| 51. |
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Seeing Like a Smuggler: Borders from Below
- 2022
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- The word smuggler often unleashes a simplified, negative image painted by the media and the authorities. Such state-centric perspectives hide many social, political and economic relations generated by smuggling. This book looks at the practice through the eyes of the smugglers, revealing how their work can be productive, subversive and deeply sociopolitical. By tracing the illegalised movement of people and goods across borders, Seeing Like a Smuggler shows smuggling as a contradiction within the nation-state system, and in a dialectical relation with the national order of things. It raises questions on how smuggling engages and unsettles the ethics, materialities, visualities, histories and the colonial power relations that form borders and bordering. Covering a wide spectrum of approaches from personal reflections and ethnographies to historical accounts, cultural analysis and visual essays, the book spans the globe from Colombia to Ethiopia, Singapore to Guatemala, Afghanistan to Zimbabwe, and from Kurdistan to Bangladesh, to show how people deal with global inequalities and the restrictions of poverty and immobility.
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| 52. |
- Ambjörnsson, Fanny, et al.
(författare)
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Vulnerable Viewer Positions : Queer Feminist Activists Watching Paradise Hotel
- 2020
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Ingår i: Vulnerability in Scandinavian art and culture. - London : Palgrave Macmillan. - 9783030373818 - 9783030373825 ; , s. 195-219
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Bokkapitel (refereegranskat)abstract
- Ambjörnsson and Svensson analyse a group of queer feminist activists watching the reality show Paradise Hotel. Inspired by the feminist research tradition’s interest in consumers, the reality TV format is understood as a genre centred on intervention, participation and emotionality, rather than merely representation. Following Sara Ahmed’s thoughts on orientation, the viewers’ emotional reactions of approaching and distancing themselves from the programme are used to investigate various ways of handling and managing vulnerability. This is achieved through localizing a specific queer feminist viewing position, where the viewers’ feminist identification with female subordination is combined with a camp attitude towards the despised and failed. Thus, through embracing and exposing themselves to the hyperbolic, exaggerated, shameless and sometimes sexist and homophobic representations in the programme, they simultaneously negotiate marginalization, subordination, a longing for inclusion in mainstream society and their own potential middle-class advantage.
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| 53. |
- Becker, Karin, et al.
(författare)
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Visuella kulturstudier
- 2007
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Ingår i: Kulturstudier i Sverige. - : Studentlitteratur, Stockholm. - 9781845203689
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 54. |
- Berlin, Johan, 1975, et al.
(författare)
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Etnografiska observationer
- 2009
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Ingår i: Kommunal Ekonomi och Politik. - Lund : Studentlitteratur. - 1402-8700. ; 13:4, s. 65-68
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Recension (övrigt vetenskapligt/konstnärligt)
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| 55. |
- Edkvist, Ingela, 1957-
(författare)
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The performance of tradition : An ethnography of Hira Gasy popular theatre in Madagascar
- 1997
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This study deals with the popular theatre performance of Hira Gasy, and its actors andaudiences in the central highland regions of Imerina and northern Betsileo in Madagascar. The Hira Gasy has developed from a court to a rural performance during the last two centuries, a period influenced by first the British and then by the French presence in the country. Today, the performances are given in diverse contexts, the most common being in connection with reburial ceremonies. The Hira Gasy troupes all have a common form of their performance, with speeches, songs, acrobatics, dance and music, while the content is unique for each troupe, although given in a culturally recognized form. The study is based on 19 months of fieldwork divided into five periods between1991 and 1996. The main argument is that the Hira Gasy performances provide a forumin which the problems of identification and belonging are discussed. The `foreigner' isused as a `mirror image' for the rural and the poor in their aims to assert and shape theirsense of belonging in a changing society. The symbols of identification - the ancestralland, the common tomb, and the family solidarity - are felt to be threatened by increasingindividualization and the decrease in the fulfillment of the ancestral duties. For the ruralpoor their feelings of marginality and powerlessness in relation to the economically andpolitically powerful urban elite are expressed in Hira Gasy. Through the practice ofcustom they sustain their moral dignity, which is one of the most important means inorder to remain malagasy. The Hira Gasy performances are indigenious arenas for existential and moral discussions, and for providing a sense of belonging in a problematic reality shaped by both the `way of the ancestors' and the `way of the foreign'.
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| 56. |
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Från Pehr Stenbergs värld
- 2023
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Pehr Stenberg (1758-1824), bondson från Umeå landsförsamling, suderade i Åbo och återvände till hembygden för en rad anställningar som präst. Hans omfattande och personligt öppenhjärtliga levernesbeskrivning ligger till grund för denna antologi där hans försök att finna sig till räta med sin nya sociala status, som gift man och som intellektuell i landsorten diskuteras.
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| 57. |
- Hyltén-Cavallius, Charlotte, 1969-
(författare)
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Tacka för maten
- 2019
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Ingår i: Sånt vi bara gör. - Stockholm : Carlsson Bokförlag. - 9789173319553
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 58. |
- Sjöstedt Landén, Angelika, 1979-
(författare)
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A Fantasy of the "Ambitious Young Girl" as Flexible Knowledge-worker Subject
- 2012
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Ingår i: NORA. - : Informa UK Limited. - 0803-8740 .- 1502-394X. ; 20:4, s. 249-265
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Tidskriftsartikel (refereegranskat)abstract
- One of the paradoxes of the so-called flexible work environments of late capitalism is that, at the same time as tribute is paid to organizational and work-force flexibility in terms of increased empowerment and freedom for workers to make their own decisions, there is also a strong emphasis on controlling their work. These ways of governing and controlling work have been problematized within critical organizational studies and analysed and conceptualized as audit regimes and audit cultures. Furthermore, feminist research highlights how the hegemonization of flexible work ideologies may result in declining health for employees and increased gender inequalities in the labour market.This article contributes to these critical strands of research by examining some of the gendered aspects of the ideological forces that work to install everyday work practices of "flexible subjects". The analysis is done by studying the means of knowledge-work fantasies, and especially the ideological forces behind the fantasy of the "ambitious young girl".I draw on feminist critiques of neo-liberalism and neo-liberal practices and, more specifically, theories of the professional investment that is supposedly common in neo-liberal discourses. The source material that laid the foundations for this article was gathered from within a more extensive ethnographic study where I followed the relocation of a knowledge-intensive civil service agency from the capital of Sweden to a smaller town northwest of the capital.The analysis shows that, in the process of moving work-place, employees became invested in a fantasy of "ambitious girls", a fantasy that entailed certain expectations of flexible and mouldable civil service workers in neo-liberal times.
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