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Träfflista för sökning "AMNE:(HUMANITIES History and Archaeology History of Technology) "

Sökning: AMNE:(HUMANITIES History and Archaeology History of Technology)

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31.
  • Legnér, Mattias, 1973- (författare)
  • On the Early History Museum Environment Control : Nationalmuseum and Gripsholm Castle in Sweden, c. 1866-1932
  • 2011
  • Ingår i: Studies in Conservation. - London : International Institute for Conservation of Historic and Artistic Works. - 0039-3630 .- 2047-0584. ; 56:2, s. 125-137
  • Tidskriftsartikel (refereegranskat)abstract
    • Despite the fact that there have been investigations into the historical development of indoor climate recommendations, to date verylittle research has been carried out on how climate control in museums was actually implemented in the past. This article examinesthe development of climate control in two Swedish museum buildings up until the 1930s: Nationalmuseum and GripsholmCastle. Nationalmuseum was erected to make the state collections more accessible to the public and to provide monitoring andcentral heating. At that time knowledge of climatic conditions in museums was tacit and based on personal experience ratherthan on scientific studies. However, in the early twentieth century the problem of managing museum climate increased as curatorsbecame more aware of the dehydrating effects of central heating on panels and polychrome wood. The first successful attemptsto automatically control indoor climate were carried out at Gripsholm in the 1920s. The focus was then on monitoring andcontrolling temperature rather than relative humidity, but these early attempts also showed that extreme levels of humidity couldbe avoided in an environment that had never been designed for permanent heating. This article examines attempts at managingindoor climate between the 1860s and the 1930s.
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32.
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33.
  • Westin, Jonathan, 1980 (författare)
  • Negotiating 'Culture', Assembling a Past: the Visual, the Non-Visual and the Voice of the Silent Actant
  • 2012
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • The aim of this thesis is to describe and analyse the processes surrounding the creation of a scientific visual representation, where, both in the practical creation of this visualisation and in the way it is communicated, those actants which amount to what we call ‘culture’ or cultural value, are enrolled or ignored. Trying to answer if a broader set of non-visual cultural properties can be identified and their influence described, and if history can be visualised without displacing our knowledge of the past in favour of a popular representation thereof, I trace the interaction between client, artist, technology and target audience. Although the audience is not permitted to take part in the meetings and walk the floors of the studios, and thus seem to remain silent, I argue nonetheless that their voices are heard during the assembling of a visual representation. Furthermore, offering the audience a tool is not enough to entice them to form their own ideas and exercise influence: although often presented as a visitor-empowering pedagogic technique which invites different interpretations of the material at display, the interactive technology offered by museums and educators is a tool of conformity which disciplines the audience and must therefore be treated as such. An object is not an entity which can be separated into artefact and context, but a hybrid made up of associations spread over both space and time. To describe this, and capture how visual representations can represent ‘culture’, I have developed an analytical vocabulary where the absolute limitations of an artefact or phenomenon is the point of departure. As the vocabulary of limitations demonstrates, limitations constitute the borders of an expression and permit an explanation of how associated actants are shaped by these borders into what we have come to refer to as ‘culture’.
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34.
  • Dussauge, Isabelle, 1978-, et al. (författare)
  • Precursors of the IT Nation : Computer use and control in swedish society, 1955–1985
  • 2011
  • Ingår i: 3rd IFIP WG 9.7 Conference on History of Nordic Computing, HiNC 2010. - Berlin, Heidelberg : Springer-Verlag New York. - 9783642233142 - 9783642233159 - 9783642270192 ; , s. 425-432, s. 425-432
  • Konferensbidrag (refereegranskat)abstract
    • This paper is a presentation of a research project that aims at writing the history of computing in Sweden in the mainframe age from a user perspective. Rather than beginning with the history of hardware, this project takes as its point of departure the way in which actors in different sectors of society used computer technology in order to achieve a higher degree of control over crucial processes, whether through electronic data processing systems, process control or technical/scientific computation.
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35.
  • Holm, Olof, 1973- (författare)
  • Hyveljärn eller samisk skinnskrapa? Ett gåtfullt eggverktyg från järnåldern
  • 2016
  • Ingår i: Arkeologi i norr. - 0284-558X. ; 15, s. 63-89
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
    • Plane Iron or Sámi Hide Scraper? A Puzzling Edge Tool from the Iron Age This article addresses the function, use and ethnic affiliation of small iron edge tools of type Rygh 416 (reproduced by O. Rygh in Norske Oldsager in 1885). These are known from many excavated graves and settlement sites especially in Mid-Scandinavia, mainly dating from the Migration and Merovingian Periods (fifth/sixth–eighth centuries AD), but also from at least two places further to the south: the centres for shipbuilding, trade and crafts at Lundeborg on Funen and Paviken on Gotland. The author rejects the possibility that this kind of tool was used as a hide scraper, with a transverse shaft of wood, as recently proposed. Several characteristics of the edge tools found, together with their find contexts, strongly conflict with this notion. Instead the author adheres to the traditional opinion that it is probably a matter of a North-European type of plane iron, although no complete plane with such an iron has been found so far. Possible applications may have been the manufacture of ships at places such as Lundeborg and Paviken, and skis and sledges in Mid-Scandinavia.Arguments are also put forward rejecting another conclusion drawn in recent research, namely that this kind of tool represents a specific Sámi material culture. The tool is in fact known from a number of disparate milieus. Thus, it is likely to have been used across ethnic barriers – in so far it is possible to speak about such barriers in Scandinavia during the period in question.
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36.
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37.
  • New natures : joining environmental history with science and technology studies
  • 2013
  • Samlingsverk (redaktörskap) (refereegranskat)abstract
    • New Natures broadens the dialogue between the disciplines of science and technology studies (STS) and environmental history in hopes of deepening and even transforming understandings of human-nature interactions. The volume presents historical studies that engage with key STS theories, offering models for how these theories can help crystallize central lessons from empirical histories, facilitate comparative analysis, and provide a language for complicated historical phenomena. Overall, the collection exemplifies the fruitfulness of cross-disciplinary thinking.
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38.
  • Eriksson, Sören (författare)
  • Näringsliv
  • 2007
  • Ingår i: Jönköpings kommuns historia. - Lund : Historiska Media. - 9789185507207
  • Bokkapitel (populärvet., debatt m.m.)
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39.
  • Lundström, Brita, 1971- (författare)
  • Grundat 1876 : Historia och företagsidentitet inom Ericsson
  • 2006
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This doctoral thesis sets out to analyse the importance of history use in the modern industrial enterprise and its role in creating and transforming corporate identity. Both history use and corporate identity are concerned with creating and using a narrative or a self-image, and these concepts, accordingly, provide the starting point of the study. More specifically, the aim is to analyse how, at various points of time and in various connections, Ericsson, the Swedish telecom conglomerate, has produced and used its history and how that history has been used for creating a corporate identity. The theoretical premises are drawn from two separate fields of research, namely history use and corporate branding.The thesis comprises two parts, the first of which is a comparison over time, showing how history use has changed within the enterprise and focussing mainly on activities at head office/the main factory in Stockholm. The first of these three chapters deals with LM Ericsson’s relocation in 1940 to its newly built factory at Telefonplan in Stockholm, where history was used to show how new the new plant was. The second chapter deals with the LM Ericsson centenary in 1976. The planning and conduct of the centenary celebrations are studied to analyse the purpose of the centenary commemoration, which in this particular instance was very much aimed at strengthening relations with important customer groups. The third chapter covers the period between 2001 and 2004, during which the company celebrated the 125th anniversary of its formation and transferred its head office from Telefonplan to Kista. During this period the company passed through a financial crisis which impacted on the enterprise and on its manner of communication. On all three occasions, history was closely connected to communication and marketing, but the use of history assumed different guises at different times.Part II is devoted to a particular history product, namely anniversary and commemorative publications produced by various subsidiaries and divisions within the group. Here the perspective is broadened to include Ericsson companies both in Sweden and abroad. The publications are analysed in terms of genre and form, function and content. A hypothesis that the books contain a canon or basic narrative proves untenable. Instead what appears is a polyphonic history. The genre is studied both synchronously and diachronically. One diachronic difference is the increased importance of author selection, illustrations and design. One synchronous difference is the prominence of national narratives in the various publications.
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40.
  • Funke, Michael, 1966- (författare)
  • Johan Victor Svenson
  • 2017
  • Ingår i: Svenskt biografiskt lexikon. - Stockholm : Riksarkivet. ; , s. 628-631
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • Biografisk artikel om industrialisten och uppfinnaren John Victor Svenson
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