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| 2. |
- Eldelin, Emma, 1976-
(författare)
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Essäisten som generalist : Författarroller och offentlig auktoritet hos tre samtida essäister
- 2009
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Ingår i: Tidskrift för litteraturvetenskap. - : Föreningen för Utgivande av Tidskrift för Litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 39:3-4, s. 81-92
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Tidskriftsartikel (refereegranskat)abstract
- This is a study of the critical reception of essayistic works by contemporary Swedish writers Nina Burton, Peter Englund and Peter Nilson, who all represent a way of writing where the essayist acts as a generalist rather than a specialist. Despite having high academic degrees, these authors emphasize the personal ”light learning” perspective often used in the essay tradition. The primary aim is to investigate which roles and what type of authority that have been ascribed to these essayists depending on partly their educational background and partly on conventions regarding the essay as a genre.
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| 3. |
- Fjelkestam, Kristina, 1967-
(författare)
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"Män kan inte våldtas"? : Märta Tikkanen, Stieg Larsson och heteronormativitetens gränser
- 2013
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :3-4, s. 107-119
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Tidskriftsartikel (refereegranskat)abstract
- The central argument of this article originates in a rhetorical question: are female rapists ”men”? If legal discourse is brought to its heteronormative head, the answer is yes; however, this article aims to problematize the presumtions underlying this answer, and to consider the possibility of theorising rape in the absence of heteronormative limitations. My analysis involves two readings: Märta Tikkanen’s Manrape (Män kan inte våldtas, 1975) and Stieg Larsson’s The Girl with the Dragon Tattoo (Män som hatar kvinnor, 2005), two novels in Swedish which depict women raping their male rapists out of revenge. My conclusion is that the former novel eventually conforms to heteronormativity, while the latter does not. However, this does not imply that sexual power structures are erased in The Girl with the Dragon Tattoo. Rather, in this novel, power violations are viewed in terms of the broader issues of law, politics and economics. But what is then lost, on the other hand, is the specificity of female experience as it is represented in Manrape.
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| 4. |
- Franzén, Carin, 1962-
(författare)
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Recension av Röstens anatomi
- 2009
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :1, s. 106-108
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Recension (övrigt vetenskapligt/konstnärligt)
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| 5. |
- Hydén, Lars-Christer, 1954-, et al.
(författare)
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Tidens väv : om sjukdomsberättelser
- 2004
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Ingår i: TFL : tidskrift för litteraturvetenskap. - 0282-7913. ; 33:3-4, s. 70-83:3/4, s. 70-83
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Tidskriftsartikel (refereegranskat)
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| 6. |
- Jonsson, Stefan, 1961-
(författare)
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En kvinnas plats i världsordningen : Ett grundläggande drag hos Pia Arke och Marguerite Duras
- 2010
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Ingår i: Tidskrift för litteraturvetenskap. - Umeå : Umeå universitet. - 1104-0556 .- 2001-094X. ; 40:2
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Tidskriftsartikel (refereegranskat)abstract
- Contemporary arts and literature provide a record of alternative narratives of globalization. This essay discusses how the global world system is reconfigured in two different aesthetic endeavors: the so-called ”India Cycle” of Marguerite Duras and the visual artwork of Greenlandic-Danish artist Pia Arke. The essay suggests that both Duras and Arke constitute what may be defined as global narratives, and, furthermore, that both approach what may be termed ”the essential trait” of contemporary global history. This essential trait is made visible – or, indeed, audible – through the pertinent figure of a subaltern female subject, which the reader or viewer perceives as occupying the very margin or edge of the global order. It is argued that this position still remains untheorized in postcolonial cultural theory. Finally, the essay presents a model through which this figure may be understood, while it also insists on the figure’s importance as a touchstone and corrective of urgent political and theoretical problems of our era.
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| 8. |
- Landgraf, Svante, Ph.D, 1980-
(författare)
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Drömmar av sten : Mot en posthumanistisk estetik i Sam J. Lundwalls Fängelsestaden
- 2019
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Ingår i: Tidskrift för litteraturvetenskap. - Lund : Föreningen för utgivandet av Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 49:1, s. 41-50
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Tidskriftsartikel (refereegranskat)abstract
- This article examines the thematic and formal materiality of Swedish writer Sam J. Lundwall’s multimodal novel Fängelsestaden (1978). The book is illustrated by Giovanni Battista Piranesi’s Carceri etchings from 1761, but is also inspired by them, which engages the reader as part of a media ecology of text, visual art, and more. The participatory aesthetics is further highlighted by metaleptic elements within the text, as well as the unimportance of humanity compared to the city itself being a major theme. A conclusion is that the novel thematizes materiality at the same time as being an example of the dissolution of the borders between human and animal, mind and body, nature and culture, and, especially, form and content.
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| 9. |
- Lome, Ragnild, 1987-
(författare)
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Digital estetikk hos Max Bense og Inger Christensen
- 2017
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 47:3-4, s. 27-39
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Tidskriftsartikel (refereegranskat)abstract
- This article examines the concept of digital poetry by the German philosopher and cybernetician Max Bense, and operationalizes it in a reading of the Danish novel Azorno (1967) by Inger Christensen. It suggests that Bense’s concept of digital poetry catches a part of the philosophical zeitgeist of the era. It expresses an idea of a doubled sense of reality – a technical reality – propelled by the mediatechnological condition of the early Information Age. This double sense of reality is traceable in Azorno, and the novel is thus read as a work of literature that both is a product of and a reflection upon the changing mediatechnological conditions in the postwar years.
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| 10. |
- Olsson, Jesper, 1966-
(författare)
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Avhandlingen som kritisk praktik : andra former, andra medier
- 2012
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Ingår i: Tidskrift för litteraturvetenskap. - Lund : Föreningen för utgivande av Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 42:4, s. 15-26
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Tidskriftsartikel (refereegranskat)abstract
- The Dissertation as Critical Practice: Other Forms, Other MediaThis article (a talk presented at Lund University on October 12, 2012) explores linguistic and rhetorical form, and formal operations, in academic studies in comparative literature – and their relationship to form in poetry and fiction writing. The article also discusses how an awareness and exploration of academic language and formalistic decisions contributes to the academic text. Some examples (by Charles Bernstein and Christian Bök) of such an understanding of the critic’s language are discussed, and, eventually, the question of how new media and, more specifically, digital text can transform the language and form of academic literary studies is addressed through a brief look at the important online journal Vectors.
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