| 1. |
- Marques, Nuno, 1980-, et al.
(author)
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Dia do Não
- 2018. - 1st
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Other publication (pop. science, debate, etc.)abstract
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| 2. |
- Marques, Nuno, 1980-, et al.
(author)
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FURO
- 2022
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Book (pop. science, debate, etc.)abstract
- Collection of texts on the future including Portuguese translations of environmental humanities texts by David Farrier, Stefania Barca, Margarida Mendes, Evelyn Reilly and Kathryn Yusoff.
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| 5. |
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Suite em Branco
- 2022
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Other publication (pop. science, debate, etc.)abstract
- Suite em Branco by Swedish-Iranian poet Athena Farrokhzad tells the story of a refugee family in a black discursive line on a white background. This Portuguese translation was presented at Theatre of Bairro Alto -TBA- in Lisbon, Portugal. There was also a book launch at the independent bookstore Poesia Incompleta in Lisbon. The presentation at TBA was included in the programming of the theater under the cycle "Práticas de Leitura" (Reading Practices). Athena and the translators of her work, as well as the publisher and the cover artist read and commented the poem and its themes such as issues of identity and translation that are born out of forced migrations. The events also had the support of the Swedish Embassy in Lisbon; the Swedish Arts Council and the Environmental Humanities Laboratory, at KTH.
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| 6. |
- Marques, Nuno, 1980-
(author)
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Tradutor, depoimento
- 2019
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Other publication (pop. science, debate, etc.)abstract
- Text on personal experience as translator, professional status and working conditions of translators in Portugal; and definitions of translation as communication.
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| 7. |
- Marques, Nuno, 1980-
(author)
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A Máquina Mole : William Burroughs
- 2012
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In: (In)seguranças no Espaço Urbano. - Húmus : V.N. Famalicão. - 9789898549525 ; , s. 183-189
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Book chapter (peer-reviewed)
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| 8. |
- Marques, Nuno, 1980-
(author)
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A Nova Poética da natureza de Gary Snyder : budismo e ecocrítica na sua obra
- 2013
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Licentiate thesis (other academic/artistic)abstract
- This thesis presents the work of the poet Gary Snyder (1930) to the Portuguese academia in order to clearly state its original and unique place among North-American poetry. It is divided in three chapters that determine the three different grounds of the author’s syncretism. The first chapter contextualizes Snyder’s work in the history of literary representations of nature. In rupture with the Pastoral literary mode it crystallizes a moment of passing between nature writing and environmental writing. The second chapter discusses the Buddhist elements present in Snyder’s work and stresses the importance of the interrelation between mind and nature. By stating the equivalence between the Buddhist concept of interdependence and ecosystems processes, the poems assume certain formal characteristics that are presented. Finally, the third chapter defines the relation between geographical places and Snyder’s poems. The formal aspects of the author’s poetry reflect Snyder’s notion of the poet as a shaman and its clarification allows for the discussion of the author’s statement of language as a wild ecosystem. Snyder’s syncretism is his most profound, original and long lasting influence in North-American poetry. It extends its influence to environmental ethics, the presence of Buddhism in North-America and the recovery of Native American Myths and lore. It does so in the context of a social, political, poetic, religious and environmental revolution that intends to create a new (and old) place for humans with nature.
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| 9. |
- Marques, Nuno, 1980-
(author)
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textos pauis – respiração não texto
- 2023
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In: Animalia Vegetalia Mineralia. Revista de Ecomedia e estudos Ecocríticos. - : animalia vegetalia mineralia. - 2183-265X. ; :XII
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Journal article (other academic/artistic)abstract
- A pandemia chamou-me a atenção para a respiração e para a dimensão atmosférica do planeta, em particular para as atmosferas do Antropoceno. Quando os confinamentos chegaram eu estava a terminar a minha tese de doutoramento onde também estudei as possíveis contribuições da ecopoesia norte-americana do ar, ou atmosférica, para as humanidades ambientais. Agora trabalho as atmosferas enquanto espaços de comunicação, locais de comunidades, agentes materiais; e a respiração como prática epistemológica: que conhecimento existe e é criado por se respirar? Respirar com asma, com meio pulmão, respirar ar limpo ou toxinas, não respirar, sufocar: estas respirações são situadas e corporizadas, dizem coisas, são conhecimento. Por isso estudo as contribuições da respiração na ecopoesia ibero-americana para as humanidades ambientais. Um primeiro esboço foi um artigo que escrevi para o #5 da revista leonorana com o tema ambientes, sobre o livro da poeta brasileira Marília Floôr Kosby Mugido (ou diários de uma doula), em que a poeta propõe respirar com vacas no Rio Grande do Sul como prática feminista. Fui depois convidado pela Isabel Carvalho, a editora da revista, para fazer uma apresentação no lançamento da mesma no atelier Scriptorium, no Porto. A minha contribuição para este número da animalia mineralia vegetalia é o texto que apresentei. Este texto parte de ideias de sistemas e ambientes de atravessamentos para uma reflexão sobre a respiração ecopoética.
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