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- Bäckström, Per, Professor, 1959-, et al.
(författare)
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The intermediality of performance
- 2022
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Ingår i: Intermedial Studies. - London : Routledge. - 9781032004549 - 9781003174288 - 9781032004662 ; , s. 198-224
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Bokkapitel (refereegranskat)abstract
- In this chapter, we will focus on performance as an aesthetic orcommunicative event that unfolds at a specific time and in a specific space set apart from the social world. Not only people come together in a performance, bu talso many different kinds of materialities and media. In the unique moment ofperformance that unfolds in time and space, the performer interacts with anaudience but also with other objects: props such as the famous skull thatHamlet holds in his hand or technical devices such as the microphone in astand-up act. In this chapter, we will look closely at how different kinds ofbodies and objects interact in a performance and at how the presence and emergence of an event interact with mediation and transmediation. Pantomimes, stand-up comedy acts, drama and music concerts can be understood as different qualified media types that take place in the context of different architectural framings that already in themselves indicate which conventions areat play, what kind of performance the audience should expect and what kind ofresponse is expected from the audience.
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Changing Borders : Contemporary Positions in Intermediality
- 2007
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- A collection of 20 analyses and reflections in the research field of intermedia studies. Contemporary art and literature are marked by an increased intermedial interest. Perhaps as a result of this there is a growing amount of academic research being done on intermedial grounds, inside and outside the “proper” interart institutions. It could be argued that contemporary academic inquiries are being pushed forward by the wave of (a renewed) interest in mixing the genres and media in a veritable expression of the dream of the Sister Arts. Or should one argue that contemporary art and literature are striving to, once and for all, bury the dream of the loving relationship between the arts? In Changing Borders. Contemporary Positions in Intermediality, 21 reputable scientists present new reflections in the field of intermediality. They investigate intermedial relations between arts and media in a number of forms, including illustrated books, ekphrastic literature, music-and-word relations, record sleeves, mathematics-and-aesthetics relations, architecture, film-and-literature relations, opera, theatre, and theoretical discussions on intermedia studies. The contributors are: Jens Arvidson, Walter Bernhart, Magnar Breivik, Jørgen Bruhn, Siglind Bruhn, Claus Clüver, Heidrun Führer, Lena Hopsch, Els Jongeneel, Sonia Lagerwall, Eva Lilja, Kathleen Lundeen, Arne Melberg, Stephanie A. Glaser, Sarah J. Paulson, Nils Holger Petersen, Valerie Robillard, Eli Rozik, Bernhard F. Scholz, Johan Stenström, and Ulrich Weisstein.
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- Führer, Heidrun, et al.
(författare)
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Astrids Lindgren's World in Vimmerby : a "Total Work of Art"?
- 2010
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Ingår i: Beyond Pippi Longstocking : intermedial and international aspects of Astrid Lindgren's works. - 9780415883535 ; , s. 239-257
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- In an intermedial reading of Astrid Lindgren’s oeuvre, Astrid Lindgren's World is not only analyzed as an ideal case of transmediality or remediation, but also as a modern form of a Total work of art. In doing so, the history of the genre ' total work of art' is discussed by broadening the common aesthetic point-of-view with angles from economy and advertising.
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| 6. |
- Führer, Heidrun
(författare)
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Balde, Jacobus
- 2011
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Ingår i: Encyclopedia of the Bible and its reception. - 9783110183719 ; 3
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Bokkapitel (populärvet., debatt m.m.)abstract
- In the frame of an encyclopedic article, a surview of the famous baroque Jesuit author Jacob Balde's life and his diverse oeuvre of Latin poetry is given.
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| 7. |
- Führer, Heidrun, et al.
(författare)
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Baroque : literature
- 2011
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Ingår i: Encyclopedia of the Bible and its reception. - 9783110183719 ; 3
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Bokkapitel (populärvet., debatt m.m.)abstract
- How are you supposed to define "The Baroque"? What does "Baroque literature" mean? In the frame of an encyclopedic article a reflection to this complex topic is given by highlighting the interplay of arts.
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| 8. |
- Führer, Heidrun
(författare)
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Digital Ekphrasis : Through the Digital
- 2018
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Ingår i: R/D/D C(ONFERENCE).
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Bokkapitel (refereegranskat)abstract
- In the light of the digital influence of literature and art, my paper focuses on a rather small topic that is traditionally strongly placed in the aesthetics of the interart and intermedia discourse, namely ekphrasis. Whereas the conventional discourse outlines ekphrasis as a “verbal representation of a visual representation” (Hefferan 1993, p. 3) to call attention to poems describing paintings, my research steps beyond this referential definition with its insistence on closed spaces and self-sufficient artworks.Developing Cecilia Lindhé’s seminal essay on digital ekphrasis, I investigate the rhetorical trope ekphrasis in the context of mediating forces that enhance e/affective experiences of the human body. Thereby, a digital environment might extend and enhance the performative communication in a processual engagement with the world. When deconstructing the traditional conflict between word and image, ekphrasis can be reconsidered even beyond the material and cognitive frame of museum art. Recalling the intra-subjective forces enargeia and energeia, ekphrasis as rhetorical trope shall be revived as an empowering practice of performance and performativity in- and outside the digital realm. Favourably, this ancient concept can be linked to Deleuze’s treatment of art. Rather than making the humans to the intentional interpreter in a rhetorical communication, I reconsider ekphrasis within a more systemic model of human-nonhuman relations, modelled upon Karen Barad ‘s concept of ‘intra-action’. By so doing, I track the breaking point and the discontinuities of the conventional interart concept of ekphrasis as a form of remediation, adaption or transmediation.
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