| 1. |
- Aare, Cecilia
(författare)
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Reportern som ett verktyg för att belysa de andra : Narratologiska konsekvenser av den journalistiska ögonvittnespositionen
- 2015
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :1, s. 5-16
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Tidskriftsartikel (refereegranskat)abstract
- A reportage is the reporter's story about reality. Even though it details real events, it always presentsa personal interpretation of these events. In contrast to the news article, which primarilyinforms readers, a reportage involves a pronounced degree of personal narration. Normally it is based on the reporter's role as an eyewitness. This essay discusses how the position of the eyewitness establishes narratological structures inthe text, which seem to differ from the structures present in other kinds of non-fiction narrativestold in the first person. For instance, in reading an autobiography, a reader's empathy willbe drawn toward the main character. By contrast, a reportage will direct the reader's empathyaway from the reporter and towards the other. The narratological construction of a reportage may be studied as an interplay between threeinstances: the experiencing reporter, the narrating reporter and the director (the implied reporter).Thus, a three-part model may be utilised in order to help explain, for example, how ahomodiegetic narrator can be combined with external focalisation, and how a character otherthan the experiencing reporter can be internally focalised. It can also illuminate how the textmay employ a form of dissonance between the experiencing and the narrating reporter to serve ajournalistic purpose (displacing the perspective from person – the reporter – to subject-matter).
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| 2. |
- Andén, Lovisa
(författare)
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Motvilliga vittnen : Svenska vittnesberättelser från utrensningarna i Sovjetkarelen
- 2022
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Ingår i: Tidskrift för litteraturvetenskap. - : Föreningen för utgivande av Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X .- 0282-7913. ; 51:3-4, s. 172-186
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Tidskriftsartikel (refereegranskat)abstract
- Several hundred Swedes emigrated to Soviet Karelia in the beginning of the 1930s. Many of them remained there when the Great Terror began, and they became targets of repression. As of now, there is no coherent public narrative in Sweden that acknowledge the Swedish survivors; most survivors never talked publicly about their experiences, let alone wrote about them, and the few who did, did so reluctantly. This article discusses four memoirs written by Swedish survivors of the Soviet repression and the silence that still surrounds these memoirs. The narratives themselves, as well as the reception of the narratives, bear witness to the difficulty of narrating experiences that have not yet been publicly acknowledged. Based on the Swedish witness accounts, this article aims to examine 1) the difficulty of testifying in the absence of a public narrative, and 2) the ability of witness literature to challenge and change established historical narratives.
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| 3. |
- Björck, Amelie, et al.
(författare)
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Kanon och kanoner. En e-postdiskussion
- 2007
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Ingår i: TFL Tidskrift för litteraturvetenskap. ; 2007:3:3, s. 7-22
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 4. |
- Björck, Amelie
(författare)
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Metaforer och materialiseringar. Om apor hos Vladimir Nabokov och Sara Stridsberg
- 2013
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :1, s. 5-20
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Tidskriftsartikel (refereegranskat)abstract
- By tradition the humanities have been anthropocentrically focused on the lives of human beings in arts and literature. The limited analysis of what other species do in literature – and of the different relations between humans and animals that are represented – has sustained the notion of a hierachical divide between humans and other species, thereby reducing the ethical potential of literature to resist that dualism. The growing field of human–animal studies proposes that we return to our artefacts and epistemologies, with new attention to human–animal relations. Inspired by this movement, forefronted by scholars such as Cary Wolfe and Sara McHugh, this article offers a comparative reading of Vladimir Nabokov’s Lolita (1955) and Sara Stridsberg’s Darling River (2010). In Lolita Nabokov makes frequent use of animal and especially monkey metaphors, and carries out an ongoing animalization of his characters. In Stridsberg’s novel, which is written as a kind of hypertext of Lolita, Nabokov’s animalizations are interestingly molded and materialized into one physical creature: the caged schimpanzee Ester. The central concern of the study is to understand the process and effects of this materialization. I argue that the consequential reorientation of the reader to a non-hierarchical species discourse is a major ethical feat of the novel.
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| 5. |
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| 6. |
- Björck, Amelie, 1973-
(författare)
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Zoopoetikens tankar om språk och art : En bakgrundsteckning
- 2022
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Ingår i: Tidskrift för litteraturvetenskap. - : Föreningen för utgivandet av Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X .- 0282-7913. ; 51:3-4, s. 220-234
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Tidskriftsartikel (refereegranskat)abstract
- Zoopoetic studies investigate “texts that are, in one way or another, predicated upon an engagement with animals and animality (human and nonhuman),” to quote Kári Driscoll and Eva Hoffman. A central question in this field concerns the relation between language and species. This article suggests that two basic views can be discerned: one that conceptualizes language as a human-specific capacity, and another that frames language as a broader phenomenon that humans and most other species have in common. These two starting points – the first accentuating differences, the second emphasizing similarities – give rise to two different approaches to zoopoetry. In the first case, zoopoetry is associated with the deconstruction of human semantics and, thus, of human power. In the second case, zoopoetry is seen as an experiment in which the attentive human poet comes together with animals in a natural act of mutual poiesis.The aim of the article is to uncover the genealogy of these two views – here named the “language sceptic” perspective and the “language affirmative” perspective, respectively – and to problematize them as scholarly reading positions. Using examples from Les Murray’s animal poetry, the article argues that the two perspectives might more fruitfully be explored as two dimensions that exist and create interesting friction within zoopoetic texts – hence an oscillation between the perspectives is preferable.
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| 7. |
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| 8. |
- Burman, Anders, 1971-
(författare)
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Marx, fetischismen och det estetiska
- 2014
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Ingår i: Tidskrift för litteraturvetenskap. - : Föreningen för utgivande av Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 44:3-4, s. 110-114
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Recension (övrigt vetenskapligt/konstnärligt)
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| 9. |
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| 10. |
- Deland, Mats
(författare)
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Om den negativa kärleken : En essä om klass och fascism
- 2019
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Ingår i: Tidskrift för litteraturvetenskap. - : Föreningen för utgivande av Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :2-3, s. 109-119
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- This is an article about the relevance of the theories ot the authoritarian personality, developed by among others Theodor Adorno and Else Frenkel-Brunswik in the late 1940:ies, for contemporary political developments and the issue of class.
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