform from which the Biennale Exhibition can be viewed. Alongside the printed review panels and video installations, a round table format was used to present various printed media, Biennale exhibition catalogues, and media from participating country pavilions and maps. This table then formed the basis for a debate on the Venice Biennale Exhibition by participating researchers. The Exhibition was mounted in Umeå School of Architecture and formed part of the Arts Campus Open House Research Days November 2014.
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  • Marques, Nuno, 1980-, et al. (författare)
  • Dia do Não
  • 2018. - 1st
  • Annan publikation (populärvet., debatt m.m.)abstract
    • Poem with illustrations
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  • Frykholm, Hannes, 1982-, et al. (författare)
  • D3 Housing Tomorrow Competition : Woolopolis
  • 2013
  • Annan publikation (populärvet., debatt m.m.)abstract
    • New Zealand’s Manawatu district is a fertile agricultural region in the lower North Island. One of the traditional centres of New Zealand’s wool production, sheep population, and vernacular culture, the Manawatu is now characterised by colossal windfarms and bleeding-edge agricultural science, a situation that demands new architectures catering to a rapidly changing landscape. Our project, Woolopolis, aims to consolidate the various functions and programs of New Zealand’s wool production into one dynamic community. Woolopolis takes the form of a complex network of programs - processing facilities at ground level, housing units lofted above, with the market functioning as the communal centre of the complex and mediating between the two.
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  • Frykholm, Hannes, 1982- (författare)
  • Woolopolis : International Competition Winner
  • 2012
  • Annan publikation (populärvet., debatt m.m.)abstract
    • Our project, Woolopolis, aims to consolidate the various functions and programs of New Zealand’s wool production into one dynamic community. Traditionally the programs associated with New Zealand’s wool economy - pasture, housing, shearing, production facilities and markets have been separated by both geography and context. This separation is no longer effective in a globalised world, so we turn to cohesion as a means of improving performance. Thus, Woolopolis takes the form of a complex network of programs - processing facilties at ground level, housing units lofted above, with the market functioning as the communal centre of the complex and mediating between the two. The architecture functions as a machine in which sheep can be fed, shorn, the wool processed and sold, all the while housing a diverse community of farm and factory workers, shearing hands, agricultural scientists, designers and investors integral to the wool economy.Housing units in the complex are adjusted for optimal living conditions - north facing to make the most of daylight hours, and turned against predominantly westerly winds. The whole complex functions as a singular machine - solar panels on the housing units help to power production facilities, rainwater catchment areas release the architecture from dependence on the existing grid and help to mediate the considerable water-usage associated with agriculture. The entire complex is lofted above the ground to make storage space for hay during harsh winters.Woolopolis is New Zealand’s traditional rural vernacular at hyperspeed - archetypal building forms, rugged local materials, constructed by local contractors and future dwellers. Woolopolis grows without the help of architects, and as it expands it does so on the condition and pace of the local context. Consolidating all functions of the wool production process into a singular eco-friendly complex, Woolopolis is a sustainable response to the motto, ‘think global, act local’.
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  • Hossein Abbasi, Mohammad, et al. (författare)
  • Haunted by shadows of the future : ARTEFACTS
  • 2014
  • Annan publikation (populärvet., debatt m.m.)abstract
    • Haunted by Shadows of the Future: ARTEFACTS identifierar föremål från slutet av1960-talet till slutet av 1970-talet som har ett personligt eller familjärt samband medmänniskorna och samhället under denna tid, och som innefattar en särskild känslaav tillhörighet, en önskan att vara en del av det moderna svenska samhälle som togform vid den tiden. Resultatet av detta kollektiva sökande är en samling artefakter,företeelser och föremål i hemmet, sammanflätade med rika personliga berättelser ochupptäckter. Dessa inbegriper en försäkringsförsäljares portfölj, en rullbandspelaresom fångade ett populärt radioprogram med en pratshow, en inspelning med enlandsflyktig somalisk författare, tidiga exemplar av plastleksaker, diabilder frånsemestrar, vykortssamlingar och super 8 filmer, textiltryck med popmönster ochmönster för klädesplagg, lokala grönplanteringar, en affärskedjas lansering av ettanti-varumärke, den revolutionerande ”du”-reformen, och andra samtida referenser,som ett svenskt kvinnomanifest och en populär oljevärmare från Iran. Stadsmuseetsvisningslägenhet i Tensta på Kämpingebacken 13, tjänar här som en tidskapsel somöppnar en hel värld bakom dessa YTTERST vardagliga föremål.
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  • [Intervju] Lisa Torell : En resa mellan olika tider
  • 2021
  • Annan publikation (populärvet., debatt m.m.)abstract
    • Konstnären Lisa Torell bor och är verksam i Oslo. Hon deltar i biennalen med ett nytt ljudkonstverk som utgår från Korsvägen. I verket har gränserna mellan nutid och framtidoch mellan utopi och dystopi upplösts.
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