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Sökning: L4X0:0081 6744

  • Resultat 1-10 av 47
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  • Berglund, Lars, 1964- (författare)
  • Studier i Christian Geists vokalmusik
  • 2002
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This dissertation is an historical and analytical study of the vocal works of Christian Geist (c1650–1711), composed for the royal Swedish court and for the German church in Gothenburg. Theoretically it draws on the model of genre history advocated by Carl Dahlhaus.The first three chapters deal with Geist’s biography and milieu, the manuscript sources and the uses of his music. The second part deals with Geist’s compositions, and the relation between use, musical design and genre traditions are studied. The compositions are analysed and interpreted as individual solutions to problems in the history of composition, related to questions of genre and to important changes in compositional techniques from around 1650.A typical feature of Geist’s music is a resistance to regular solutions. This is manifested in the reciprocal relation between the use of generic and schematic models on the one hand, and the constant effort to break, differentiate and modify these models. The most individualistic solutions are to be found in his settings of Latin devotional poetry, some of which were composed for royal Communion services. These are designed as clearly sectionalised, stylistically differentiated arias with very strong affect, accomplished mainly by harmonic means. His concertos for regular worship services and solemn occasions stay closer to the norms of the genre. Still, they are marked by the integration of a modern, italianate approach to harmony based on cadence progressions and a regular grouping of phrases, which radically changes the design of the concerto textures.
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  • Broman, Per Olov (författare)
  • Kakofont storhetsvansinne eller uttryck för det djupaste liv? : Om ny musik och musikåskådning i svenskt 1920-tal, med särskild tonvikt på Hilding Rosenberg
  • 2000
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This dissertation is a critical study of views and concepts in the musical aesthetics of new music in the Swedish 1920s. The study focuses on Hilding Rosenberg while also paying attention to Sten Broman, Gunnar Jeanson, Moses Pergament and Julius Rabe. The disser-tation is mainly concerned with the foundations of their aesthetic views in connection with their advocacy of new music in the 1920s. This, in turn, is used to disclose some basic prin-ciples in the compositions of Hilding Rosenberg from the same period.In order to study the aesthetics of these advocates of new music, their utterances are re-lated to material from three referential areas: tendencies in musical aesthetics in central Europe, divergent views in Sweden and aesthetical and philosophical traditions they can be shown to rely upon. As a theoretical foundation some theses from Peter Bürger's Theorie der Avantgarde and Andreas Huyssen's After the Great Divide are used.The study shows that their views of music are founded upon a fundamental metaphys-ics, where music is viewed as an entity of its own, with immanent laws and inner logic. This can be seen in their opinions on tradition and evolution as well as in their views of the mu-sical work. Music is considered an expression of life in a profound sense; as a configuration of will, energy and movement, and as such it is also given a moral task. In the music of Rosenberg both traditional and unconventional elements can be related to the idea of the organic work, closely connected with the view of music as expression of life. Using tradi-tional forms as a point of departure, his works are formed according to the conception of organic unity, while within these forms he works in a very free manner.
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