| 1. |
- Adler-McKean, Jack
(författare)
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Brass instruments, techniques, and repertoire in the early twenty-first century
- 2024
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Ingår i: The Oxford Handbook of Wind Instruments.
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Bokkapitel (refereegranskat)abstract
- This chapter assess the state of brass instruments and their associated repertoire and performance practices in the early twenty-first century. Technological innovations and manufacturing developments from recent decades are outlined, as well an examination of how performance techniques have evolved and adapted to meet the demands of modern musicians. Finally, an overview is given of contemporary composition for brass, including examples of repertoire for trumpet, horn, trombone, and tuba, as well as ensemble deployment in compositions from the last quarter-century.
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| 2. |
- Andersson, Lars Gustaf, et al.
(författare)
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Efterord
- 2023
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Ingår i: Fontinalia : Diktsvit - Diktsvit. - 9789198869101 ; , s. 21-24
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Bokkapitel (populärvet., debatt m.m.)abstract
- Efterord tillsammans med Jonas Ellerström till författaren Per Svensons diktsamling Fontinalia
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| 3. |
- Andersson, Lars Gustaf, et al.
(författare)
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Vara i sin tvekan
- 2023
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Ingår i: Peter Lucas Erixon: Sjuttioåtta tjugotvå. - 9789180590884
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Bokkapitel (populärvet., debatt m.m.)abstract
- Efterskrift till Peterr Lucas Erixons samlade dikter
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| 4. |
- Argyropoulou, Gigi
(författare)
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Dislocating Institutions: Theses/Momentums of (Un)Making Spaces of Culture
- 2022. - Bernd Scherer
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Ingår i: The New Institution. - 9783959056663 ; 25
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Cultural and academic institutions have been in crisis for quite some time now. In many cases, they still refer to a canon that has been made obsolete by global developments – in particular, by new voices from the Global South. Their modes of knowledge production operate within disciplinary bounds that can no longer cope with the Anthropocene’s radical processes of change, and their self-referential paradigms have ceased to reflect social change and the needs of society. Against this backdrop, the book discusses new counter-institutional practices and concepts, examining specific examples that reframe intellectual and pragmatic responses to concrete situations of societal conflict. These examples furthermore demonstrate a new connection between social, aesthetic and academic forms of work based on integrative, multi-perspectival approaches that transcend existing divides.
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| 5. |
- Argyropoulou, Gigi, et al.
(författare)
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Fugitive transformations of performance practice in landscapes of crisis
- 2021
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Ingår i: Theatre Institutions in Crisis European Perspectives. - : Routledge. - 9780367676667 - 9780429294167 ; , s. 69-80
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- About the book:Theatre Institutions in Crisis examines how theatre in Europe is beset by a crisis on an institutional level and the pressing need for robust research into the complex configuration of factors at work that are leading to significant shifts in the way theatre is understood, organised, delivered, and received.Balme and Fisher bring together scholars from different disciplines and countries across Europe to examine what factors can be said to be most common to the institutional crisis of European theatre today. The methods employed are drawn from systems theory, social-scientific approaches, economics and statistics, theatre and performance, and other interpretative approaches (hermeneutics), and labour studies.
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| 6. |
- Argyropoulou, Gigi, et al.
(författare)
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Performance and Militant Curating: Rehearsing democratic imaginaries through critical spaces and publics : Rehearsing democratic imaginaries through critical spaces and publics
- 2024
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Ingår i: From Utopian Modeling to Necropolitical Agonism: Contemporary European Art at a time of Democratic Crisis.
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Bokkapitel (refereegranskat)abstract
- During the last couple of decades in Europe we have witnessed a proliferation of artistic practices -what we might call the “political turn” - that sought to experiment with models of democracy and participation, as well as forms of intervention in socio-political realities. At the same time, in Southern Europe and beyond a series of social collective practices emerged in the face of an ongoing economic crisis seeking to offer alternative modes of solidarity and social organisation taking the form of medical clinics, social kitchens, food exchange networks, platforms against evictions, refugee support and cultural venues amongst others. Democratic imaginaries were practiced and contested through both artistic experimentations as well as such collective grassroots practices of commoning and solidarity. Critically reflecting on such practices might we be able to identify appropriate models of social/political pedagogy today? What practices might contribute in reforming democratic imaginaries and social modus operandi of co-existence? Can artistic venues and practices weighted upon calls for participation, inclusion and impact offer such models? How might practices and experiences of assembling and togetherness help us redefine what counts as‘democratic” or “non-democratic” today? Questioning the ongoing recuperation of “participation” and the potential of the “political turn” in the arts in conditions of precarity this article traces specific experiences of assembling in order toexamine models and practices that renew our habits of togetherness and bear the potential to form new political pedagogies.
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| 7. |
- Argyropoulou, Gigi, et al.
(författare)
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Performance as Infrastructure and Institutional Unlearnings
- 2018
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Ingår i: The Routledge companion to theatre and politics. - 9781138303485 - 9780203731055
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- About the book:"The Routledge Companion to Theatre and Politics is a volume of critical essays, provocations, and interventions on the most important questions faced by today's writers, critics, audiences, theatre and performance makers. Featuring texts written by scholars and artists who are diversely situated (geographically, culturally, politically, and institutionally), its multiple perspectives broadly address the question 'How can we be political now?'. To respond to this question, Peter Eckersall and Helena Grehan have created eight galvanising themes as frameworks or rubrics to rethink the critical, creative, and activist perspectives on questions of politics and theatre: Post, Assembly, Gap, Institution, Machine, Message, End, and Re. These themes were developed in conversation with key thinkers and artists in the field, and the resulting texts engage with artistic works across a range of modes including traditional theatre, contemporary performance, public protest events, activism, and community and participatory theatre. Suitable for academics, performance makers, and students, The Routledge Companion to Theatre and Politics explores questions of how to be political in the early twenty-first century, by exploring how theatre and performance might provoke, unsettle, reinforce, or productively destabilise the status quo"
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| 8. |
- Barba, Rosa, et al.
(författare)
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Rosa Barba in "Strata: arte italiana dal 2000. Le parole degli artisti"
- 2023
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Ingår i: "Strata: arte italiana dal 2000. Le parole degli artisti". - 9782378964610 ; , s. 70-89
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Bokkapitel (populärvet., debatt m.m.)abstract
- Strata compiles 37 conversations with artists whose work has made a significant contribution to the Italian and international art scene since 2000. This book is the personal account of a number of encounters, friendships, and professional relationships that Vincenzo de Bellis and Alessandro Rabottini have nurtured over the past twenty years. The conversations explore pivotal moments in each artist’s career and delve into their conceptual and formal concerns, focusing on the aesthetics, philosophies, and politics underpinning their work.
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