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- Bolander, Andreas, 1961
(författare)
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Contravida de Roa Bastos: un ejercicio de reflexión literaria
- 2006
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Ingår i: Palabras Escritas. - 9992599375 ; 2, s. 82-88
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- An analysis on the tensions between fiction and historiography in the novel "Contravida" by the Paraguayan author Roa Bastos.
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29. |
- Bolander, Andreas, 1961
(författare)
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Una lectura de Contravida de Roa Bastos
- 2003
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Ingår i: Etudes Romanes de Lund, Serie de estudios hispánicos. "Literatura y compromiso". - 9197388688 ; 70, s. 5-15
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- A study of the notion of time in the novel "Contravida" by Augusto Roa Bastos
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30. |
- Buljančević, Rastko, 1991
(författare)
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Construcción y aproximación musical a las identidades frágiles en la película dramática Todo sobre mi madre : Construction and Musical Approximation of Fragile Identities in the Drama Film All about My Mother
- 2022
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Ingår i: Cuadernos de Investigación Musical. - : Universidad Castilla la Mancha. - 2530-6847. ; 14, s. 267-295
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Tidskriftsartikel (refereegranskat)abstract
- One of the most controversial debate topics throughout the history of philosophy, psychology, cultural anthropology, and sociology has to do with the concept of identity. In addition to literary works, where the written word plays a crucial role in decoding characters (especially their emotions and other psychological aspects), the art of cinema gives us the space to fathom even more the phenomenon of identity by means of the expressive and evocative potentials of audiovisual media. Pedro Almodóvar, one of the most esteemed contemporary directors in the world of cinema, has incorporated several concepts of identity in his 22 feature films (so far), trying to create, reconstruct and modify them, and to give them a new shape through the different components of the film. This article aims at presenting the reconstruction of personal identity through the music and the cinematic image in the “Almodrama” All about My Mother(1999). It is intended to defend the hypothesis that film music is capable of rebuilding and representing the self of a character with fragile and misplaced identity, a type of identity that can be frequently found in the Almodovarian universe.
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