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- Abdel-Khalek, Ahmed A., et al.
(author)
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Chemical Studies on Uranium Extraction from Concentrated Phosphoric Acid by Using PC88A and DBBP Mixture.
- 2011
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In: Journal of Radioanalytical and Nuclear Chemistry. - : Springer. - 0236-5731 .- 1588-2780. ; 290, s. 353-359
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Journal article (peer-reviewed)abstract
- Liquid–liquid extraction of U (VI) from concentrated phosphoric acid by using (2-ethyl hexyl) phosphonic acid, mono (2-ethyl hexyl) ester (PC88A) and di-butyl butyl phosphonate (DBBP) has been investigated. The effect of different factors affecting the extraction process (PC88A concentration, DBBP concentration, shaking time, aqueous/organic phase ratio, phosphoric acid concentration and effect of diluents) have been investigated. The obtained data of temperature on the extraction showed that the enthalpy change is −17.15 kJ mol−1. Uranium was extracted from the strip liquor by using di (2-ethylhexyl) phosphoric acid and tri-octyl phosphine oxide mixture and finally converted to a high purity UO3 product using precipitation with hydrogen peroxide and heat treatment at 365 °C.
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| 3. |
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Action Research in Circus; Learning the Methods of Teaching the Methods of Artistic Research.
- 2011
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Editorial proceedings (peer-reviewed)abstract
- In 2011, circus as an art form had only recently entered into the circuits of artistic education at a university level and into artistic research. A working group at the Circus department Stockholm University of the Arts, formely knows as DOCH, has been teaching, analyzing and documenting a particular course that concerned the methods of artistic exploration in circus. The purpose of the project was to address the following question: which pedagogical methods can we develop to prepare students for the methods of artistic exploration and research, specifically in circus? Or in other words: how can we learn the method of teaching the methods of artistic research in the field of circus? The described project was initiated and directed by Marie-Andrée Robitaille. This documentation was written by Camilla Damkjaer in collaboration with Marie-Andrée Robitaille and the presentation was made with the participation of circus students from the bachelor program in circus arts namely Nathalie Bertholio, Quim Giron Figuerola, Patrik Elmnert.
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| 4. |
- Akner-Koler, Cheryl, et al.
(author)
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Aesthetics and nanostructure
- 2011
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In: International Innovation. - : Research Media. - 2041-4552. ; :6, s. 97-97
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Journal article (other academic/artistic)abstract
- Professors Cheryl Akner-Kohler and Lena Tibell of the Nanoform project describe the artistic methods and benefits that it might afford to both science and society.
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| 5. |
- Almgren, Martina
(author)
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Album Freedom of Movement - Oh Yeah Orchestra
- 2011
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In: Album release 22 October 2011 (Imogena Records).
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Artistic work (other academic/artistic)abstract
- "Freedom of Movement" is to a large extent the music that Martina Almgren was commissioned to write for her tentet Oh Yeah Orchestra at the opening concert at Swedish Jazz Celebration in Gothenburg 2009. The original suite has here been supplemented with five parts. There’s a sort of red thread that makes me associate to different kinds of movement. The rhythmic is consistently the hub and characteristic of the music, it is heard in drum and percussion playing and permeates compositions and instrumentation and voices. The album was recorded and mixed by sound engineer Åke Linton together with Owe and Martina Almgren in Bohus Sound Recordings. Lisen Rylander Löve -Soprano and Tenor Saxophone, Björn Almgren - Soprano and Tenor Saxophone, Karin Burman - Voice. Magnus Broo - Trumpet, Niclas Rydh - Trombone and Tuba, Petra Lundin - Cello, Tommy Kotter . Piano, Owe Almgren - Electric Bass, Ebba Westerberg - Percussion and Berimbau, Martina Almgren - Drums, Sizzleboard and Hang, "To think like a drummer has its advantages. Martina’s melody lines are as infectious as her rhythms are enticing. Sometimes it sounds deceptively easy, like it can look easy when circus artists do their tricks." Lars-Göran Ulander director for Swedish Jazz Radio P2.
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| 7. |
- Altés Arlandis, Alberto, 1978-
(author)
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Rethinking public space : hybrid collaborative art practices and spatial piracy in the urban realm
- 2011
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In: Re-Public. Re-Imagining Democracy. - Greece : http://www.re-public.gr/en. - 1791-857X. ; February 2011
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Journal article (other academic/artistic)abstract
- It seems as if the city, its space, its future, its production, were almost exclusively the result of a series of processes and flows taking place at unreachable distance, in un-known locations, mostly determined by the interests and wills of un-localized powers, actors and flows. As if the city could no longer be produced and shaped after the desires of its inhabitants, articulating one or another form of collective will. As if the city was no longer the soul and reason of urban politics but just the mere object of a kind of witty and hygienic managing that understands built space as a market and a product, placing economy at the very center of society.Urban agendas no longer include distributive and social considerations but focus now on economic growth, competitiveness and entrepreneurship. Creative flexibility, efficiency and strategic partnership exclude dissent, conflict and radical criticism nearly foreclosing the political from the face of the city. Cityspace anesthetized. Public space today is planned, designed, defined, segregated, policed, and set up in order to be easily controlled, ‘secured’, and ‘marketized’, in ways that lead to homogenous, uninteresting, smooth and clean surfaces that differ very much from the inherent characteristics of the very idea of public.
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| 9. |
- Andersson Winberg, Katarina
(author)
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Dagrar
- 2011
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In: Galleri Magnus Åklundh i Malmö (januari - mars 2011).
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Artistic work (other academic/artistic)abstract
- Jag har under de senaste åren arbetat med en tematik vars klangbottnen kan sammanfattas under rubriken ”A Matter of Space.” Detta arbete fortgår. Jag arbetar framför allt med måleri och teckning. Arbetet är ateljébaserat och finner sin form över tid, i långa processer. Målningarnas uttryck sägs ofta vara mångskiftande. Begrepp som material, språk och mening är väsentliga verktyg i mitt arbete. Seendet gör oss till betraktare av dessa begrepp. En utgångspunkt för mig har sedan länge varit att måleriet är svar på ett rumsligt tilltal, mentalt såväl som fysiskt. Dukens yta låter mig upprätta ett bildrum, samtidigt som den låter mig förstå dess karaktär av just yta. I en omsorgsfull måleriprocess byggs målningen upp: en linneduk spänns på ram, grunderas med en emulsionsgrundering, bemålas med upp till fyrtio lager av äggoljetempera lagda i skikt tunna som hinnor, där en förutsättning för upplevelser av ljus, rymd och skillnader upprättas. Ytans förmåga att vara samtidigt yta och rum tillåter själva betraktandet att vara platsskapande, betraktandet innebär då ett återförande av en blick till en kropp. Måleriet blir så att säga ett meningsskapande som får syn på sig självt.
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| 10. |
- Argyropoulou, Gigi
(creator_code:cre_t)
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Celebrations
- 2011
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Artistic work (other academic/artistic)abstract
- Performance presented at National Theatre of Greece
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