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Träfflista för sökning "AMNE:(HUMANIORA Språk och litteratur) "

Search: AMNE:(HUMANIORA Språk och litteratur)

  • Result 21-30 of 59811
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21.
  • Coloniality and Decolonisation in the Nordic region
  • 2023
  • Editorial collection (other academic/artistic)abstract
    • This book advances critical discussions about what coloniality, decoloniality and decolonization mean and imply in the Nordic region. It brings together analysis of complex realities from the perspectives of the Nordic peoples, a region that are often overlooked in current research, and explores the processes of decolonization that are taking place in this region. The book offers a variety of perspectives that engage with issues such as Islamic feminism and the progressive left; racialization and agency among Muslim youths; indigenizing distance language education for Sami; extractivism and resistance among the Sami; the Nordic international development endeavour through education; Swedish TV-reporting on Venezuela; creolizing subjectivities across Roma and non-Roma worlds and hierarchies; and the whitewashing and sanitization of decoloniality in the Nordic region. As such, this book extends much of the productive dialogue that has recently occurred internationally in decolonial thinking but also in the areas of critical race theory, whiteness studies, and postcolonial studies to concrete and critical problems in the Nordic region. This should make the book of considerable interest to scholars of history of ideas, anthropology, sociology, cultural studies, postcolonial studies, international development studies, legal sociology and (intercultural) philosophy with an interest in coloniality and decolonial social change.
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22.
  • Lagerlöf Nilsson, Ulrika, 1971 (author)
  • Elisabeth Maria Beskow
  • 2021
  • In: Svenskt kvinnobiografiskt lexikon. - Göteborg : Göteborgs universitet, Institutionen för historiska studier. - 9789163975943
  • Book chapter (other academic/artistic)
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23.
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24.
  • Romeborn, Andreas, 1981 (author)
  • La figure étymologique : quelques caractéristiques
  • 2017
  • In: XX Congrès des romanistes scandinaves, 15-18 augusti 2017, Universitetet i Bergen. Communication lors du XX Congrès des romanistes scandinaves, 15-18 août 2017, Université de Bergen..
  • Conference paper (other academic/artistic)abstract
    • Cette communication traite de la « figure étymologique ». À partir d’exemples variés, nous décrirons quelques types de réalisations possibles de cette figure polymorphe en nous intéressant surtout à ses caractéristiques sémantiques. Comme en témoignent les différentes définitions qui en ont été proposées, cette figure peut prendre des formes diverses. Ainsi, elle peut être conçue comme la « [r]éunion dans une construction syntaxique de type exceptionnel, de mots apparentés par l’étymologie […] » (TLFi), comme dans « vivre sa vie ». Aslanov (2001) montre que ce type de rapprochement étymologique peut se faire de manière « camouflée », et cite un exemple de Claudel qui rapproche les mots « idée » et « idole », apparentés par le fait que leurs étymons grecques (« idea » et « eidôlon ») ont la même racine indo-européenne « *weid- » ‘voir’ : « Seigneur, vous m’avez délivré des livres et des Idées, des Idoles et de leurs prêtres ». Or, la figure peut aussi se définir comme l’« emploi du mot selon le sens de son étymon » (Aquien 1999). À titre d’exemple, Mallarmé, parlant de « l’hiver lucide », utilise, selon l’analyse de Pougeoise (2006), le mot « lucide » au sens du latin « lucidus » ‘clair, lumineux’. La figure étymologique concerne, dans ce cas, une occurrence de mot (« lucide ») et non deux, à la différence du vers de Claudel (« idées » – « idoles »). Si l’allusion à l’étymologie est perçue par le récepteur – et que la réception figurale ne reste pas « inactivée » (cf. Bonhomme 2005) – la figure étymologique peut se manifester comme un cas particulier de « plurisémie » (Némo 2014, Rabatel 2015), où le sens étymologique vient s’ajouter au sens actuel d’un mot. Mais nous verrons que l’emploi de ce procédé ne produit pas forcément une superposition de sens. Il peut aussi correspondre à d’autres phénomènes sémantiques, comme l’usage « flou » ou « approximatif » (cf. Fuchs 2009) ou encore l’emploi « monosémique » d’une unité.
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25.
  • Romeborn, Andreas, 1981 (author)
  • Saillance, quantité et position. Les syllepses à la fin des poèmes de Francis Ponge
  • 2016
  • In: Moderna Språk. - 0026-8577. ; 110:1, s. 101-121
  • Journal article (peer-reviewed)abstract
    • La syllepse, pouvant être définie comme l’emploi d’une occurrence de mot dans deux sens différents, est une des figures de prédilection de Francis Ponge. Cet article examine les syllepses employées à la fin des poèmes de Ponge et s’intéresse à cette figure du point de vue de sa réception. À l’aide d’une analyse quantitative d’un corpus composé de 90 poèmes de Ponge, nous avons voulu tester l’hypothèse selon laquelle la fréquence de syllepses serait particulièrement élevée dans la partie finale de ses poèmes. Les résultats, inattendus, tendent à infirmer cette hypothèse, car il s’est avéré que la fin des textes étudiés ne se distingue pas par une fréquence de syllepses spécialement élevée. Ainsi, la fréquence ne se présente pas, ici, comme un facteur décisif permettant de comprendre le caractère saillant des syllepses apparaissant à la fin des textes, c’est-à-dire d’expliquer le fait que celles-ci sont susceptibles d’attirer beaucoup l’attention lorsqu’elles sont employées à cet endroit. En revanche, les résultats indiquent, indirectement, l’importance des facteurs positionnels pour la perception de cette figure : il se peut en effet qu’une syllepse soit perçue comme saillante du fait même de son positionnement, par exemple en raison de sa position à la fin du texte.
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26.
  • Posthumanistiska nyckelstexter
  • 2012. - 1
  • Editorial collection (peer-reviewed)abstract
    • Den här boken introducerar några viktiga författare på samtidsaktuella teoriområden. Donna Haraway, Karen Barad, Rosi Braidotti, Michel Callon, Gilles Deleuze, Félix Guattari, Michel Serres och Annemarie Mol presenteras i boken, som också innehåller översatta texter av dessa namn. Boken ger en bakgrund till och en överblick över ett område i intensiv teoriutveckling. Här presenteras den så kallade materiella, posthumana eller ontologiska vändningen. Här kartläggs grunderna för olika posthumanistiska förhållningssätt till de både mänskliga och icke-mänskliga (djur, miljö, teknik) krafterna i vår värld så som de begreppsliggjorts inom filosofi, feministisk teori, kulturstudier och samhällsvetenskapliga studier av naturvetenskap, medicin och teknik. Genom lästips och en omfattande litteraturlista öppnar boken för fortsatta studier och vidare diskussioner. Avslutningsvis finns också en omfattande ordlista med viktiga nyckelbegrepp som i sig ger en introduktion till ett heterogent forskningsfält. Boken riktar sig till studenter, doktorander och andra nyfikna forskare inom olika tvärvetenskapliga eller disciplinära former av humaniora och samhällsvetenskap.POSTHUMANISTISKA NYCKELTEXTER ger i de inledande kapitlen en överblick och en introduktion till posthumanistiska studier och till materiell-semiotik. Här behandlas tankeströmningar som rör det humanas natur, humanismens etik och humanvetenskapernas framtid. Boken ger en introduktion till det som inom genusvetenskap och tekniksociologi kommit att kallas den ontologiska vändningen mot de materiaaliteter och världsliga relationer som både gör och förgör oss. Här kartläggs grunderna för posthumanistiska förhållningssätt till de både mänskliga och icke-mänskliga (djur, miljö, teknik) dimensionerna av vår värld så som de begreppsliggjorts inom filosofi, feministisk teori, kulturstudier och sociala studier av vetenskap och teknik. POSTHUMANISTISKA NYCKELTEXTER erbjuder introduktioner till viktiga författare och översättningar av nyckeltexter skrivna av Donna Haraway, Karen Barad, Rosi Braidotti, Michel Callon, Gilles Deleuze med Felix Guattari, Michel Serres och Annemarie Mol. Boken innehåller även en omfattande ordlista med viktiga nyckelbegrepp som i sig ger en introduktion till ett mångfaldigt forskningsfält.
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27.
  • Andersson, Hans, 1981- (author)
  • Något betydelsefullt : Leonid Dobyčins möten bortom orden i den sovjetiska samtiden
  • 2019
  • Doctoral thesis (other academic/artistic)abstract
    • This thesis studies the 1931 short story collection Portret [The Portrait] by the Russian author Leonid Ivanovich Dobychin (1894–1936?). My main argument is that the principal theme in Dobychin’s writings arises out of the complexities of human encounters. My approach is based on affirmative interpretations that I call “encountering” readings. They draw on critical practices developed by Boris Gasparov, who argues in his 2013 study of Pasternak Boris Pasternak: Po tu storonu poėtiki (Filosofiia. Muzyka. Byt) that the key to Pasternak’s work lies not in the dominant feature of their linguistic texture, but in the momentary states of everyday life that the author captures, and Henri Meschonnic’s Critique du rythme: Anthropologie historique du langage (1982). Meschonnic focuses on rhythm as an intrinsic aspect of the text that requires the reader to participate actively in appreciating the text as a work of art by following the interplay between rhythm, the active subject and what is expressed. Both scholars reflect a turn away from the linguistically informed theoretical approaches that dominated the academic study of literature in the twentieth century. Similarly, I approach Dobychin’s characters on the level of their personal conflicts and everyday lives by simulating an interpersonal encounter in an anti-theoretical search for meaning that is congenial to both the central theme of the stories and the way in which they reveal human encounters “beyond words,” as it were, both within the works and with the reader, through suggestive associations and not yet categorized, “precategorial” experiences in everyday life. The “unoutspokenness” (nedogovorënnost’)—i.e. reticence, a deliberate avoidance of explicitness that Dobychin’s contemporary critics ascribed to his writings and often disparaged as “incomprehensibility”—serves as a starting point for a critical discussion of both earlier research on Dobychin and theoretical approaches to literature more generally. In searching for a dominant formal feature, a ‘key’ or ‘code’, in Dobychin’s writings, earlier scholars have tended to describe it in terms of an anti-aesthetic. The alleged lack of plot, inner coherence and meaning is explained as deliberate, intended to performatively mirror the absurdness and inadequacies, the disorientation and loss of meaning in Soviet reality itself. In this thesis, I argue instead that there is no such lack or incoherence in Dobychin’s works. The “nedogovorënnost’” of his short stories is instead understood as an exact and purposeful way of conveying meaning through what is experienced and shared beyond words in a time that was overburdened with idealistic ideological discourses. At the heart of Dobychin’s stories are moments of fragile human interaction that underlie trivial dialogues and actions in banal everyday existence. The stories let the reader experience the sudden and unexpected human connections that the characters encounter in their everyday impressions. The contrasts and plurality of human perspectives thus perceived evoke a potential interaction beyond societal roles. These brief encounters are presented as something precarious in a Soviet society striving towards a single true ideology. Such a reading suggests that Dobychin is not so much a deliberately enigmatic author as a writer who aspires to express in words that which is profoundly wordless: the encounters between people outside of the ideological categories and discourses of their language.
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28.
  • Axelsson, Marcus, 1979- (author)
  • ”Kalla mig inte mamsell!” : En jämförelse av tre skandinaviska översättares behandling av kulturspecifika element i fransk- och engelskspråkig skönlitteratur
  • 2016
  • Doctoral thesis (other academic/artistic)abstract
    • The present study deals with the work and practice of three Scandinavian translators, namely Kjell Olaf Jensen (Norwegian), Marianne Öjerskog (Swedish) and Agnete Dorph Stjernfelt (Danish). The main question of the thesis is what strategies the translators use when translating culture-specific elements from French and English. Theoretically the thesis positions itself within the framework of Descriptive Translation Studies and draws upon system theories as well as Pierre Bourdieu’s sociology of culture. The method consists of a source text – target text analysis, using a somewhat modified version of Pedersen’s (2007) method identifying seven translation strategies, namely (1) retention, (2) specification, (3) direct translation, (4) generalization, (5) substitution, (6) omission and (7) official equivalent. In this thesis the three former and the official equivalent are categorized as “adequate”, whereas generalization, substitution and omission are categorized as “acceptable” using Toury’s (2012) terminology. Six different types of culture-specific elements are investigated, namely (1) titles, address and professional titles, (2) currencies, (3) weights and measures, (4) literature and music, (5) education, and (6) names. In addition to this analysis, interviews with the three translators were carried out. Results show that there are both similarities and dissimilarities in the translators’ choices of translation strategies. It also turns out that the strategies used to a great extent depend on the culture-specific element in question and hardly ever on the source language. Results also suggest that the higher the translators’ amount of accumulated total capital, the more likely it is that they adopt a heterodoxic translation strategy. Jensen and Stjernfelt are more often positioned at one of the two extremes of the adequacy–acceptability axis than is the case for Öjerskog. Moreover, results from the interviews and the text analyses show that there are a number of norms that govern the translators’ practices. The translatorial practice is to manoeuver in a field governed by norms in order to produce the best possible target texts – target texts that are true to the original and conform to domestic literary standards.
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29.
  • Munthe, Christian, 1962 (author)
  • Mellan genialitet och galenskap: Recension av Benjamin Labatuts roman "MANIAC"
  • 2023
  • In: Tidskriften Alba. - 1403-5448.
  • Review (other academic/artistic)abstract
    • John von Neumann var ett för de allra flesta okänt ungerskt underbarn av judisk härkomst som sedermera flydde undan nazisterna till USA, där han dog 1957. Han var ett matematiskt universalgeni som gav viktiga, för att inte säga avgörande, bidrag till fysikens, biologins, data- och samhällsvetenskapens och meteorologins (och därmed klimatvetenskapens) utveckling under 1900-talet. Vid sidan av den mer allmänt kände Alan Turing föranstaltade han det som vi idag lär känna som A.I. och teoretiserade tidigt om hur man kunde tänka på maskiner som livsformer analogt med biologiska – en idé som idag ingår både i evolutionsbiologiska verktygslådor liksom i visioner och mardrömsscenarier om en teknologisk singularitet bortom vilken generella A.I. dominerar och, i värsta fall, tränger ut människoarten. Det är denne märkliga och skrämmande person Benjamín Labatuts välskrivna roman sätter i centrum för en berättelse om gränslandet mellan genialitet och galenskap, vetenskap och teknik från förra sekelskiftet till nu, logikseminariernas tankelekar och konkret global politisk utveckling på liv och död. Romanen är pärlande klart översatt av Anna Petronella Foultier. Man behöver nog ha ett visst intresse för vetenskap, teknik och/eller global politik för att uppskatta den fullt ut, men mycket sådant förklaras under hand på ett skenbart enkelt vis, så jättestora kunskaper behövs inte.
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30.
  • Falk Erhag, Hanna, et al. (author)
  • A Multidisciplinary Approach to Capability in Age and Ageing
  • 2022
  • Book (other academic/artistic)abstract
    • This open access book provides insight on how to interpret capability in ageing – one’s individual ability to perform actions in order to reach goals one has reason to value – from a multidisciplinary approach. With for the first time in history there being more people in the world aged 60 years and over than there are children below the age of 5, the book describes this demographic trends as well as the large global challenges and important societal implications this will have such as a worldwide increase in the number of persons affected with dementia, and in the ratio of retired persons to those still in the labor market. Through contributions from many different research areas, it discussed how capability depends on interactions between the individual (e.g. health, genetics, personality, intellectual capacity), environment (e.g. family, friends, home, work place), and society (e.g. political decisions, ageism, historical period). The final chapter by the editors summarizes the differences and similarities in these contributions. As such this book provides an interesting read for students, teachers and researchers at different levels and from different fields interested in capability and multidisciplinary research.
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