321. |
- Johansson, Sven Anders, 1968-
(författare)
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Det sublima i Ragnar Strömbergs poesi
- 1996
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :1, s. 3-26
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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322. |
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323. |
- Johansson, Sven Anders, 1968-
(författare)
-
Inledning
- 2019
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 49:2-3, s. 5-7
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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324. |
- Johansson, Sven Anders, 1968-, et al.
(författare)
-
Möte med Jacques Rancière
- 2007
-
Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :1-2, s. 35-42
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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325. |
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326. |
- Johansson, Sven Anders, 1968-
(författare)
-
Vad gör en facist? : Individen, mikropolitiken och aktivismens logik
- 2019
-
Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 49:2-3, s. 47-56
-
Tidskriftsartikel (refereegranskat)abstract
- The article contains a discussion of fascism and anti-fascism, with a focus on the role of the individual subject. The author turns first to Theodor W. Adorno and then to Gilles Deleuze & Félix Guattari in order to question a common understanding of the constitution of fascism. While Adorno sees the individual subject as the locus of a possible anti-fascist resistance, he also regards modern individualism as one of the crucial factors behind the surge of fascism. Deleuze & Guattari opens another perspective on fascism through their distinction between micro- and macropolitics, and a discussion of ”segmentarity”. Hence the article argues that the boundary between fascism and humanism/liberalism/democracy is not as clear as it is normally understood today, when ”fascism” tends to become the abject of modern civilization. This argument is finally developed through a discussion of two very different contemporary examples of activism. Fascism, the article concludes, is in one sense a latent possibility within modern society, rather than its opposite.
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327. |
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328. |
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329. |
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330. |
- Jonsson, Stefan, 1961-
(författare)
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En kvinnas plats i världsordningen : Ett grundläggande drag hos Pia Arke och Marguerite Duras
- 2010
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Ingår i: Tidskrift för litteraturvetenskap. - Umeå : Umeå universitet. - 1104-0556 .- 2001-094X. ; 40:2
-
Tidskriftsartikel (refereegranskat)abstract
- Contemporary arts and literature provide a record of alternative narratives of globalization. This essay discusses how the global world system is reconfigured in two different aesthetic endeavors: the so-called ”India Cycle” of Marguerite Duras and the visual artwork of Greenlandic-Danish artist Pia Arke. The essay suggests that both Duras and Arke constitute what may be defined as global narratives, and, furthermore, that both approach what may be termed ”the essential trait” of contemporary global history. This essential trait is made visible – or, indeed, audible – through the pertinent figure of a subaltern female subject, which the reader or viewer perceives as occupying the very margin or edge of the global order. It is argued that this position still remains untheorized in postcolonial cultural theory. Finally, the essay presents a model through which this figure may be understood, while it also insists on the figure’s importance as a touchstone and corrective of urgent political and theoretical problems of our era.
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