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| 2. |
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Modernism och mode
- 2014
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Editorial collection (other academic/artistic)abstract
- I Modernism och mode diskuteras modets starka och mångfacetterade betydelse för modernismen och dess olika uttryck under perioden 1900-1960 i tio icke tidigare publicerade essäer författade av såväl svenska som internationella forskare. Boken, som är den första omfattande svenska publikationen i ämnet, visar hur mode inom modernismen ges en uttalad och proklamerad position som konst under en tid då den kommersiella modeproduktionen mer och mer kopplas till massproduktion och -konsumtion. Boken belyser bland annat Isaac Grünewalds och Sigrid Hjerténs modemedvetna själviscensättning, modedesignern Jean Patous kreationer mellan konst och business, Elsa Schiaparellis surrealistiska modedesign, modets roll inom den italienska futurismen och ryska konstruktivismen, Magos modernistiska filmkostym, filmen som modernistiskt allkonstverk och modets filosofiska betydelser i förhållande till modernism och modernitet.
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Fashion and Modernism
- 2019
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Editorial collection (peer-reviewed)abstract
- Art and fashion have long gone hand in hand, but it was during the modernist period that fashion first gained equal value to – and took on the same aesthetic ideals as – painting, film, photography, dance, and literature. Combining high and low art forms, modernism turned fashion designers into artists and vice versa.Bringing together internationally renowned scholars across a range of disciplines, this vibrant volume explores the history and significance of the relationship between modernism and fashion and examines how the intimate connection between these fields remains evident today, with contemporary designers relating their work to art and artists problematizing fashion in their works.With chapters on a variety topics ranging from Russian constructionism and clothing to tango and fashion in the early 20th century, Fashion and Modernism is essential reading for students and scholars of fashion, dress history, and art history alike.
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Ingmar Bergman at the Crossroads : Between Theory and Practice
- 2022
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Editorial collection (peer-reviewed)abstract
- Ingmar Bergman’s rich legacy as film director and writer of classics such as The Seventh Seal, Scenes From a Marriage and Fanny and Alexander, has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices and routines involved in what goes on behind the scenes. For instance, what about Bergman’s collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set. What about Bergman and metoo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus, are brought together withacademics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis, to discuss Bergman’s work from their unique perspectives. In addition, this book provides, for the first time, in-depth interviews with Bergman’s longtime collaborators Katinka Faragó and Måns Reuterswärd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than five decades. In an open exchange between individual and institutional perspectives, this book aims at bridging the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman studies in new directions.
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- Jansson, Maria, 1968-, et al.
(author)
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Studying women in Swedish film production : Methodological considerations
- 2020
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In: Journal of Scandinavian Cinema. - : Intellect Ltd.. - 2042-7891 .- 2042-7905. ; 10:2, s. 207-214
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Journal article (peer-reviewed)abstract
- This article presents methodological reflections on feminist production studies, with examples from an ongoing multidisciplinary project about women in Swedish film. Topics addressed include using interviews to understand production, the challenges connected to analysing women's experiences, and the ethical dilemmas related to interpreting them.
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| 8. |
- Jansson, Maria, 1968-, et al.
(author)
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Women’s agency in the Swedish film industry : Annoying little buggers and passionate team players
- 2022
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In: Journal of Scandinavian Cinema. - : Intellect Ltd.. - 2042-7891 .- 2042-7905. ; 12:2, s. 201-216
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Journal article (peer-reviewed)abstract
- The article is based on transcripts of interviews with twenty women directors in the Swedish film industry conducted in 2018 and 2019, focusing on narratives from women working under varying conditions and in several genres who have actively chosen various strategies to manage their work situation. We contextualize their actions and choices to unpack how their work and efforts fit into an industry still dominated by men and influenced by a culture of masculinity idealizing the male genius. In the first section, we discuss how the women experienced their first encounters with the industry and what strategies they developed at this stage. In the second section, we discuss women’s deliberations about how to make work on the set manageable and productive. In the final section, we investigate various strategies related to work opportunities and the possibilities for women to realize their visions and their passion for making films.
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- Paulicelli, Eugenia, et al.
(author)
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Introduction
- 2017
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In: Film, fashion, and the 1960s. - Bloomington : Indiana University Press. - 9780253025593 ; , s. 1-14
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Book chapter (peer-reviewed)
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