| 1. |
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Memories of a city
- 2017
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Ingår i: Memories of a city. - Göteborg : University of Gothenburg. - 1101-3303. - 9789188101037 ; , s. 8-16
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Presented at the international conference Challenge the past / diversify the future, the contributions collected herein deal with ways of challenging accepted historical representations of the City by offering modes of recollection and perspectives that capture both multi-sensory and multi-layered aspects of urban context. As such, they offer new empirically grounded research on the experiences of the inhabitants, both past and present, whether individually or as a collective. With a focus on the city as a space that is performed by a host of actants reaching across time through both materiality and memory, the authors critically address modes through which visual, audible, and multi-sensory representations can challenge, diversify or uproot conventions of urban representation. Four projects. Four takes on making representations of a city.
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| 2. |
- Almevik, Gunnar, 1969
(författare)
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From Archive to Living Heritage. Participatory Documentation Methods in Crafts
- 2016
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Ingår i: Crafting Cultural Heritage. A. Palmsköld (red.). - Gothenburg : University of Gothenburg. - 1101-3303. - 9789198140637 ; , s. 77-99
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Bokkapitel (refereegranskat)abstract
- The idea of the Convention for the Safeguarding of the Intangible Cultural Heritage (ICH), in which traditional craftsmanship is identified as one of five domains for safeguarding, is based on a people-up system with appropriate community-based methods to elicit local heritage values. However, by far the two most highlighted implementation tools on the operational agenda are “the urgent safeguarding list” and “the representative list,” the methodology of which we are familiar with through western museum tradition. Critical research has revealed how the international procedures for safeguarding intangible cultural heritage revolve around a list of selection and display, subordinated to national and regional political interests.1 Yet the operational directives for implementation do provide other less conventional tools. There is support firstly for exemplary methods of working with intangible heritage, secondly for participation of communities and groups in non-governmental organizations and centers of expertise. These latter participatory tools reflect the principles and objectives of the convention, yet they are far from being the ones in focus. The subject of this article is the documentation of intangible heritage, whose safeguarding is a core activity. What context-appropriate methods do we need to involve craftspersons in documentation of craft procedures and crafted objects within their scope of competence and sense of heritage? How can we design for participation in heritage conservation and museum practice?
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| 3. |
- Gren, Nina, et al.
(författare)
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Seminar VI
- 2015
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Ingår i: Heritage as commons : common(s) as heritage. - 1101-3303. - 9789170611643
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Bokkapitel (refereegranskat)
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| 4. |
- Henrik, Lindblad, 1964-, et al.
(författare)
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Europas religiösa byggnader i förändring
- 2017
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Ingår i: Alla dessa kyrkor. - Göteborg : Göteborgs universitet. - 1101-3303. - 9789188101068 - 9789188101075 ; , s. 17-39
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 5. |
- Laurien, Thomas, 1967
(författare)
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Pleasure / Unpleasure. Performing Cultural Heritage - Voices from the Artistic Practice of Shibori in Sweden
- 2016
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Ingår i: Crafting Cultural Heritage. - Gothenburg : University of Gothenburg. - 1101-3303. - 9789198140637
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- In the chapter “Pleasure/Unpleasure” I describe how a new textile artistic form of expression has been established and developed in Sweden during the last twenty-five years. I show how artists from various disciplines have created, and are still creating, a new artistic space of acting, by placing notions and conceptions of two textile techniques and forms of expression, represented through shibori and knytbatik, in confrontation with each other in performative situations. In other words, I show that an important aspect of making shibori in the Swedish context is also to say shibori. In this process of constructing, shibori – with its roots in Japanese tradition, as well as its connections to contemporary Japanese fashion – is perceived as attractive, as well as life-giving and desire-producing, whilst knytbatik is often perceived as problematic and as causing a sense of “unpleasure”. In a professional artistic context, knytbatik comes to be considered as problematic, since the techniques associated with it tend to lead to a form of expression that has become semiotic and emblematic – signaling “hippie”, “amateur”, and “easy-to-make”. Thus, knytbatik and its techniques and forms of expression may be viewed as though caught in a semiotic trap. The professionally active artist can of course regard the semiotic symbol as a resource, and through active choices use it and make something interesting with it; however, one cannot pretend that this symbol doesn’t exist. This dilemma can, to a great extent, also be solved by placing the artistic work in an explicit shibori context. The interview material shows that in the textile craftscape the artists inhabit and belong to, making shibori seems to overlap and go hand in hand with the artists orienting themselves towards Japan – recognising the prevailing attraction Japanese culture exerts. Despite the fact that the individual artists interpret and transform shibori in their own unique and unconventional ways, this situation can still be depicted as an ever-growing collective group of artists in Sweden who show an interest in, whilst also nurturing, Japanese cultural heritage – both materially and immaterially.
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| 6. |
- Lindblad, Henrik, et al.
(författare)
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Delat ansvar
- 2017
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Ingår i: Alla dessa kyrkor. Kulturvård, religion och politik. - : Göteborgs universitet, Institutionen för kulturvård. - 1101-3303. - 9789188101068
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 7. |
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| 8. |
- Löfgren, Eva, 1971
(författare)
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Att sälja en kyrka
- 2017
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Ingår i: Alla dessa kyrkor. Kulturarv, religion och politik. - Göteborg : Institutionen för kulturvård, Göteborgs universitet. - 1101-3303. - 9789188101068 ; , s. 203-227
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 9. |
- Löfgren, Eva, 1971
(författare)
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En plan för kyrkorna i Vara pastorat
- 2017
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Ingår i: Alla dessa kyrkor. - Göteborg : Institutionen för kulturvård, Göteborgs universitet. - 1101-3303. - 9789188101068 ; , s. 285-297
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 10. |
- Löfgren, Eva, 1971
(författare)
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Franska kyrkor som kulturarv
- 2017
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Ingår i: Alla dessa kyrkor. Kulturarv, religion och politik. - Göteborg : Institutionen för kulturvård, Göteborgs universitet. - 1101-3303. - 9789188101068 ; , s. 41-57
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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