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  • A City Curating Reader - Public Art Munich 2018
  • 2018
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • What is public in public art? What are the contingencies of working outside of the protection of the institutional walls? What makes city curating? This reader takes Munich as a case study, and documents the projects of Public Art Munich 2018 dealing with political, ideological and economical shifts, spanning from the founding of the Bavarian Soviet Republic in 1919 to the arrival of refugees at the Hauptbahnhof in 2015. The book contextualizes art within the broader questions of the grammar of the public sphere and of what constitutes publicness today. It also reflects on the concept of context-specific city curating, performativity and art conceived in minutes rather than square meters. Art projects, conversations and essays plot a narrative of how art can cultivate encounters with the unpredictable, negotiate uncommonness, and provoke counter-publics to come. The reader is published on the occasion of Public Art Munich 2018 – Game Changers (April 30-July 27, 2018), curated by Joanna Warsza.
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  • Aglert, Katja (författare)
  • “Archipelagic Rehearsals” – Attemptive Thinking Through Practicing Textual Artistic Research
  • 2021
  • Ingår i: Karib - Nordic Journal for Caribbean Studies. - : Novus Forlag. - 1894-8421 .- 2387-6743. ; 6:1, s. 1-11
  • Tidskriftsartikel (refereegranskat)abstract
    • The article is based on a lecture performance titled “Archipelagic Rehearsals – Abstract as Score” that was presented at the RGS-IBG conference, held jointly by the Royal Geographical Society and the Institute of British Geographers, in Cardiff in 2018. The presentation was an exploration of a possibility to practice, in Édouard Glissant’s terms, “archipelagic thinking” by presenting a lecture with interaction from the audience, as a lecture performance. That “archipelagic experiment” is continued in the article through an attempt to format the performance as an academic text. In turn, the text is an attempt to create new imaginaries and storytelling with Spanish slugs through participatory artistic experimental practice. The writing as artistic practice offers the potential for becoming and as such it is unpredictable in its outcome. The article starts with the author’s framing of Glissant’s poetics and attempts a feminist and more-than-human approach to present the event – the performance of the lecture and the story of the slug in footnotes that were an integral part of the lecture.
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  • Aglert, Katja (konstnär, creator_code:cre_t)
  • Green Screen
  • 2016
  • Konstnärligt arbete (utställning/event) (refereegranskat)
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  • Aglert, Katja, et al. (författare)
  • Winter Event—Antifreeze
  • 2014. - 1
  • Bok (populärvet., debatt m.m.)abstract
    • In 2009, the Swedish artist Katja Aglert embarked on an artistic residency research trip to the Arctic. This became the starting point for her project 'Winter Event - antifreeze'. Five years on it has, using repetition and reiteration as its main artistic methods, turned into a complex multi-branched structure, of which this book forms a part and constitutes the finale. The project proposes a different narrative of the Arctic, dissects clichés of romanticism and mysticism related to this context, and deconstructs heroism and so-called discoveries from a norm-critical perspective. The book is the result of a collaboration between Aglert and the curator Stefanie Hessler and includes documentary images by the artist, reference material from a variety of other resources, an extensive introductory essay by Hessler, as well as specially commissioned texts by renowned theorists Lisa Bloom and Sabeth Buchmann.
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