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| 2. |
- Cederberg, Carl, 1973-
(författare)
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Resaying the Human : Levinas Beyond Humanism and Antihumanism
- 2010
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- In this reading a notion of the human is developed through an engagement with the work of French philosopher Emanuel Levinas. The argument is that, with the help of Levinas, it is possible for the idea of the human to be understood anew, for the notion to be ‘resaid’. This resaying of the human is performed in a critical appropriation of the philosophical tradition: Levinas’s work is shown not to be a new variation of the complacent ideology of humanism; the idea of the human is instead interpreted to be the bearer of the very movement of critique. This movement is articulated in terms of a transcendence of a discursive ‘economy of violence’. Critique does not establish a permanent position outside of violence, but is a movement that must constantly be renewed.Here Levinas is offered as a modern thinker of particular relevance for contemporary discussions surrounding the nature both of the political and of Human Rights. In addition one finds a systematic analysis of the major works of Levinas, unraveling how a notion of the human develops from within his philosophy.Levinas’s thought is placed alongside philosophical figures of his time, such as Heidegger, Sartre, Bataille, Lévi-Strauss, Althusser, Foucault and Derrida, as well as more recent political thinkers, for example, Alain Badiou, Giorgio Agamben and Jacques Rancière.
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| 3. |
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Phenomenology of Eros
- 2012. - 1
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- Eros manifests itself in multiple ways: as tragic eros and philosophical eros, as love, sexuality, seduction, care, desire, and friendship. Eros both defines us as beings and dislocates our existence. It breaks down our certitudes about selfhood and otherness, familiarity and strangeness. This volume gathers together contributions toward a phenomenological understanding of eros. The first part examines eros in relation to ancient philosophy and religion, the second part examines eros in relation to modern phenomenology. The analyses presented show how the question of eros brings us to the core of philosophy. Questions of time, desire, embodiment, intersubjectivity, and perception are all implicated in the phenomenology of eros.
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| 4. |
- Sá Cavalcante Schuback, Marcia, 1957-
(författare)
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The Fragility of the One
- 2013
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Ingår i: Politics of the One. - New York, London : Bloomsbury Academic. - 9781441112828 - 9781441187192 ; , s. 13-22
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Bokkapitel (refereegranskat)
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| 5. |
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| 6. |
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| 7. |
- Schuback, Marcia Sá Cavalcante
(författare)
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Det enas bräcklighet
- 2012
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Ingår i: Tid för Europa. - Göteborg : Daidalos. - 9789171733740 ; , s. 177-191
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 8. |
- Schuback, Marcia Sá Cavalcante
(författare)
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Heideggerian Love
- 2012
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Ingår i: Phenomenology of Eros. - Huddinge : Södertörns högskola. - 9789186069469 ; , s. 129-152
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Bokkapitel (refereegranskat)
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| 9. |
- Schuback, Marcia Sá Cavalcante
(författare)
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Hermeneutics of Tradition
- 2011
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Ingår i: Rethinking Time. - Huddinge : Södertörns högskola. - 9789186069322 ; , s. 63-74
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 10. |
- Schuback, Marcia Sá Cavalcante
(författare)
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In-between Painting and Music-or, Thinking with Paul Klee and Anton Webern
- 2013
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Ingår i: Research in Phenomenology. - : Brill. - 0085-5553 .- 1569-1640. ; 43:3, s. 419-442
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Tidskriftsartikel (refereegranskat)abstract
- The present article discusses the relation between painting and music in the work by Paul Klee, bringing it into conversation with the music by Anton Webern. It assumes, as a starting point, that the main question is not about relating painting and music but rather about the relation between moving towards painting and moving towards music, hence the relation between forming forces and not between formed forms. Since for Klee the musical structure of the pictorial is understood as "active linear polyphony," the article develops this notion in conversation with Webern's thoughts on the polyphonic structure of twelve-tone music. The general purpose of the article is to determine what kind of thoughts emerge from the in-between of painting and music.
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