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Träfflista för sökning "AMNE:(HUMANITIES Arts Visual Arts) "

Sökning: AMNE:(HUMANITIES Arts Visual Arts)

  • Resultat 841-850 av 2500
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841.
  • Jansson Hydén, Katarina, 1970 (författare)
  • Visual art subject and communication of an inner and outer identity orientation
  • 2023
  • Ingår i: NERA Nordic education research association.
  • Konferensbidrag (refereegranskat)abstract
    • In this abstract, the role that the visual subject can play in relation to questions concerning personality, identity and gender in school education is problematized. Government investigations in Sweden show that school is a central place for identity creation, but also a place for exclusion (SOU 2017:92). This means that the question of students' personal development and expression of identity and gender orientation also becomes a question of inclusion. The presentation problematizes the question of whether visual art communication can support students who experience uncertainty about their own identity to get an internal image of themselves together with the world outside, to link an internal and an external worldview to counteract the experience of exclusion questions that are similar relevant in the context of Swedish as Nordic education.
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842.
  • Johansson, Michael (författare)
  • Bring the noise
  • 2013
  • Ingår i: International Journal of Art, Culture and Design Technologies. - : IGI Global. - 2155-4196 .- 2155-420X. ; 3:1, s. 26-35
  • Tidskriftsartikel (refereegranskat)abstract
    • In this article the author will present how they developed different processes for collectively producing a seriesexplorative soundscapes and mechanical artefacts using specific constraints influenced by theories from artand architecture. The author will show how they worked with a design methodology that brought togetheran editor and the final expression of the artwork into one surface of interaction and execution using a virtualcityscape as an iterative ground for sound and music explorations, and give some examples of the differentprototypes and iterations. The author will also discuss how they tweaked/iterated with the parameters of the framework, the sounds and the final visual expression to match their artistic intention, and finally to bringsome noise into Abadyl. Also influencing the overall framework.
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843.
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844.
  • Jönsson, Mats, 1960 (författare)
  • Regarding Human Violence: The Hard Impact of Cinematic Soft Power
  • 2016
  • Ingår i: Short Film Studies. - : Intellect. - 2042-7824. ; 6:1, s. 97-100
  • Tidskriftsartikel (refereegranskat)abstract
    • With the example of On Suffocation, this article problematizes how violence on film is represented and received. Ethical questions linked to the role and function of the viewer, medium, and originator are at the centre of the analysis, and the writings of Susan Sontag function as conceptual backdrop.
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845.
  • Karami, Sepideh, 1976- (författare)
  • Stories We Can't Tell
  • 2017
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • Writing architecture is not writing about architecture, but writing it, making it. It is to create new grounds, sites of actions, and construct characters who build these grounds and change them by inhabiting them critically and performatively. By situating writing in contexts where direct ways of expression are impossible, I investigate how dissident writing can circumvent the bans of an oppressive power by inventing an Aesopian language. Dissident writing is to write with multiple voices and many authors – not all of whom are welcome. To develop a tactic of writing with unwelcome co-authors, i.e. writing with the dominant power, but against it, is what dissidence could bring into writing architecture. In this way, writing dissident architecture deals with two main questions. One is: how to tell a story we cannot tell? And the other: how can this struggle with an impossible narration create a dissident architecture? To investigate these questions, in this text domestic spaces of houses are considered as a key example of performing grounds for dissidents. By going through an experiment of writing situated in the spaces of a demolished house, I discuss how the construction of dissident characters who perform in the house and the application of different genres and experimental writings complicate the house and bring on the writing of a dissident architecture.
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846.
  • Keshavarz, Mahmoud (författare)
  • Undesigning Borders : Urban Spaces of Borders and Counter-Practices of Looking
  • 2018. - 1
  • Ingår i: Undesign. - London : Routledge. - 9781138695719 - 9781138695702 ; , s. 161-174
  • Bokkapitel (refereegranskat)abstract
    • Today, borders are not merely geographical lines of separations, divisions and differences. They are design spaces of production, circulation and consumption of images and relations. This chapter discusses the ubiquitousness of borders by discussing a specific national project of internal borderwork in Sweden and bringing forward the stories of those who are affected by it. Consequently, it argues that while borders frame certain moments and events as natural, catastrophic or normal, they deframe their own presence and politics persuasively. Borders as spaces, produce and sustain certain normalised ways of looking that allow them, paradoxically, to skip the sight. One way to resist these spaces of violence and exclusion is to envision counter-practices of looking at borders, to articulate other ways of looking at borders, at what borders could be, where they operate and how they move in time and space. As an example, the chapter ends with a presentation of a project that aimed at undesigning borders in the everyday life of two Swedish towns, where the police were heavily engaged in a series of racial profiling operations to find undocumented and deportable migrants.
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847.
  • Klasto, Cathryn, 19900919, et al. (författare)
  • Open Letter as Reparative Interior: Expanding, Making, Participating
  • 2021
  • Ingår i: Idea Journal. - 2208-9217. ; 18:no.01, s. 223-236
  • Tidskriftsartikel (refereegranskat)abstract
    • Framing the open letter as an expanded interior-in-the-making, this visual essay documents a participatory experiment that took place between the cities of Sheffield (UK) and Gothenburg (SE). The experiment, as one of critical spatial practice, attempted to foster a temporal atmosphere of reparation which aims to counter the global condition of paranoia produced by the COVID-19 pandemic. This essay articulates the visual design of the experiment, the theoretical principles which underpin it, and the significance of critical reflection in the process. The experiment is intentionally left inconclusive, establishing an open networked approach towards publishing as a way of making public, and subsequently allowing the authors to invite readers to contribute to future iterations. As a way of rethinking the visual essay form, the essay deliberately blurs the line between image and text and their relation with the spatial structure of the page.
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848.
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849.
  • Konsten, Samhället och Miljön
  • 2023
  • Konstnärligt arbete (refereegranskat)abstract
    • Audiovisuell presentation / artist talk under Konstans konstfestival. Festivalen som var ett samarbete mellan Konstnätverket i Sundsvall (KNIS), Grannar och Region Västernorrland, fokuserade på konstens bärkraft som en konstans i samhället för frågor om hållbarhet, klimat och miljö.
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850.
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  • Resultat 841-850 av 2500
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Wilson, Mick, 1964 (55)
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Chavarria Aldrete, B ... (19)
Thompson, Linda Mari ... (19)
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Zimmermann, Heiner (17)
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Leach, Maddie, 1970 (16)
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