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- Berglund, Karl, FD, 1983-, et al.
(författare)
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Digital humaniora, datorisering och litteraturvetenskap i en digitaliserad värld
- 2022
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Ingår i: Tidskrift för litteraturvetenskap. - : Foreningen for utgivande av Tidskrift for litteraturvetenskap. - 1104-0556 .- 2001-094X .- 0282-7913. ; 51:3-4
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Tidskriftsartikel (populärvet., debatt m.m.)abstract
- De senaste decennierna har ”digital humaniora” nämnts i otaliga sammanhang och kommit att påverka litteraturvetenskaplig utbildning och forskning – trots att begreppets innebörd alltjämt är omdebatterad. Är det en ny disciplin eller specialisering av forskning och undervisning som redan bedrivs? På vilka sätt hänger digital humaniora ihop med samhällets och universitetens datorisering? Är det ett svar på hur litteraturen kan förstås i en digitaliserad värld, eller en fingervisning om litteraturvetenskapens framtid? För att reda i begreppen bjöd TFL-redaktionen in till ett panelsamtal via videolänk, av och med Karl Berglund (Uppsala universitet), Oscar Jansson (Lunds universitet) och Lina Rahm (KTH).
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- Bjerstedt, Sven
(författare)
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Theophilus - medeltidens Faust
- 1993
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556. ; 22:1, s. 23-33
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Tidskriftsartikel (refereegranskat)
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| 7. |
- Björck, Amelie
(författare)
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Metaforer och materialiseringar. Om apor hos Vladimir Nabokov och Sara Stridsberg
- 2013
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :1, s. 5-20
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Tidskriftsartikel (refereegranskat)abstract
- By tradition the humanities have been anthropocentrically focused on the lives of human beings in arts and literature. The limited analysis of what other species do in literature – and of the different relations between humans and animals that are represented – has sustained the notion of a hierachical divide between humans and other species, thereby reducing the ethical potential of literature to resist that dualism. The growing field of human–animal studies proposes that we return to our artefacts and epistemologies, with new attention to human–animal relations. Inspired by this movement, forefronted by scholars such as Cary Wolfe and Sara McHugh, this article offers a comparative reading of Vladimir Nabokov’s Lolita (1955) and Sara Stridsberg’s Darling River (2010). In Lolita Nabokov makes frequent use of animal and especially monkey metaphors, and carries out an ongoing animalization of his characters. In Stridsberg’s novel, which is written as a kind of hypertext of Lolita, Nabokov’s animalizations are interestingly molded and materialized into one physical creature: the caged schimpanzee Ester. The central concern of the study is to understand the process and effects of this materialization. I argue that the consequential reorientation of the reader to a non-hierarchical species discourse is a major ethical feat of the novel.
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| 9. |
- Englund, Axel
(författare)
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Det kodade meddelandet : metaforisk interaktion och dödslängtan i Per Olov Enquists Nedstörtad ängel
- 2006
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556. ; 1, s. 62-78
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Per Olov Enquist's 1985 novel Nedstörtad ängel (Downfall) is, despite its modest proportions, one of the most poetically powerful and intriguing works in his oeuvre. It consists of a number of disparate stories which are presented as intertwined fragments. This article argues that the novel creates its meaning in the manner of a large-scale metaphor, in which the different stories serve as the constituent subjects.
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| 10. |
- Forslid, Torbjörn, et al.
(författare)
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Att förhandla litterärt värde : Sami Said och Väldigt sällan fin
- 2013
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 43:3-4, s. 121-134
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Tidskriftsartikel (refereegranskat)abstract
- This article aims to highlight how literary value is constructed today: how it is created and negotiated. It seeks to develop a perspective that considers the manifold and complex value-negotiation process. In accordance with Barbara Herrnstein Smith, the article argues that literary value is generated by a constant and continuous series of negotiations between production and sale: the institutions, groups of readers, and individuals who are part of the value-making process. A number of different values circulate among different stakeholders – trade, educational, aesthetic, personal, and so on – and the negotiations take place in accordance with the dictates of the respective needs, interests, and resources of these stakeholders. While Barbara Herrnstein Smith’s theories on literary value remain influential, they have rarely been tested empirically. The basic premise of the article is that the process of value creation has to be discussed from new perspectives based on empirical research. The article presents a case study of the Swedish author Sami Said’s literary debut – the critically acclaimed Väldigt sällan fin – and the negotiation process before and after its publication. The fact that Said was unknown at the time of his debut most likely foregrounded the visible negotiation of literary value in his case, but we believe that the process can be seen as an example of a continual and on-going practise in the literary sphere as a whole. The analysis shows that different agents claimed values and positions both in relation to the book and to each other. For example, marketing and publishing paratexts emphasised values of knowledge, institutionalised literary criticism valued the aesthetic qualities of the novel, while readers writing on the Internet took a more emotional and subjective position. The valuation also went back-and-forth between reading the novel as expressing a particular, non-Swedish experience with biographical overtones, and understanding it as manifesting universal existential values.
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