| 41. |
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| 42. |
- Carpentier, Nico, 1969-
(författare)
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Comunicando o conhecimento acadêmico além do texto acadêmico escrito : uma análise autoetnográfica do experimento da instalação Mirror Palace of Democracy
- 2020
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Ingår i: MATRIZes. - 1982-2073 .- 1982-8160. ; 14:2, s. 75-99
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- The article first discusses five approaches that aim to transcend, complement, or overturn the hegemony of the written academic text. In the second part, the Mirror Palace of Democracy installation experiment, which had the explicit objective of moving beyond the written academic text while still remaining in the realm of academic knowledge communication, is autoethnographically analyzed. The experiment allowed reflection on the integrated and iterative nature of academic communication, on the hybrid academic– artistic identity, and on the diversification of publics. Both the theoretical discussion and the Mirror Palace of Democracy installation are part of a call for more experimentation with, and theorization of, multimodal and/or arts-based academic communication.
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| 43. |
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| 44. |
- Castilho, Ataliba Teixeira de, et al.
(författare)
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Advérbios predicadores
- 2008
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Ingår i: Gramática do português culto falado no Brasil, vol. 2. - Campinas, SP : Editora da Unicamp. - 9788526808324 ; , s. 413-456
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 45. |
- Castilho, Ataliba Teixeira de, et al.
(författare)
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O advérbio
- 2008
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Ingår i: Gramática do português falado culto no Brasil, vol. 2. - Campinas, SP : Editora da Unicamp. - 9788526808324 ; , s. 403-411
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 46. |
- Cavaliere, Mauro, 1963-
(författare)
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A recepção produtiva de El reino de este mundo em Memorial do Convento
- 2016
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Ingår i: Revista Brasileira de Literatura Comparada. - 0103-6963. ; 18:29
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- O que causa impressão ao ler El reino de este mundo de Alejo Carpentier e Memorial do Convento de José Saramago é uma evidente série de analogias a nível morfológico e temático. O propósito deste trabalho é destacar e descrever estas analogias com o apoio das teorias da transtextualidade de Gérard Genette (1982) e de José Enrique Martínez Fernández (2001). A comparação tocará, por isso, vários aspectos dos dois romances (dispositivo discursivo, dinâmica actancial, tópicos). A hipótese colocada é a existência de uma recepção produtiva de El reino de este mundo na escrita de Memorial do Convento. Este trabalho, inspirado por uma abordagem à literatura comparada assim como a entende Claudio Guillén (2005), coloca-se, mais especificamente, na área de pesquisa que visa destacar a recepção da literatura hispano-americana na literatura portuguesa.
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| 47. |
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| 48. |
- Cavaliere, Mauro, 1963-
(författare)
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As Coordenadas da Viagem no Tempo : Uma contribuição para a teoria da ficção histórica baseada em alguns textos portugueses dos séculos XVI, XIX e XX
- 2002
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- In Portugal, as in other countries, a common characteristic of many of the novels published in the past twenty years is the recourse to a repertoire of literary devices that recall those of the historical novel. On the basis of critical studies published in the 1990’s, and in particular Fernández Prieto’s Poética de la Novela Histórica, this thesis undertakes a study of the Portuguese historical novel with the aim of defining, to the extent possible, the limits of this literary genre, and to examine in detail some of its intrinsic—and pertinent—semantic and pragmatic traits: the setting of a fictional narrative in the past, theintroduction of historical persons and events and, not the least, the transtextual relationship between the fictional and the historiographic text. Special attention is given to some of the more innovative forms of the contemporary historical novel, to highlight how by emphasising certain generic traits —that refer to the reader’s acquired knowledge— the author can compensate for the absence of others. Despite the inherent ”heterodoxy”, this device justifies grouping these novels under the general heading of the historical novel.The thesis explores the analogies between some of these innovative narrative strategies of the contemporary historical novel with transtextual practices characteristic of literature predating the 19th Century and by which a certain ”historical knowledge” is requisite for decoding the text. The thesis also establishes a set of generic traits that the historical novel shares with epic poetry. In light of theseanalogies, the thesis proposes a reading of Os Lusíadas as a historical poem. With this the author hopes to provide a contribution to a theory of historical fiction, understood as a genre encompassing, in addition to the novel, all forms of fictionalisation that rely on the historical discourse.© Mauro Cavaliere ISBN 91-7265-442-2
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| 49. |
- Cavaliere, Mauro
(författare)
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Autoficção e História : a hibridez do pacto de leitura em Estação das Chuvas de J. E. Agualusa
- 2014
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Ingår i: XIX Congreso de romanistas escandinavos Universidad de Islandia 12-15 de agosto de 2014.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Autofiction and History: the hybridity of the narrative pactin Rainy Season by José Eduardo AgualusaIn several studies conducted in the last two decades, among others by Manuel Alberca (2007) and Philippe Gasparini (2004), a satisfactory definition of autofiction is proposed. The essential feature of autofictional narrative is, especially in the case of the first author, the ambiguity of the narrative pact proposed by the writer. The hybridity of the narrative pact, however, is also one of the striking features of the historical novel, especially in cases where the protagonist is a historical character, because this circumstance orientates towards a referential reading. The novel Rainy Season(1996) of the Angolan writer José Eduardo Agualusa develops a plot over several decades of Angolan history by a narrator whose identity seems to coincide with the author’s and at the same time devotes more than half of the chapters to the biography of an invented Angolan poet, sharing thus both the features of autofiction and historical novel. My communication is intended to argue towards dual genre identity and to show some devices that make it possible.
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| 50. |
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