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Sökning: WFRF:(Orre Inger)

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1.
  • Stjernqvist, Inger, 1946- (författare)
  • Interaktiva medier i komplex försäljning : en kunskapsresa som tog en annan väg
  • 2005
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This investigation was carried out at the Royal Institute of Technology (KTH) in Stockholm. The main goals were to investigate the professional skills of sales personnel working with complex selling in technology- based companies and to inquire into the potential and limitations of supporting their day-to-day work through the use of interactive media and media services. The starting points of the investigation were the hermeneutic-pragmatic methodology and the practice-related knowledge theory that constitute the basis of the dialogue seminar method. This method has been developed - and is continually being developed - within the research at INDEK/Professional Skill and Technology, following the philosophical tradition of Wittgenstein (his late philosophy). Building on this foundation, and also using metaphors and analogies between science and art, it has been possible to investigate the skills of sales personnel and find a way to describe and classify these skills in practice-related terms of knowledge and experience. Through this, different aspects of the skills have been identified, a few of which have not been previously discussed. By contemplating these aspects and reflecting them in different aspects of media, a set of the general potential and limitations of interactive media and media services in supporting the daily work of sales personnel has been identified. However, the specific potential and limitations of the cases in question, e.g. the sales force of a certain industrial company, remain to be investigated, preferably by fully applying the dialogue seminar method, which was only partly within the scope of this investigation. Finally, a weak point in the mainstream science of Human Computer Interaction was identified in its lack of anchorage in a knowledge theory applicable to practical working life.
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2.
  • Florin, Ulrika, et al. (författare)
  • Collaboration for the Improvement of Tolerance : Artistic Practice in a Societal Context
  • 2013
  • Ingår i: The International Journal of the Arts in Society. - : Common Ground Publisher. - 1833-1866.
  • Tidskriftsartikel (refereegranskat)abstract
    • Abstract: This study is carried out in connection with The Living History Forum (LHF), a Swedish public authority that uses the Holocaust and other crimes against humanity as a starting point for exhibitions and other activities focused on tolerance, democracy and human rights. The case study concerns a project in which artists were asked to read the report The Many Faces of Intolerance as an inspiration for their own creative power (Löwander, B & Lange, A, 2011). The explicit idea from the assigner LHF was to create – through art installations – a stimulating environment for reflection, discussion and learning. The interaction between the visitors and the suggested art pieces was in focus. The purpose of this study is to look into artists’ ability to reflect upon and mediate perspectives and messages in a collaborative process. Practice-based research, with a focus on exploring, elucidating and benefitting practical experiences from the investigated area, is our methodological starting point. In terms of theory, the research field draws upon an understanding of ancient philosophy developed by, among others, the philosopher Martha Nussbaum. The thoughts originate from Aristotle's analysis of the different aspects of knowledge, with the concepts techne (practical-producing) and phronesis. Phronesis is the Aristotelian concept that combines the capabilities of thinking ethically and considering actions that can deliver desired effects. This study demonstrates that it is crucial that the assigner have the patience and ability to accept (and even encourage) some uncertainties during the process. The reason for that is to gain the often implicit and not pre-formulated practical knowledge of the artists.
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4.
  • Florin, Ulrika, 1964- (författare)
  • Från idé till gestaltningsförslag : fallstudie från Projekt Konstpaus
  • 2010
  • Licentiatavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • Populär sammanfattning I vårt samhälle finns många offentliga konstverk. Dessa verk har kommit till på olika sätt men gemensamt är att konstverken i de allra flesta fall upphandlats med utgångspunkt i någon form av skiss. Skissen föregår det kommande konstverket och tjänar som underlag för beslut om upphandling av verket i full skala. Kunskapen om hur skisser kan tydas varierar och dessutom förekommer flera typer av skisser som var för sig fordrar olika sorters insikter av betraktaren (beslutsfattaren) för att kunna tolkas. Det övergripande temat för avhandlingen är kommunikationsprocesserna i relation till utvecklingen av 12 konstnärers gestaltningsförslag, tävlingsbidrag, samt hur juryns bedömning av dessa ser ut. Studien är baserad på material insamlat från de deltagande konstnärernas processer i Projekt Konstpaus, ett projekt delfinansierat av EU. Syftet med studien är att öka förståelsen för hur konstnärer utformar sina gestaltningsförslag, samt hur dessa förslag används och värderas. För att göra detta har tävlingsbidragen analyserats och konstnärerna intervjuats. Konstnärliga gestaltningsprocesser har synliggjorts liksom kommunikationen mellan beställare och konstnär.Bland annat har det framkommit att det finns en större potential att förmedla ett komplext gestaltningsinnehåll till en jury med stöd av digitala skisser, än vid användande av traditionella skisser. Det har visat sig att det kommande konstverkets kvaliteter blir synliga, men också att de brister som finns i gestaltningen tydliggörs i 3D- skisserna. Liksom teknologier tidigare i historien haft sin påverkan på bildutvecklingen, tolkningen och seendet har också övergången till digitala skisstekniker denna inverkan. Det har också visat sig att den text som tillhör respektive tävlingsbidrag haft avgörande betydelse för utfallet av jurybedömningen. Muntliga och skriftliga presentationer, bilagor och brev har påverkat juryn i sina beslut.Studien har också visat hur konstnärer kan tolka och förmedla resultat av en inventering och genom sina skisser förmedla dessa tolkningar. Konsten som tolkare av miljö, tid och tanke, kan gestalta information om en plats och i och med detta också fungera värnande för ett samhälles identitet i olika faser av en utveckling.Studien har bidragit med en djupare inblick i konstnärliga gestaltningsprocesser och hur de kan beskrivas samt i och med detta också en fördjupad förståelse i allmänhet av kreativa processer.
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5.
  • Florin, Ulrika, 1964- (författare)
  • Konstnärskap i samspel : om skapande arbetsprocesser i myndighetsledda samverkansprojekt
  • 2015
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • Artists in interaction: creation processes in official collaborative projects is a doctoral thesis that explores the creation processes of artists, when the project owner defines the purpose, theme and framework. The area is explored from the artists' perspective and the overall research question deals with the opportunities and obstacles that artists face when working in collaborative projects.To be able to explore the artists' working processes, in which sketches and models were tools, concepts from the visual research field were combined with knowledge theories that derive from the area of practice-based research. The knowledge theories draw on an updated understanding of ancient philosophy developed by, among others, the philosopher Martha Nussbaum. Rudolf Arnheim’s concepts of visual thinking are also vital for the interpretation of the visuals.The results indicate that skills in different sketching techniques build trust and enable communication. However, the artists experienced that it was more difficult to integrate the more indefinable parts of their knowledge, which relates to improvisation and intuition, even though this was highlighted as the most vital force in their working processes. The consequence is that the artists have not always followed their artistic intentions, which in some cases also meant compromising the quality of the works of art  they produced. The collaboration between the artists and the project-owner representatives could be more enriching for both parties if the artists' implicit knowledge is respected as a resource and given some room, although this may involve certain risks.The study also provides results regarding the interpretation of models and sketches, and discusses in what way different sketches can support (or hinder) communication in different stages of a design process, i.e. what aspects are important to consider when sketches are used to support communication. Particularly interesting is that the findings demonstrate that spoken and written language has a significant impact on how sketches are interpreted; the use of verbal language is therefore an important factor in presentations built on visuals.
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6.
  • Fram träder Bergslagen : Nytt ljus över gammal region
  • 2009
  • Proceedings (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • Hur ska vi förstå Bergslagens som region? Mystiskt, folkligt och kreativt har regionen nyligen karakteriserats. Ibland talas om "bruksandan" och om en region med stora svårigheter att förnya sig. Stämmer detta? Forskare från en rad discipliner vid Bergslagens lärosäten delar här med sig av sina forskningsresultat om regionen.
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7.
  • Lundin, Jonatan (författare)
  • Shaping thought through action : A study of the use and design of technical information
  • 2020
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This dissertation deals with the design of technical information, such as a user manual for an industrial device, based on the searching and reading behaviour of process operators and maintenance technicians. Such industrial professionals, who use tools like measuring equipment, are sometimes unable to get the support they need from searching and reading in a text- and image-based tool manual in order to perform work tasks. If such a manual is the only available source of information, the user will either give up or attempt a workaround which ends up compromising the safety, quality, satisfaction, efficiency or effectiveness of the work task. Research within technical communication and human-computer interaction suggests how manuals can be designed to support users in accomplishing tasks. These suggestions are based upon studies of how users approach the use of tools and tool manuals, as well as how the design of procedural and declarative information supports users. However, there is limited knowledge about how users search and read manuals, and how manuals can be designed to support such searching and reading behaviour. This dissertation aims to contribute knowledge to technical communicators about how technical information can be designed to support industrial professionals in accomplishing their work tasks. An ethnographic research method was selected to study the behaviour exhibited by process operators and maintenance technicians’ while they search and read sources of information in order to perform work tasks with tools. The results show that some participants were unable to perform a task after searching and reading the manual. The empirical material has been analysed using Vygotsky’s sociocultural theory. This was to gain a deeper understanding of how thought and language influence—and are influenced by—searching and reading behaviours, as well as the task behaviours during tool use. This dissertation's contribution is a design method for technical communicators that will enable them to support users in the shaping of mental representations about what results are possible to accomplish with a tool. The method involves the design of tangible tokens that signify the results and components of a tool. As the end-user arranges these symbols into a result model they are supported in their process of shaping a mental representation.
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8.
  • Maack, Heidrun Petursdottir, et al. (författare)
  • Maternal body mass index moderates antenatal depression effects on infant birthweight
  • 2019
  • Ingår i: Scientific reports. - : Springer Science and Business Media LLC. - 2045-2322. ; 9:1, s. 6213-
  • Tidskriftsartikel (refereegranskat)abstract
    • Obesity and depression are two common medical problems that pregnant women present with in antenatal care. Overweight and obesity at the beginning of the pregnancy, and excessive weight gain during pregnancy, are independent explanatory variables for fetal birthweight and independent risk factors for giving birth to a large for gestational age (LGA) infant. However, the effect of co-morbid depression has received little attention. This study set out to investigate if maternal body mass index (BMI) in early pregnancy moderates antenatal depression effects on infant birthweight. 3965 pregnant women participated in this longitudinal cohort study, where cases (n = 178) had Edinburgh Postnatal Depression Scale (EPDS) score ≥ 17 in gestational week 17 or 32, and remaining women (n = 3787) were used as controls. The influence of maternal BMI and antenatal depressive symptoms on standardized birthweight was evaluated by analysis of covariance, with adjustment for relevant confounders. Depressed women with BMI 25.0 kg/m2 or more gave birth to infants with significantly greater standardized birthweight than non-depressed overweight women, whereas the opposite pattern was noted in normal weight women (BMI by antenatal depressive symptoms interaction; F(1,3839) = 6.32; p = 0.012. The increased birthweight in women with co-prevalent overweight and depressive symptoms was not explained by increased weight gain during the pregnancy. Maternal BMI at the beginning of pregnancy seems to influence the association between antenatal depressive symptoms and infant birthweight, but in opposite directions depending on whether the pregnant women is normal weight or overweight. Further studies are needed to confirm our finding.
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