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Enumeration	Reference	Cover	Find
1.	Regionernas bilder: Estetiska uttryck från och om periferin 2010 Editorial collection (other academic/artistic)
2.	Tarkovskij, Andrej, 1932-, et al. (author) Apokalypsen som vision 2010. - 1 Book (pop. science, debate, etc.)abstract The aim of this book is to discuss and exemplify the phenomenon of the Apocalypse in the works and thoughts of Andrei Tarkovsky (1932-1986). After an introduction in the first chapter, the first of the analytical chapters presents the life and works of Andrei Tarkovsky and looks at the apocalyptic motif in his oeuvre, as well as his thoughts and film aesthetics. The chapter also examines the term Apocalypse, which has accumulated a variety of meanings through the centuries, and the history of apocalyptic and post-apocalyptic fiction, mainly literature and film. The second analytical chapter focuses on Tarkovsky's film "Andrei Rublev" (1966), its historical context and narrative, and presents a substantially new reading of key scenes - especially the epilogue which shows details of several icons by S:t Andrei Rublev. The chapter also includes an introduction to icons and a short biography of S:t Andrei Rublev, in order to be able to relate the film to traditions in Russian art, aesthetics and intellectual history. Apart from the analytical chapters by Christo Burman mentioned above, the book contains Tarkovsky's essay on the Apocalypse from the 1984 lecture in St James's Church, London, an interview with the director on the subject of religion and belief (previously published in "Nytt Liv" 1985), a detailed filmography and the largest Swedish bibliography to date of material on Andrei Tarkovsky.
3.	Sjödin, Anna-Pya, Docent, 1972- (author) En bland många historier att berätta : modernitetens berättelse och den postkoloniala kritiken av historicismen 2011 In: G(l)ömda historier - klassiska normer och antik kritik. - Uppsala : Uppsala universitet. - 9789197818681 ; , s. 47-72 Book chapter (other academic/artistic)
4.	Foka, Anna, 1981- (author) Beauty and the Beast : Femininity, Animals and Humour in Middle Comedy 2011 In: Classica et Mediaevalia. - Museum Tusculanum Press, University of Copenhagen. - 0106-5815 .- 1604-9411. ; 62, s. 51-80 Journal article (peer-reviewed)abstract Approximating humans to animals is a technique employed in Greek Literature, drawing on epic stylistics. The topsy-turvy nature of Old Comedy encouraged the use of animal choruses and characters. In Middle Comedy, their dramatic use appears limited: a number of similes are built around refernces to animals for both male and female characters, producing social comments in humorous form. This paper explores how animal semantics in selected fragments (Alexis and Epicrates) impart occasional otherness to female entities (women and hetairai) reinforcing the sense of difference from the norm, whereas on other occasions they subtly underline the importance of females in the civic environment.
5.	Johansson, Anders, 1968- (author) Till tumrullandets försvar 2011 In: Glänta. - Göteborg : Glänta. - 1104-5205. ; :3-4, s. 5-12 Journal article (other academic/artistic)
6.	Brännström, Leila, et al. (author) What is the state of critique today? : A conversation with Anders Johansson, Sharon Rider and Malin Rönnblom 2011 In: Eurozine. - 1684-4637. ; :2011-10-12 Journal article (pop. science, debate, etc.)abstract Is what is taken for critique today genuinely self-questioning or merely the confirmation of the moral consensus? In the neoliberal culture of the audit, has critique been deprived of its role as check on ideology? And does preference for impact-oriented research produce political compliance rather than independent critical thought?
7.	Edlund, Lars-Erik, 1953- (author) Vierbeinerdarstellungen auf schwedischen Runensteinen. Studien zur nordgermanischen Tier- und Fesselungsikonographie 2011 In: Journal of Northern Studies. - Umeå : Umeå universitet; Kungl. Skytteanska Samfundet. - 1654-5915 .- 2004-4658. ; 5:2, s. 126-127 Review (other academic/artistic)
8.	Johansson, Anders, 1968- (author) Materialism och biografism : utkast till en kritik av två litterära tendenser 2011 In: Aiolos. - Stockholm. - 1400-7770. ; 42:3, s. 69-74 Journal article (other academic/artistic)
9.	Ambrosiani, Per, 1954-, et al. (author) Slavonica Glagolitica and Cyrillica in Swedish Repositories : the project Digitalised Descriptions of Slavic Cyrillic Manuscripts and Early Printed Books in Swedish Libraries and Archives 2010 In: Slovo. - Uppsala : Uppsala universitet. - 0348-744X .- 2001-7359. ; :51, s. 107-113 Journal article (other academic/artistic)abstract In the article the authors present the project Digitalised Descriptions of Slavic Cyrillic Manuscripts and Early Printed Books in Swedish Libraries and Archives (2010–2012), and describe the first year’s work within the project. This includes the establishment of the SVEKYR database, an overview of Swedish repositories with materials of importance for the project, and ongoing work on methods for description of early Cyrillic and Glagolitic manuscripts and books.
10.	Burman, Christo, 1981- (author) I teatralitetens brännvidd : Om Ingmar Bergmans filmkonst 2010 Doctoral thesis (other academic/artistic)abstract The aim of this dissertation is to discuss and exemplify the use of theatre and theatricality in the film aesthetics of Ingmar Bergman (1918-2007). The main primary material of the study consists of a selection of Bergman’s films: the nine commercials made for Bris soap (1951-1953) and the feature films Sawdust and Tinsel (1953), Smiles of a Summer Night (1955), The Seventh Seal (1957), The Magician (1958), Through a Glass Darkly (1961), Winter Light (1963), The Silence (1963), Persona (1966), The Ritual (1969), Scenes from a Marriage (1973), Fanny and Alexander (1983) and Saraband (2003). The dissertation also includes several other examples from Bergman’s rich intermedial oeuvre, and features theatre, film, radio and television productions. The interart approach is also applied on material from the Ingmar Bergman archives and to the author’s unique interviews that were carried out with Bergman in the fall of 2004 (some of his last interviews). After an introduction in the first chapter, the second chapter discusses the history, aesthetics and terminology of theatricality. The term has accumulated an extraordinary variety of meanings, making it denote everything from an act to excess in the broadest possible sense, from a style to a semiotic system and from a medium to a message. In this dissertation theatricality is seen as a reference to a performance that is directed outwards; an act of showing, which reveals the relationship between the medium and the observer. A prerequisite for this is that the object is manifested with a parallel consciousness of the observer’s gaze, which is used as a part of the staging, thereby involving the observer in the work while making her realize that the author is aware of her gaze. This self-consciousness is illustrated in the three following analytical chapters. The third chapter looks at the depiction and use of space, framing and long shot-composition, reveries, character entrances, movement and tracking shots in Bergman’s films. The main foci of the fourth chapter are masks and Bergman’s famous close-ups, where the emphasis lies on the importance of the actor. In scenes where Bergman lets the actor face and speak directly into the camera, theatricality is characterized by oscillation; that is, it forms an act of showing that breaks the cinematic illusion, while simultaneously involving the observer in the film. The chapter also examines the use of photographs in Bergman’s films. The fifth chapter focuses on some of the meta-aspects created by Bergman’s theatrical film aesthetics, for instance when the characters in the films visit theatres. The chapter also analyzes the play-within-the play structure of Bergman’s works and the "indirect" address from Bergman in his films, which is accomplished through the intervention of his voice and cameo appearances. The sixth and last chapter of this dissertation consists of a brief summary and conclusions on the subject of cinematic style that show how ideas concerning theatricality have been a part of Ingmar Bergman’s film art.

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Type of publication: journal article (253); book chapter (171); review (157); conference paper (88); reports (69); editorial collection (31); show more...; doctoral thesis (27); book (20); artistic work (12); other publication (12); editorial proceedings (4); research review (2); licentiate thesis (1); show less...

Type of content: other academic/artistic (472); peer-reviewed (285); pop. science, debate, etc. (79)

Author/Editor: Edlund, Lars-Erik, 1 ... (99); Bränström Öhman, Ann ... (19); Viklund, Karin, 1950 ... (17); Lindmark, Daniel, 19 ... (16); Linderholm, Johan, 1 ... (16); Arvidsson, Alf, 1954 ... (16); show more...; Jørgensen, Finn Arne ... (13); Fazlhashemi, Mohamma ... (12); Lindgren Leavenworth ... (12); Lundgren, Anna Sofia ... (11); Ehn, Billy (11); Grabowski, Radoslaw, ... (11); Nordlund, Christer, ... (9); Altés Arlandis, Albe ... (9); Hansson, Heidi, 1956 ... (9); Ramqvist, Per H, 195 ... (9); Straarup, Jørgen, 19 ... (8); Hjelm, Jonny, 1956- (8); Stam, Per, 1964- (7); Johansson, Anna, 198 ... (7); van Toorn, Roemer, 1 ... (7); Lantto, Patrik, 1968 ... (7); Johansson, Anders, 1 ... (7); Pettersson, Helena (7); Vikström, Lotta, 197 ... (7); Söderlind, Ulrica, 1 ... (7); Granqvist, Raoul J. (7); Isaksson, Malin, 197 ... (7); Sköld, Peter, 1961- (6); Stoor, Krister, 1959 ... (6); Larsson, Anna, 1967- (6); Samuelsson, Lars, 19 ... (6); Lundberg, Gun (6); Axelsson, Per, 1972- (5); Mårald, Erland, 1970 ... (5); Larsson, Thomas B, 1 ... (5); Karlsson Sjögren, Ås ... (5); Deutschmann, Mats, 1 ... (5); Gregersdotter, Katar ... (5); Määttä, Tuija, 1957- (5); Löfgren, Orvar (4); Nygren, Thomas, 1972 ... (4); Girmalm, Thomas, 196 ... (4); Viklund, Karin (4); Sundström, Olle, 196 ... (4); Kardell, Örjan, 1963 ... (4); Elenius, Lars, 1952- (4); Pettersson, Anders, ... (4); Liliequist, Marianne ... (4); Zipernovszky, Hanna (4); show less...

University: Umeå University (836)Undo refine; Uppsala University (38); Stockholm University (20); Mid Sweden University (17); Södertörn University (16); Luleå University of Technology (14); show more...; University of Gothenburg (11); Lund University (7); Örebro University (6); Linköping University (5); Royal Institute of Technology (4); University of Gävle (4); Linnaeus University (4); RISE (3); Karlstad University (2); Karolinska Institutet (2); Högskolan Dalarna (2); Mälardalen University (1); Jönköping University (1); Malmö University (1); University of Borås (1); Swedish National Heritage Board (1); Swedish University of Agricultural Sciences (1); Marie Cederschiöld högskola (1); Sophiahemmet University College (1); The Institute for Language and Folklore (1); show less...

Language: Swedish (408); English (392); French (9); Norwegian (6); Finnish (6); German (4); show more...; Italian (3); Spanish (3); Russian (1); Dutch (1); Bulgarian (1); Lithuanian (1); Catalan (1); show less...

Research subject (UKÄ/SCB): Humanities (835)Undo refine; Social Sciences (102); Natural sciences (20); Agricultural Sciences (10); Medical and Health Sciences (7); Engineering and Technology (5)

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