| 21. |
- Auvergnon, Philippe, et al.
(författare)
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Tavola rotonda : Un confronto fra esperienze Europee
- 2019
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Ingår i: Lavoro e Diritto. - 1120-947X. ; 33:1, s. 197-224
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- The foreign colleagues answer the following questions: Does the current regulation of the standard employment relationship create poverty in your country? Which are the kinds of non-standard employment contracts (i.e. fixed-term contracts, part-time, etc.) that create fragility and poverty? Does the introduction of new technologies (digital platforms, smart work, etc.) contribute to the increase of the number of working poor and poverty? Does a linkage between the working poor and female employment exist? Which are the causes of the poverty of work performed in agriculture? Do taxation law and social security law have an impact on the increase of the number of working poor? Which is the answer of the social security system to the new poverties (both during working life and after it)?.
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| 22. |
- Axelsson, Karin, et al.
(författare)
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Ätsvårigheter efter stroke
- 1997
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Ingår i: Vård : utbildning, utveckling, forskning. - 0281-921X. ; , s. 20-30
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 23. |
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| 24. |
- Baraldi, Claudio, et al.
(författare)
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La mediazione interlinguistica e interculturale
- 2009. - 1
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Ingår i: Lingua, cultura e cittadinanza. - Bologna : I libri di Emil. - 9788896026168 ; , s. 105-157
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 25. |
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| 26. |
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| 27. |
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| 28. |
- Bardel, Camilla
(författare)
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La negazione nell'italiano degli svedesi : sequenze acquisizionai e influssi translinguistici
- 2000
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis concerns the development of negation in the Italian L2 of a group of Swedish adults who live in Italy and acquire the language by formal and spontaneous learning. Various negative expressions and the verbal system were studied in a longitudinal analysis of a corpus with 29 recordings of seven subjects. The recordings consist mainly of spontaneous dialogue. While the development of the verb morphology turned out to be rather similar in all the subjects, the placement of negation developed differently among individuals. Contrary to what may be expected, five of the subjects tended to place negation postverbally, a position which rarely appears in the target language and in other observed L2 learners of Italian. In the L1 (Swedish) negation is placed after the finite verb in main clauses. The postverbal negation appeared mostly with the verbs essere (be) and avere (have), which is a typical distinction of verb types found in many L2 learners of target languages with postverbal negation, and indicates that the negative particle is placed before lexical and after functional elements. This could be explained with the tendency found in early stages of L2 acquisition to place negation immediately before the element it primarily operates on (i.e. semantic focus, according to our analysis). The results show that there is no obvious relation between finiteness and the preverbal negation of the target language in the subjects. Instead, there seems to be a relation between the first indications of finiteness in non lexical (thematic) verbs and postverbal negation. An alternative development was found in a learner who had studied French before coming into contact with Italian. In order to test a hypothesis of cross-linguistic influence from previously studied languages, a cross-sectional study was carried out on a group of Swedish high school students. All the students who had studied French or Spanish before Italian had easier access to the preverbal position of negation, present in Romance languages, than the students who had studied German. According to the results, the general developmental sequences found in learners of languages with postverbal negation can also be found in learners of a language with preverbal negation if the L1 has postverbal negation. In addition, transfer from previously studied languages seems to interact with more general principles of development.
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| 29. |
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| 30. |
- Barnohro Oussi, Broula, 1977-
(författare)
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Sentieri e radure : Le forme del cronotopo d'iniziazione in Alessandro Baricco
- 2016
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The purpose of the present dissertation is to study the elaborations of the initiation myth in contemporary Italian author Alessandro Baricco. The theoretical and methodological framework consists mainly of Mircea Eliade’s phenomenological theory of initiation. It is argued that the categories of space and time are interdepent in religious thought and should thus be studied as a unit, through the notion of the chronotope. The dissertation therefore proposes to introduce the concept of the chronotope of initiation as an operative tool, the intersection of the theories of Eliade and Mikhail Bakhtin, for the literary subgenre of the initiation novel.A hermeneutical analysis of the novels Oceano mare, Emmaus and Mr Gwyn demonstrates that the initiation myth is present in all three novels. The symbolism of death and rebirth is coherently enacted as a movement via the categories cosmos-chaos-cosmos, for which the author uses the symbolism of the earth to define cosmos (regularity and structure) and water symbolism for the regenerating chaos (dissolution and renewal). The different chapters of analysis accentuate the interaction of space and time within the different phases of the initiation pattern: the profane, the threshold, the sacred, the centre (the place where the actual ritual is enacted) and the return, which are all defined as chronotopes.The analysis shows that although the chronotope of initiation – the concept intending the fusion of the temporal event of ritual at the spatial centre – assumes different forms throughout the corpus, its function remains unmodified, with its purpose being the creation of ontological change. In its inherent structure, the chronotope of initiation unites antithetical spatial and temporal characteristics. Spatially it unites infinite and dissolving chaotic space with the constitutive envelope or sacred vertical centre, and temporally it brings together the ultimative ontological change at a fixed, historical moment with the eternal, sacred, time opened by ritual, representing the coincidentia oppositorum of the sacred. The analysis also shows that the so-called “portraits of the ineffable”, present in all three novels, reflect the same qualities. As immanent works of art, they function as thresholds into the infinite.From a chronological perspective, the dissertation shows a modification of the initiation pattern in Baricco’s writing: from the classical form in Oceano mare, via a more realistic application in Emmaus, to the most elaborate, meta-literary adaption in Mr Gwyn. Nevertheless, the use of the pattern and its thematic coherence reveals that Baricco consciously elaborates on the pattern to suit the contemporary context.
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