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- Burnett, Allan
(författare)
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Order in Ruins : British Society and the Media Assemblage of The World at War c. 1970-1975
- 2024
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis studies a period of intense crisis and creativity in British media, society, and culture, when the settled outcome of the Second World War (WW2) was perceived to be disintegrating. The post-world-war order was becoming an ‘order in ruins’. The thesis centres on a far-reaching analysis of the making of The World at War (WAW) in the early 1970s. A hugely popular televised documentary series produced in London as the UK entered the European Community amid the Cold War, WAW was a seminal and celebrated attempt to produce a challenging ‘people’s history’ of WW2 with global scope.This is the first full-length academic study of WAW and the first fully comprehensive examination of the production’s key aims and intended outcomes. It shows how WAW was influenced by and sought to intervene in five era-defining developments that upset the presumed status quo: the emergence of media technology as a topic of mainstream intellectual and political debate; the supposed decline of class as a determinant of social relations; the ambivalent second wave of women’s resistance to gender hierarchies; the contradiction of globalist ambitions to surpass cultural barriers amid continuing post-world-war nationalism, post-colonial racism, and economic rivalries; and the sense of a profound gap between pre- and post-world-war generations that exposed an underlying crisis of faith in historical progress. Prior research has tended to concur with claims made on behalf of WAW with regard to these issues or leavekey areas overlooked. This study uses an innovative framework of ‘media assemblage’ derived from critical engagement with contemporary efforts by philosphers Gilles Deleuze and Félix Guattari to address the above issues under the influence of media theorist Marshall McLuhan, whose ideas also influenced the milieu of WAW. The framework provides a method for enumerating a multiplicity of media assemblages that constituted WAW and its roots in wider society far beyond reductive notions of ‘television’ or ‘film’. This approach is applied to extensive empirical research of the WAW production archive, the series as first broadcast from 1973 to 1975, independent interventions by its contributors in contemporary issues, and a range of contextual sources. This thesis concludes that WAW was not the landmark of democratised history its popular and scholarly reputation suggests. It fell short of its aims to challenge intended British and global audiences on matters of historical representation and memory, social hierarchy, cultural division, and their own behaviour as historical actors. Yet, the construction of those issues both behind the production scenes and on screen was often more complex, sophisticated, and significant than previous studies suggest. This thesis finds the question of how and why WAW took its eventual form was deeply entangled with anxieties, claims, and counter-claims about media, as well as being bound up with the emergence of Thatcherism amid debate over the merits of philosophical introspection versus ideological certainty in disordered times.
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| 2. |
- Berbyuk Lindström, Nataliya, 1978, et al.
(författare)
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“Just Google Translate It!” ICT Use of Migrant IT professionals for Mitigating Workplace Integration Challenges
- 2022
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Ingår i: AMCIS (Americas Conference on Information Systems), Minneapolis, MI, August 10-14.
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Konferensbidrag (refereegranskat)abstract
- IT professionals represent a growing group of highly educated migrants in different countries, yet research on their workplace integration is scarce. Applying a combined theoretical framework of Hofstede's culture dimensions and functional theory of language approach, this paper addresses the research need in investigating how migrant IT professionals to Sweden integrate into the workplace and the role of ICTs in mitigating integration challenges. Fifteen (15) interviews with IT professionals from India and Pakistan were analyzed using Thematic Content Analysis. Results uncover migrants experiencing language barriers and cultural differences, which impede developing relationships with colleagues and career opportunities. Our findings indicate that although ICTs, primarily machine translation applications, are indispensable for supporting communication between migrants and locals, collegial support is still essential for managing intercultural interactions, contributing to migrants’ feelings of connectedness at work and a sense of belonging. Workplace inclusion and suggestions for practitioners are discussed.
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| 3. |
- Englund, Liselotte, 1964-, et al.
(författare)
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Media perception and trust among disaster survivors : Tsunami survivors' interaction with journalists, media exposure, and associations with trust in media and authorities
- 2022
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Ingår i: Frontiers In Public Health. - : Frontiers Media S.A.. - 2296-2565. ; 10
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Tidskriftsartikel (refereegranskat)abstract
- A critical part of disaster communication is media coverage in the interface of the afflicted, media, and authorities. One communication key is building trust. Disaster survivors encounter journalists in a high-stress context, but little is known about their perceptions of these interactions and the subsequent media exposure. The aim of this study is to explore how survivors 6 years after a major disaster perceived their encounters with journalists and exposure in the media, as well as their level of trust in the media, compared with government and authorities. Data were used from a longitudinal study of Swedish tourists, repatriated from the 2004 Indian Ocean tsunami, surveyed up to 6 years after the tsunami to assess posttraumatic stress (PTS) and effects on mental health. At 6 years after, the survey included questions about survivors' perceptions of journalist interactions (reported by n = 311), of their own media exposure (n = 177), and survivors' trust in media organizations and public authorities (n = 1,181). Tsunami survivors mainly perceived interactions with journalists as being professional. There were 14% who reported that the interactions were supportive and 17% that the interactions were a strain. Similarly, most participants had a neutral view concerning the subsequent media coverage or exposure, although 12% experienced media exposure as stressful and 12% reported that it had been involuntary. Finally, the survivors indicated higher confidence and trust in Swedish radio and TV as compared to the Swedish authorities, and the participants' level of trust in the media was associated with their perceptions of journalists, r = 0.34, p < 0.001, and media coverage, r = 0.47, p < 0.001. Disaster survivors mainly agreed with emotionally neutral statements about interacting with the media, the performance of journalists on site, and their own media exposure. Nonetheless, a substantial minority found the encounters and exposure to be negative, and the results suggest a link between personal experiences or perceptions and trust in the media.
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| 4. |
- Diurlin, Lars, 1979-, et al.
(författare)
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Cultural policy as a governmental proxy tool for improved health : The Swedish National Board of Health and Welfare’s collaborations with cultural workers 1970–1975
- 2021
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Ingår i: The International Journal of Cultural Policy. - : Taylor & Francis Group. - 1028-6632 .- 1477-2833. ; 27:5, s. 667-682
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Tidskriftsartikel (refereegranskat)abstract
- This article highlights cultural policy as a governmental proxy to address political matters beyond the cultural domain – here civil health – and the need to problematize and historicize ‘arts in health’ policies. The article centres on the Swedish National Board of Health and Welfare’s collaborations with cultural workers 1970–1975, framed by three contextual developments: politicization of the cultural sector, call for innovative governmental information, and changing character of health information. Theoretically, the article draws from the field of cultural policy research, with an emphasis on historiographical perspectives. The result shows that despite interdependence, the collaborations were an arena where interests clashed. The main conflict lay in what art should seek to change for the better: society or its citizens? However, the conflicts were also due to a mixture of roles: the agency suddenly found itself a patron of the arts, and the cultural workers producers of governmental information.
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| 5. |
- Berbyuk Lindström, Nataliya, 1978, et al.
(författare)
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Who are Metrics Team’s Stakeholders, What Do They Expect, and How to Communicate with Them? Conducting Stakeholder Mapping with Focus on Communication in Agile Software Development Organization
- 2022
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Ingår i: International Conference on Information Systems (ICIS), SIGITPROJMGMT 17th International Research Workshop on Information Technology Project Management, Copenhagen, December 10, 2022-01-01.
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Konferensbidrag (refereegranskat)abstract
- As an increasing number of organizations create metrics teams, conducting stakeholder mapping is pivotal for identifying and analyzing metrics stakeholders’ expectations for reducing the risks of miscommunication and project failure. Further, though team-stakeholder communication is essential for successful collaboration, few studies focus on it in software measurement context. This case study seeks to identify and analyze metrics team’s stakeholders, with a special focus on communication challenges in team-stakeholder contacts. Inspired by Bryson's Basic Stakeholder Analysis Techniques and Mitchell, Agle, and Wood's theoretical model for stakeholder identification, a stakeholder mapping exercise was conducted using interactive workshops and follow-up interviews with 16 metrics team members and their stakeholders. The results illustrate the complexity of identifying stakeholders in agile organizations, the importance of developing a metrics culture, and enhancing transparency in team-stakeholder communication. The study aims to contribute to the development of stakeholder theory and offers insights into communication in software engineering context.
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| 6. |
- Jarlbrink, Johan, docent, 1978-, et al.
(författare)
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From Big Bang to Big Data : A History of the Media
- 2023
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Bok (refereegranskat)abstract
- More than just newspapers, television, and social networks, media are the means by which any information is communicated, from cosmic radiation traces to medieval church bells to modern identity documents. Cultures are held together as much by bookkeeping and records as they are by stories and myths. From Big Bang to Big Data is a long history of the media – how it has been established, used, and transformed from the beginning of recorded time until the present. It is not primarily a story of revolutions and innovations, but of continuities and overlaps that reveal surprising patterns across history. Many media were invented as ways to store and share information, and many have served as powerful tools for administration and control. The concerns raised about media today, whether about privacy, piracy, or anxieties over declining cultural standards, preoccupied earlier generations too. In a playful style, accompanied by more than one hundred illustrations, the authors show us how every society has been a media society in its own way. From antique graffiti to last year’s viral YouTube clip, the past is only approachable through media. From Big Bang to Big Data provides a new way of thinking about media in history – and about human societies past and present.
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| 7. |
- Geissinger, Andrea, et al.
(författare)
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Assessing user perceptions of the interplay between the sharing, access, platform and community- based economies
- 2020
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Ingår i: Information Technology and People. - : Emerald Group Publishing Limited. - 0959-3845 .- 1758-5813. ; 33:3, s. 1037-1051
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Tidskriftsartikel (refereegranskat)abstract
- Purpose: Digitally intermediated peer-to-peer exchanges have accelerated in occurrence, and as a consequence, they have introduced an increased pluralism of connotations. Accordingly, this paper aims to assess user perceptions of the interplay between the sharing, access, platform, and community-based economies.Design/methodology/approach: The sharing, access, platform, and community-based economies have been systematically tracked in the social media landscape using Social Media Analytics (SMA). In doing so, a total material of 62,855 publicly posted user-generated content concerning the four respective economies were collected and analyzed.Findings: Even though the sharing economy has been conceptually argued to be interlinked with the access, platform, and community-based economies, the empirical results of the study do not validate this interlinkage. Instead, the results regarding user perceptions in social media show that the sharing, access, platform, and community-based economies manifest as clearly separated.Originality/value: This paper contributes to existing literature by offering an empirical validation, as well as an in-depth understanding, of the sharing economy's interlinkage to other economies, along with the extent to which the overlaps between these economies manifest in social media.
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| 8. |
- Englund, Liselotte, 1964-, et al.
(författare)
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Reporting under extreme conditions : journalists' experience of disaster coverage
- 2023
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Ingår i: Frontiers in Communication. - : Frontiers Media S.A.. - 2297-900X. ; 8
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Tidskriftsartikel (refereegranskat)abstract
- Introduction: Media presence on site and reports on disasters are crucial parts of disaster communication. Aside from authorities, civil society, concerned businesses and citizens, the media constitute an important actor. The working conditions, situational competence and management among journalists on duty in a disaster area are important factors within the complex area of crisis management and disaster communication. This study aims to explore the working conditions, challenges, and coping strategies among journalists covering the Haiti earthquake in 2010.Methods: Ten months after the event, Scandinavian journalists (n = 32) provided free-text responses about their work on site through a web survey. The free- text responses underwent content analysis. In addition, self-report questionnaires were used to assess general mental health and posttraumatic stress.Results: We found that journalists faced five main challenges in Haiti: situational (technicalities, practical, collegial), professional (mission, approach, roles), personal (traits, emotions, coping), traumatic (general mental health and posttraumatic stress) and experiential (learning and growth). They described a difficult and challenging mission, but also an eye-opening and life-changing experience. Most respondents' questionnaire responses indicated low risk for both poor mental health and posttraumatic stress, with a few significant exceptions. Being properly equipped and mentally prepared, getting collegial support and maintaining professional focus were seen as important, and good leadership and clear instructions from editors at home were highlighted.Discussion: Corroboration of the present findings would strengthen our knowledge of their experiences, and may provide valuable insights for designing preparedness activities in the future as well as for applying to other communication functions in disasters.
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| 9. |
- Najem, Chafic T., 1991-
(författare)
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Smuggle, Frame, Shoot : Illicit Media Practices and Visual Insurgency from Lebanese Incarceration
- 2023
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This research explores prisoners’ illicit use of digital-media technology during their incarceration in Lebanon. Prisoners smuggle cellphones and access internet and telecommunication connection to produce and mediate videos, images, and voice recordings documenting quotidian experiences of imprisonment, violent events, and the COVID-19 Pandemic inside the notorious and overcrowded Roumieh Central Prison. Fragmentary prison amateur cellphone media messages make their way from behind bars to various media ecologies, from social media to local and international news-media platforms, where they are (re)mediated and often appropriated to feed partisan and sectarian media narratives. In this dissertation, I investigate prison cellphone recordings and their political and testimonial possibilities by tracing the prison media practices responsible for their production and circulation. Influenced by Amel’s (1976, 1988) intellectual project of theorizing from the periphery and the lo popular approach to theorizing media with and from individuals’ media practices in their territory (Martín-Barbero, 1998), I propose a framework for the conceptualization of prisoners’ illicit use of digital-media technologies and the recordings they produce as media from the prison. Based on a foundation of media-practice theory, more specifically the articulation of activist media practices and mediation theory (Martín-Barbero, 1993; Mattoni, 2012; Mattoni & Treré, 2014), I introduce three overarching and overlapping conceptual themes: media witnessing, media mobilization, and vulnerability in resistance. Using this theoretical framework, I examine the categories, characteristics, and modes of framing reflected in prison cellphone recordings, explore their alignment with mechanisms of mobilization and organized protest, and consider them as visual and sonic recorded testimonies that document and communicate personal impressions and the conditions of quotidian life in confinement. The analysis draws on a qualitative, multi-method approach combining visual analysis and contextual interviews. Location- and event-based searches were used to systematically collect a corpus of prison cellphone recordings remediated between 2011 and 2022 on Facebook, YouTube, and local and international news-media platforms. I propose the notion of visual insurgency as a step towards understanding the role and function of recordings that are produced and mediated through inherently prohibited media practices. Through the examination of composition, POV, frame, sound, (re)mediation, and the partisan context of Lebanon and the colonial history of its prisons, I trace the illicit media practices responsible for these prison representations. I claim that, through their media practices, prisoners mediate from the prison testimonies of their lived experiences, expose their vulnerabilities to the precarious conditions they exist in, re-claim a sense of mundanity, and incite feelings of affinity to mobilize support. I conclude that prison cellphone recordings are the result of meticulous prison media practices that are intended to actively mobilize support and sympathy, as well as to establish communication networks with affiliates and media personnel. Prison media practices continue to grow as prisoners smuggle digital-media technologies, develop new approaches to framing their testimonies and shooting the precarious environment, stories, performative assemblies, and lived experiences behind bars.
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