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Sökning: swepub > Cavaliere Mauro 1963

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  • Cavaliere, Mauro, 1963- (författare)
  • A recepção produtiva de El reino de este mundo em Memorial do Convento
  • 2016
  • Ingår i: Revista Brasileira de Literatura Comparada. - 0103-6963. ; 18:29
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
    • O que causa impressão ao ler El reino de este mundo de Alejo Carpentier e Memorial do Convento de José Saramago é uma evidente série de analogias a nível morfológico e temático. O propósito deste trabalho é destacar e descrever estas analogias com o apoio das teorias da transtextualidade de Gérard Genette (1982) e de José Enrique Martínez Fernández (2001).  A comparação tocará, por isso, vários aspectos dos dois romances (dispositivo discursivo, dinâmica actancial, tópicos). A hipótese colocada é a existência de uma recepção produtiva de El reino de este mundo na escrita de Memorial do Convento. Este trabalho, inspirado por uma abordagem à literatura comparada assim como a entende Claudio Guillén (2005), coloca-se, mais especificamente, na área de pesquisa que visa destacar a recepção da literatura hispano-americana na literatura portuguesa.
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  • Cavaliere, Mauro, 1963- (författare)
  • As Coordenadas da Viagem no Tempo : Uma contribuição para a teoria da ficção histórica baseada em alguns textos portugueses dos séculos XVI, XIX e XX
  • 2002
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • In Portugal, as in other countries, a common characteristic of many of the novels published in the past twenty years is the recourse to a repertoire of literary devices that recall those of the historical novel.                On the basis of critical studies published in the 1990’s, and in particular Fernández Prieto’s Poética de la Novela Histórica, this thesis undertakes a study of the Portuguese historical novel with the aim of defining, to the extent possible, the limits of this literary genre, and to examine in detail some of its intrinsic—and pertinent—semantic and pragmatic traits: the setting of a fictional narrative in the past, theintroduction of historical persons and events and, not the least, the transtextual relationship between the fictional and the historiographic text.       Special attention is given to some of the more innovative forms of the contemporary historical novel, to highlight how by emphasising certain generic traits —that refer to the reader’s acquired knowledge— the author can compensate for the absence of others. Despite the inherent ”heterodoxy”, this device justifies grouping these novels under the general heading of the historical novel.The thesis explores the analogies between some of these innovative narrative strategies of the contemporary historical novel with transtextual practices characteristic of literature predating the 19th Century and by which a certain ”historical knowledge” is requisite for decoding the text. The thesis also establishes a set of generic traits that the historical novel shares with epic poetry. In light of theseanalogies, the thesis proposes a reading of Os Lusíadas as a historical poem. With this the author hopes to provide a contribution to a theory of historical fiction, understood as a genre encompassing, in addition to the novel, all forms of fictionalisation that rely on the historical discourse.© Mauro Cavaliere                                          ISBN  91-7265-442-2                                        
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  • Cavaliere, Mauro, 1963- (författare)
  • Metaficción historiográfica y autoficción : diferentes compromisos con la referencialidad en Estação das Chuvas de José Eduardo Agualusa y Soldados de Salamina de Javier Cercas
  • 2019
  • Ingår i: Interlitteraria. - 1406-0701 .- 2228-4729. ; 24:2, s. 479-494
  • Tidskriftsartikel (refereegranskat)abstract
    • Historiographic metafiction and autofiction: different commitments with the referentiality in Estação das Chuvas by José Eduardo Agualusa and Soldiers of Salamina by Javier CercasThis article offers a comparative analysis of the novels Estação das Chuvas (1996) by the Angolan writer José Eduardo Agualusa (born in 1960) and Soldados de Salamina (2001) of the Spaniard Javier Cercas (born in 1962). The two novels belong to different geographical and cultural contexts. Nevertheless, a common sensibility – due perhaps to the same generational affiliation or to the prevalence of topics in force in the 1990s – makes evident the emergence of both a historical theme and the presence of a subject involved in historical processes. Ultimately, in both novels, we come across a subject that makes history although in quite different ways: involved firsthand in historical events with tragic implications, in the case of Agualusa, and absorbed in a reflection on apparently distant events in the case of Cercas. However, the result of the emphasis on the presence of a subjectivity within historical processes causes the two novels to share a common element, that is, a double generic affiliation. Both Estação das Chuvas and Soldados de Salamina actually share semantic traits that make it possible to classify them at the same time as autofictional novels and historiographic metafictions.Despite their common architectural matrix, the two novels represent two very different expressions within these genres. This manifests itself at different levels: first, the treatment of the autofictional character and, secondly, the treatment of the other characters. Through the analysis of the characters that populate these two novels, I will try to show how the two writers adopt divergent attitudes regarding the degree of referentiality in their works and how they end up proposing two different poetic options. In the analysis of the characters, I consider it useful to introduce a taxonomy that, in addition to including already existing types (referential, historical, fictitious characters), introduces other types hopefully useful to the study of the currently abundant number of fictions that, through an ambiguous narrative pact, are located between fiction and faction.
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