| 1. |
- Bärtås, Magnus, 1962
(författare)
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Kumiko, Johnnie Walker and the Cute
- 2009
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Ingår i: ArtMonitor, 6/2009 s. 7. - Göteborg : Göteborgs universitet. - 1653-9958. ; , s. sid. 7-21, s. 33-42
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Fridh, Kristina, 1961
(författare)
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From Japanese tradition towards new subjectivity in the architecture of Kengo Kuma and Toyo Ito
- 2017
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Ingår i: arq : Architectural research quarterly. - Cambridge : Cambridge University Press. - 1359-1355 .- 1474-0516. ; 21:2, s. 113-130
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Tidskriftsartikel (refereegranskat)abstract
- The Japanese architects Kengo Kuma and Toyo Ito work with the formation of mental processes, which include spatial perceptions, but also haptic experiences. In this regard, they both connect to the Japanese architectural tradition. Therefore, it is interesting to compare their work, especially since visually the architecture of these two architects differs. However, through staged, unexpected and changeable experiences of materiality and spatial organisation – interacting in dynamic flow with the surroundings – similar mental processes are evoked when conceiving and perceiving their architecture that are an integral part of the ongoing processes to transform their architecture into ‘abstractions’. The point of departure for being involved in these similar, processual stage-settings is the creation of uncompleted experiences of wonder; a void, which is recognised from the traditional Japanese expressions for beauty – shibui and yugen – and described by Soetsu Yanagi as a hidden, subjective beauty. This in turn leads to a new subjectivity in connection with traditional Japanese conceptions of space, where space is a subjective perception and a changeable process in the mind of the beholder, and not an outside object. The references to the architectural tradition include the villa and the garden of Katsura and the architect Kazuo Shinohara, who opposed and criticised Western Modernism with the basis in his own Japanese tradition.
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| 3. |
- Fridh, Kristina, 1961
(författare)
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Ytans materialitet
- 2004
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Ingår i: Arkitekturmuseets årsbok. - Stockholm. - 0280-2686. ; 2003, s. 48-65
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 4. |
- Hellström, Björn, 1959, et al.
(författare)
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Modelling the shopping soundscape
- 2011
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Ingår i: Journal of Sonic Studies. - Leiden : Leiden University Press. - 2212-6252. ; 1
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Tidskriftsartikel (refereegranskat)abstract
- This article’s pivotal theme is: “How to compose a site-specific sound-art installation for a commercial space in order to improve conditions, while taking perceptual, social, aesthetical, temporal and spatial criteria into account” The interdisciplinary, art-based research approach is derived from the concept of acousmatics, i.e. the process of apprehending any sound, the source of which is invisible. Acousmatic perception concerns the everyday identification process; when lacking visual contact with the sound source, we automatically seek references, such as social (what produces the sound and what is my relation to it?), aesthetical, spatial and temporal (e.g. orientation and demarcation). The acousmatic concept identifies phenomena based on individually, culturally and spatially conditioned experiences. Today, a shopping culture dominates urban space. Indoor malls expose us to all types of acousmatically perceived sounds: jingles, signals, music and muzak from public loudspeakers, mobile devices, etc. In this respect, one could claim that the soundscape of the shopping culture embodies an acousmatic environment. In 2009, the research and sound-art group Urban Sound Institute (USIT) created a permanent sound installation in a shopping mall (Gallerian) located in downtown Stockholm. This installation serves as a case study for the present paper. The artistic assignment involved the creation of a meeting place without material devices as well as the enhancement of the overall atmosphere. The research objective was to elucidate different qualities of the sound installation in regard to the acousmatics of the shopping mall, promoting discussions on the articulation of sound-space configurations in relation to time and site-specific context, issues on musical-architectural qualities as well as objective, subjective and inter-subjective interrelationships between the experience of the sound-art installation and the experience of the shopping mall soundscape. Other applied, interrelated concepts are metabolic environment and masking- and cutting effects.
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| 5. |
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| 6. |
- Hjorth, Elisabeth
(författare)
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Ett evigt vandrande
- 2018
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Ingår i: Sydsvenskan. - Malmö : Sydsvenska dagbladets aktiebolag. - 1652-814X. ; :1 september
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 7. |
- Wetter-Edman, Katarina, 1971-, et al.
(författare)
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Design for Value Co-Creation : Exploring Synergies Between Design for Service and Service Logic
- 2014
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Ingår i: Service Science. - : Institute for Operations Research and the Management Sciences (INFORMS). - 2164-3962 .- 2164-3970. ; 6:2, s. 106-121
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Tidskriftsartikel (refereegranskat)abstract
- This paper aims to bridge recent work on Service Logic with practice and research in the Design for Service to explore whether and how human-centered collaborative design approaches could provide a source for interpreting existing service systems and proposing new ones and thus realize a Service Logic in organizations. A comparison is made of existing theoretical backgrounds and frameworks from Service Logic and Design for Service studies that conceptualize core concepts for value co-creation: actors, resources, resource integration, service systems, participation, context, and experience.We find that Service Logic provides a framework for understanding service systems in action by focusing on how actors integrate resources to co-create value for themselves and others, whereas Design for Service provides an approach and tools to explore current service systems as a context to imagine future service systems and how innovation may develop as a result of reconfigurations of resources and actors. Design for Service also provides approaches, competences, and tools that enable involved actors to participate in and be a part of the service system redesign. Design for value co-creation is presented using this model.The paper builds on and extends the Service Logic research first by repositioning service design from a phase of development to Design for Service as an approach to service innovation, centered on understanding and engaging with customers' own value-creating practices. Second, it builds on and extends through discussing the meaning of value co-creation and identifying and distinguishing collaborative approaches for the generation of new resource constellations. In doing so, the collaborative approaches allow for achieving value co-creation in designing.
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