| 1. |
- Rosen, Astrid von, 1964, et al.
(författare)
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Multisensory Heritage – Digital Challenges
- 2017
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Ingår i: GPS400 conference 2017.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- This session discussed multisensory heritage and what roles digital technologies can play in preserving and displaying heritage. Theoretical frameworks and artistic and curatorial practices where specifically explored in relation to design, production and fruition of multisensory experiences.
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| 2. |
- Rosen, Astrid von, 1964, et al.
(författare)
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Re-imagining Scenography in Relation to Art History
- 2021
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Ingår i: Scenography and Art History: Performance Design and Visual Culture. - London : Bloomsbury Visual Arts. - 9781350204447 ; , s. 1-12
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Bokkapitel (refereegranskat)
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| 3. |
- Rosen, Astrid von, 1964, et al.
(författare)
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Reimagining the research archive: a dialogue
- 2016
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Ingår i: Dream-playing across borders: accessing the non-texts of Strindberg’s A dream play in Düsseldorf 1915–18 and beyond / Astrid von Rosen (ed.). - Göteborg : Makadam. - 9789170612329 ; , s. 279-298
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Bokkapitel (refereegranskat)abstract
- The book concludes with dialogue between the participants about the reimagined research archive that has grown out of the project.
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| 4. |
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Scenography and Art History: Performance Design and Visual Culture
- 2021
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society.
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| 5. |
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Scenography and Art History: Performance Design and Visual Culture.
- 2023
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society.
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| 6. |
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ΣΚΗΝΟΓΡΑΦΙΑ ΚΑΙ ΙΣΤΟΡΙΑ ΤΗΣ ΤΕΧΝΗΣ. ΣΧΕΔΙΑΣΜΟΣ, ΠΕΡΦΟΡΜΑΝΣ ΚΑΙ ΟΠΤΙΚΟΣ ΠΟΛΙΤΙΣΜΟΣ : Scenography and Art History: Performance Design and Visual Culture. (Greek Ed.)
- 2023
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Το βιβλίο αυτό αναδεικνύει τη σημασία της αγνοημένης τέχνης της σκηνογραφίας ως προς τον σχεδιασμό παραστάσεων και επιτελέσεων στο θέατρο αλλά και πέρα από αυτό, αξιοποιώντας πρόσφατα μεθοδολογικά και κριτικά εργαλεία. Στο επίκεντρο των νέων αυτών αντιλήψεων για την σκηνογραφία βρίσκεται ο χώρος και το έργο ως πολυαισθητηριακή εμπειρία η οποία συν-δημιουργείται από τους καλλιτέχνες και το κοινό. Η προσέγγιση δίνει έμφαση στις σχέσεις σωμάτων, αντικειμένων και αισθήσεων στον χώρο που παράγουν ατμόσφαιρες, δηλαδή περιβάλλοντα με θεατρική και συγκινησιακή φόρτιση. Παράλληλα, ενθαρρύνει κριτικές αναζητήσεις που αμφισβητούν κυρίαρχες και κανονιστικές αντιλήψεις σχετικά με τον χώρο. Οι μελέτες περίπτωσης που απαρτίζουν το βιβλίο καλύπτουν ερευνητικά πεδία σε εντυπωσιακά μεγάλο εύρος, από το θέατρο, την περφόρμανς, το χορό, τον κινηματογράφο και τη μουσική συναυλία έως την αρχιτεκτονική, την εικαστική εγκατάσταση, τη μόδα και την πολιτιστική κληρονομιά. Το βιβλίο ενθαρρύνει ολιστικές προσεγγίσεις της γνώσης και της καλλιτεχνικής δημιουργίας σε σύγχρονο πλαίσιο. [Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society.]
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| 7. |
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| 8. |
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En båge genom tiden - ritualer kring en göteborgshistoria. Om Flickläroverket i Artisten
- 2024
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- 1929 bildades Göteborgs första Högre allmänna läroverk för Flickor – Flickläroverket som fick en byggnad 1935 i det kulturella centrumet, Götaplatsen. Efter några år som Kjellbergska gymnasiet, sedan Komvux, blev byggnaden del av Artisten, Högskolan för scen och musik, HSM 1992. Byggnaden har burit kvinnors utbildning, konst och kultur över många generationer, en minneskedja som nu är bruten. Boken - En båge genom tiden – ritualer kring en göteborgshistoria – en konst- och forskningsantologi – är resultatet av de offentliga minnesdagar där de deltagande drygt 200 kvinnorna (70– 97 år) som varit elever på Flickläroverket, studenter vid Artisten, konstnärer och forskare – bidrog till och deltog i gestaltande ritualer, minnesrum, dans, utställningar och samtal som gav liv åt en utbildningskultur och konst som berört samhället i generationer. I boken bidrar ett 20-tal Göteborgsbaserade konstnärer och forskare med olika perspektiv på byggnadens poetiska, sociala och konstnärliga dimensioner. Bland annat beskrivs återskapandet av Bågdansen, som dansades varje år vid Lucia mellan 1934-1972. Här beskrivs även den medie-debatt som ledde till räddningen av målningen Dansen av Nils Nilsson från 1935 och hur nedtagningen gick till. Tillsammans med ett rikt foto- och bildmaterial, filmdokumentationer och ett ljudarkiv utgör boken ett tidsdokument där konst fungerar som minnesbärare över tid och rum.
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| 9. |
- Järvinen, Hanna, et al.
(författare)
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Choreographing Histories: Critical Perspectives on Dance Histories in Nordic Dance Practices and Scholarship
- 2023
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Ingår i: Nordic Journal of Dance. - 1891-6708. ; 14:1, s. 31-47
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Tidskriftsartikel (refereegranskat)abstract
- This text is based on a roundtable organised by the five authors at the 2022 NOFOD conference in Copenhagen. As scholars and practitioners invested in the research and teaching of dance history both inside and outside academia, we wanted to address the pressing issue of how ‘history’ is defined and positioned within Nordic dance scholarship and practices today. Dance, as we think of it and practise it in our everyday lives, is far more diverse than the so-called ‘contemporary dance’ that the white authors listed as scholars and practitioners in the conference call indicate. For this roundtable, we wanted to show that dance theory and practice-led work in dance go far beyond the Eurocentric idea of contemporary dance present in the conference call, and to advocate for a more inclusive understanding of the practices of making or researching dance in the future
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| 10. |
- Punzi, Elisabeth, 1968, et al.
(författare)
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Matarvspodden, avsnitt 15: Mat i nöd och lust.
- 2022
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Ingår i: Matarvspodden. ; :2022-12-09
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- I tider av kris kan mat, måltidstraditioner och matminnen spela en stor roll för både individer och grupper. Inte bara för ens överlevnad, utan också som tröst, något som kopplar en till familjen, minnen, hemlandet, sin kultur. Matarvspoddens Lisa Haeger möter två forskare som på olika sätt arbetar med och kan relatera till matens kulturarv i tider av sorg och kris. Astrid von Rosen är konstvetaren och kulturarvsforskaren som använt sig av matlagning och matens kulturarv i sin egen sorgebearbetning. Elisabeth Punzi är psykolog och forskar om hur kulturarv i olika former kan bidra till hälsa och välbefinnande. Tillsammans samtalar de om matlagning, recept, sorgebearbetning och tillhörighet.
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