| 11. |
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| 12. |
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| 13. |
- Olsson, Nils
(författare)
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Trosföreställningar
- 2015
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Ingår i: Kunstkritikk. - 1504-0925.
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Recension (övrigt vetenskapligt/konstnärligt)
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| 14. |
- Fazlhashemi, Mohammad, 1961-
(författare)
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Tro eller fönuft i politisk islam
- 2011. - 1
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- År 874 inledde den tolfte shiitiske imamen Al-Mahdi ett liv i underjorden. Sedan dess har de rättslärda brottats med frågan om hur de ska leva tills han återkommer. Inom islams historia finns en lång kamp mellan de religiösa ledarna och de sekulära politiska över vilka som är bäst lämpade att styra de muslimska länderna, men den händelse under 1900-talet som framför alla andra markerade religionens – eller rättare sagt de religiösa ledarnas – återkomst på den politiska scenen var revolutionen i Iran 1979. Bland de shiitiska rättslärda finns dock många olika politiska föreställningar. Skillnaderna beror till stor del på rådande politiska och historiska omständigheter, sociala strukturer och ekonomiska förhållanden. Men är dessa omständigheter tillräckliga för att förstå varför en grupp shiitiska rättslärda drogs till revolutionär radikalism, andra till politisk pragmatism och ytterligare andra till total avhållsamhet från den politiska scenen? Och vad har förhållande mellan tro och förnuft för betydelse för religion och politik i de olika shiitiska skolorna?
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| 15. |
- Gerlee, Philip, 1980, et al.
(författare)
-
Scientific Models : Red Atoms, White Lies and Black Boxes in a Yellow Book
- 2016
-
Bok (övrigt vetenskapligt/konstnärligt)abstract
- A zebrafish, the hull of a miniature ship, a mathematical equation and a food chain - what do these things have in common? They are examples of models used by scientists to isolate and study particular aspects of the world around us. This book begins by introducing the concept of a scientific model from an intuitive perspective, drawing parallels to mental models and artistic representations. It then recounts the history of modelling from the 16th century up until the present day. The iterative process of model building is described and discussed in the context of complex models with high predictive accuracy versus simpler models that provide more of a conceptual understanding. To illustrate the diversity of opinions within the scientific community, we also present the results of an interview study, in which ten scientists from different disciplines describe their views on modelling and how models feature in their work. Lastly, it includes a number of worked examples that span different modelling approaches and techniques. It provides a comprehensive introduction to scientific models and shows how models are constructed and used in modern science. It also addresses the approach to, and the culture surrounding modelling in different scientific disciplines. It serves as an inspiration for model building and also facilitates interdisciplinary collaborations by showing how models are used in different scientific fields. The book is aimed primarily at students in the sciences and engineering, as well as students at teacher training colleges but will also appeal to interested readers wanting to get an overview of scientific modelling in general and different modelling approaches in particular.
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| 16. |
- Gerlee, Philip, 1980, et al.
(författare)
-
Scientific Models
- 2016
-
Bok (övrigt vetenskapligt/konstnärligt)abstract
- A zebrafish, the hull of a miniature ship, a mathematical equation and a food chain - what do these things have in common? They are examples of models used by scientists to isolate and study particular aspects of the world around us. This book begins by introducing the concept of a scientific model from an intuitive perspective, drawing parallels to mental models and artistic representations. It then recounts the history of modelling from the 16th century up until the present day. The iterative process of model building is described and discussed in the context of complex models with high predictive accuracy versus simpler models that provide more of a conceptual understanding. To illustrate the diversity of opinions within the scientific community, we also present the results of an interview study, in which ten scientists from different disciplines describe their views on modelling and how models feature in their work. Lastly, it includes a number of worked examples that span different modelling approaches and techniques. It provides a comprehensive introduction to scientific models and shows how models are constructed and used in modern science. It also addresses the approach to, and the culture surrounding modelling in different scientific disciplines. It serves as an inspiration for model building and also facilitates interdisciplinary collaborations by showing how models are used in different scientific fields. The book is aimed primarily at students in the sciences and engineering, as well as students at teacher training colleges but will also appeal to interested readers wanting to get an overview of scientific modelling in general and different modelling approaches in particular.
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| 17. |
- Dodig Crnkovic, Gordana, 1955, et al.
(författare)
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Natural Computing/ Unconventional Computing and its Philosophical Significance
- 2012
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Ingår i: Entropy. - : MDPI AG. - 1099-4300. ; 14:12, s. 2408-2412
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- For the Turing year 2012, AISB (The Society for the Study of Artificial Intelligence and Simulation of Behaviour) and IACAP (The International Association for Computing and Philosophy) merged their annual symposia/conferences to form the AISB/IACAP World Congress. The congress took place 2–6 July 2012 at the University of Birmingham, UK. The Congress was inspired by a desire to honour Alan Turing, and by the broad and deep significance of Turing's work to AI, the philosophical ramifications of computing, and philosophy and computing more generally. The Congress was one of the events forming the Alan Turing Year. The Congress consisted mainly of a number of collocated Symposia on specific research areas, together with six invited Plenary Talks. All papers other than the Plenaries were given within Symposia. This format is perfect for encouraging new dialogue and collaboration both within and between research areas. This volume forms the proceedings of one of the component symposia. We are most grateful to the organizers of the Symposium for their hard work in creating it, attracting papers, doing the necessary reviewing, defining an exciting programme for the symposium, and compiling this volume. We also thank them for their flexibility and patience concerning the complex matter of fitting all the symposia and other events into the Congress week
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| 18. |
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| 19. |
- Skånberg Dahlstedt, Ami, 1967
(författare)
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Walking in Suriashi as a Radical and Critical Art of Inquiry
- 2023
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Ingår i: Walking as Critical Inquiry. - Cham : Springer. - 9783031299902 - 9783031299919 ; , s. 151-173
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Bokkapitel (refereegranskat)abstract
- This chapter contributes to the discussion on moving in and through site-specific and urban space; at the cusp between higher dance education and everyday life, creating a post-Certauian tear through space and time as a call for agency. It draws from my Ph.D. research Suriashi as Experimental Pilgrimage in Urban and Other Spaces, where I propose an experience of society from within a Japanese practice called suriashi, which translates as sliding foot. Suriashi is a specific gender codified walking technique in classical Japanese dance and theatre, and an important method for acting on stage. Gender is constructed physically through the positioning and moulding of the body. The original practice is performed in the dance studio or on stage. My research asks whether suriashi also could be a method for agency to act, as being active, or to activate, and temporally alter spaces outside the theatre; i.e. the practical application of this artistic practice outside the theatrical context. This relocation brings a traditional form into new configurations, connecting to everyday practices and sites of resistance and performance. It also contributes to the burgeoning field of walking arts practice, bringing a Japanese dance-based practice into a dialogue with debates and practices of Western dancing and walking. Suriashi performed in urban spaces was able to unfold and identify new relations between aesthetic practice and politics, between movements and monuments in the city as a way to critique the unequal distribution of power, and by looking for new ways to protest/resist peacefully. I assess this from three of my many experiments with slow suriashi walkings. The first one is Suriashi Intervention, performed at Gothenburg Culture Festival in August 2016. This experiment did two things: it engendered the city’s unacknowledged dance archive, while performing critique of the unequal distribution of funding of the arts. The second experiment is an ‘invisible’ suriashi performed by the then Hong Kong-based scholar Ching-yuen Cheung during the violent protests at Yuen Long Station in Hong Kong in July 2019. It showed how artistic methods are necessary when democracy collapses. The third experiment regards introducing suriashi as methodology to master students of Contemporary Performative Arts at University of Gothenburg. Here, suriashi unveiled important issues regarding art in urban spaces, necessary for the art student. To further contextualize, I interlace my arguments through positionings by sociologist Doreen Massey.
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| 20. |
- Svensson, Frans
(författare)
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Non-Eudaimonism, The Sufficiency of Virtue for Happiness, and Two Senses of the Highest Good in Descartes’s Ethics
- 2015
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Ingår i: British Journal for the History of Philosophy. - : Informa UK Limited. - 0960-8788 .- 1469-3526. ; 23:2, s. 277-296
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Tidskriftsartikel (refereegranskat)abstract
- In his reflections on ethics, Descartes distances himself from the eudaimonistic tradition in moral philosophy by introducing a distinction between happiness and the highest good. While happiness, in Descartes's view, consists in an inner state of complete harmony and satisfaction, the highest good instead consists in virtue, i.e. in 'a firm and constant resolution' (e.g. CSMK: 325/AT 5: 83) to always use our free will well or correctly. In Section 1 of this paper, I pursue the Cartesian distinction between happiness and the highest good in some detail. In Section 2, I discuss the question of how the motivation to virtue should be accounted for within Descartes's ethical framework. In Section 3, I turn to Descartes's defence of the view that virtue, while fundamentally distinct from happiness, is nevertheless sufficient for obtaining it. In the final section of the paper (Section 4), my concern is instead with a second and sometimes neglected distinction that Descartes makes between two different senses of the highest good. I show that this distinction does not remove the non-eudaimonistic character of Descartes's ethics suggested in Section 1, and present two reasons for why the distinction is important for Descartes's purposes.
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