| 41. |
- Nyberg, Kenneth, 1971
(författare)
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Världscirkeln sluts
- 2014
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Ingår i: Maria Sjöberg (red.), En samtidig världshistoria. - Lund : Studentlitteratur. - 9789144074375 ; , s. 588-610
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Bokkapitel (refereegranskat)abstract
- Stillahavsområdets historia 1500–1800: Under stora delar av perioden fungerade Stilla havet i huvudsak fortfarande som sammanbindande på lokal och regional nivå snarare än transocean. De förbindelser som förekom var likväl mycket viktiga och bestod under större delen av perioden främst av de spanska silvergaljonerna mellan Manila i Filippinerna och Acapulco i Mexico. De var en del i den globala handeln och även viktiga för det kulturella och biologiska utbytet i form av människor, grödor och sjukdomar mellan Europa, Amerika, Oceanien, Asien och Afrika.
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| 42. |
- Schult, Tanja, 1973-
(författare)
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A hero's many faces : Raoul Wallenberg in contemporary monuments
- 2009
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Bok (refereegranskat)abstract
- Raoul Wallenberg is widely remembered for his humanitarian activity on behalf of the Hungarian Jews in Budapest at the end of World War II, and known as the Swedish diplomat who disappeared into the Soviet Gulag in 1945. Today, Wallenberg’s example is used to communicate humanitarian values and human rights in many democratic societies. His story incorporates a classical hero narrative which has survived the ‘un-heroic’ 20th century.In 2008, there exist thirty-one Wallenberg monuments in twelve countries on five continents, from Hungary to Sweden, from Canada to Chile, from Australia to Russia. The rich diversity of the monuments invites to discuss the different concepts of Wallenberg and heroism as expressed in the artists’ works. The art-historical focus of this interdisciplinary study makes it a valuable contribution to the discussion of personal monuments, as well as to the socio-historical research on the commemoration of Wallenberg and the concept of the hero.
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| 43. |
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| 44. |
- Dunér, David, et al.
(författare)
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Copernican Principle
- 2021
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Ingår i: Encyclopedia of Astrobiology. - Berlin/Heidelberg : Springer Berlin/Heidelberg. ; 1:1, s. 1-3
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Tidskriftsartikel (refereegranskat)abstract
- The Copernican principle states that Earth has not any privileged position in the universe. In astrobiological terms, it means that terrestrial life, including the human beings, has not any particularly privileged, special, or unique position in the universe, which leads to the assumption that, given the presence of life on Earth, life will exist also in other places in the universe.
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| 45. |
- Åkerlund, Andreas, 1977-
(författare)
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Mellan akademi och kulturpolitik : Lektorat i svenska språket vid tyska universitet 1906–1945
- 2010
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The aim of this thesis is to analyze the establishment and development of lectureships in the Swedish language in German universities during the first half of the 20th century. Building on earlier research about the role of language teaching abroad for public diplomacy, the study sees the lecturer as a part of both the the academic and political fields in Germany and Sweden. The establishment of and changes in the system of lectureships in Swedish 1906–1945 are explained through an analysis of the actors involved and of the assets allowing the actors to control both the establishment of lectureships and the appointment of lecturers in Germany.During the Weimar Republic a number of actors were involved in the establishment of the lectureships. They included academics with a scholarly interest in Scandinavian languages and old Norse,, the German state, which worked to promote the study of foreign countries and international academic mobility as a way of breaking German isolation after World War I, and the Swedish organization for the preservation of Swedishness abroad for which the teaching of Swedish abroad was a way of increasing the academic status of the language. After the National Socialist takeover in 1933 the NSDAP and the Swedish foreign ministry also took an interest in the Swedish lectureships in Germany for propaganda purposes.The dissertation shows how a system for the appointment of Swedish lecturers to Germany was established through interaction between the actors. Central in this process were the control over economic assets, a social network which made recommendations of lecturers possible, and the control over communication between both the lecturers and universites and between the German and Swedish states. The study also shows that the uneven distribution of assets between German and Swedish actors resulted in an inferior position for the German state and organizations in relationship to their Swedish counterparts.
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| 46. |
- Skånberg Dahlstedt, Ami, 1967
(författare)
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Walking in Suriashi as a Radical and Critical Art of Inquiry
- 2023
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Ingår i: Walking as Critical Inquiry. - Cham : Springer. - 9783031299902 - 9783031299919 ; , s. 151-173
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Bokkapitel (refereegranskat)abstract
- This chapter contributes to the discussion on moving in and through site-specific and urban space; at the cusp between higher dance education and everyday life, creating a post-Certauian tear through space and time as a call for agency. It draws from my Ph.D. research Suriashi as Experimental Pilgrimage in Urban and Other Spaces, where I propose an experience of society from within a Japanese practice called suriashi, which translates as sliding foot. Suriashi is a specific gender codified walking technique in classical Japanese dance and theatre, and an important method for acting on stage. Gender is constructed physically through the positioning and moulding of the body. The original practice is performed in the dance studio or on stage. My research asks whether suriashi also could be a method for agency to act, as being active, or to activate, and temporally alter spaces outside the theatre; i.e. the practical application of this artistic practice outside the theatrical context. This relocation brings a traditional form into new configurations, connecting to everyday practices and sites of resistance and performance. It also contributes to the burgeoning field of walking arts practice, bringing a Japanese dance-based practice into a dialogue with debates and practices of Western dancing and walking. Suriashi performed in urban spaces was able to unfold and identify new relations between aesthetic practice and politics, between movements and monuments in the city as a way to critique the unequal distribution of power, and by looking for new ways to protest/resist peacefully. I assess this from three of my many experiments with slow suriashi walkings. The first one is Suriashi Intervention, performed at Gothenburg Culture Festival in August 2016. This experiment did two things: it engendered the city’s unacknowledged dance archive, while performing critique of the unequal distribution of funding of the arts. The second experiment is an ‘invisible’ suriashi performed by the then Hong Kong-based scholar Ching-yuen Cheung during the violent protests at Yuen Long Station in Hong Kong in July 2019. It showed how artistic methods are necessary when democracy collapses. The third experiment regards introducing suriashi as methodology to master students of Contemporary Performative Arts at University of Gothenburg. Here, suriashi unveiled important issues regarding art in urban spaces, necessary for the art student. To further contextualize, I interlace my arguments through positionings by sociologist Doreen Massey.
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| 47. |
- Sappol, Michael, 1953-
(författare)
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Body modern : Fritz Kahn, scientific illustration and the homuncular subject
- 2017
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Bok (refereegranskat)abstract
- A poster first printed in Germany in 1926 depicts the human body as a factory populated by tiny workers doing industrial tasks. Devised by Fritz Kahn (1888–1968), a German-Jewish physician and popular science writer, “Der Mensch als Industriepalast” (or “Man as Industrial Palace”) achieved international fame and was reprinted, in various languages and versions, all over the world. It was a new kind of image—an illustration that was conceptual and scientific, a visual explanation of how things work—and Kahn built a career of this new genre. In collaboration with a stable of artists (only some of whom were credited), Kahn created thousands of images that were metaphorical, allusive, and self-consciously modern, using an eclectic grab-bag of schools and styles: Dada, Art Deco, photomontage, Art Nouveau, Bauhaus functionalism, and commercial illustration.In Body Modern, Michael Sappol offers the first in-depth critical study of Fritz Kahn and his visual rhetoric. Kahn was an impresario of the modern who catered to readers who were hungry for products and concepts that could help them acquire and perform an overdetermined “modern” identity. He and his artists created playful new visual tropes and genres that used striking metaphors to scientifically explain the “life of Man.” This rich and largely obscure corpus of images was a technology of the self that naturalized the modern and its technologies by situating them inside the human body.The scope of Kahn’s project was vast—entirely new kinds of visual explanation—and so was his influence. Today, his legacy can be seen in textbooks, magazines, posters, public health pamphlets, educational websites, and Hollywood movies. But, Sappol concludes, Kahn’s illustrations also pose profound and unsettling epistemological questions about the construction and performance of the self. Lavishly illustrated with more than 100 images, Body Modern imaginatively explores the relationship between conceptual image, image production, and embodied experience.
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| 48. |
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Populism, Democracy, and the Humanities : Interdisciplinary Explorations and Critical Enquiries
- 2022
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- In this volume, twelve Sweden-based researchers reflect on the phenomenon and concept of populism in relation to democracy and the humanities from the multiple vantage points of various disciplinary backgrounds: philosophy, history of ideas, media and communication, journalism, political science, gender studies, organization science, education theory, popular culture, and literary studies. While the study of populism has attracted a lot of attention in political science, this topic has been rarely explored by scholars in the humanities. Rather than contribute to the already established area of populism studies in social and political sciences, our authors take a more open and exploratory stance through which they attempt to open up new fields and directions for inquiry from an interdisciplinary humanistic perspective.
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| 49. |
- Dodig Crnkovic, Gordana, 1955, et al.
(författare)
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Natural Computing/ Unconventional Computing and its Philosophical Significance
- 2012
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Ingår i: Entropy. - : MDPI AG. - 1099-4300. ; 14:12, s. 2408-2412
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- For the Turing year 2012, AISB (The Society for the Study of Artificial Intelligence and Simulation of Behaviour) and IACAP (The International Association for Computing and Philosophy) merged their annual symposia/conferences to form the AISB/IACAP World Congress. The congress took place 2–6 July 2012 at the University of Birmingham, UK. The Congress was inspired by a desire to honour Alan Turing, and by the broad and deep significance of Turing's work to AI, the philosophical ramifications of computing, and philosophy and computing more generally. The Congress was one of the events forming the Alan Turing Year. The Congress consisted mainly of a number of collocated Symposia on specific research areas, together with six invited Plenary Talks. All papers other than the Plenaries were given within Symposia. This format is perfect for encouraging new dialogue and collaboration both within and between research areas. This volume forms the proceedings of one of the component symposia. We are most grateful to the organizers of the Symposium for their hard work in creating it, attracting papers, doing the necessary reviewing, defining an exciting programme for the symposium, and compiling this volume. We also thank them for their flexibility and patience concerning the complex matter of fitting all the symposia and other events into the Congress week
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| 50. |
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History of Intellectual Culture : International Yearbook of Knowledge and Society
- 2022
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- With concepts of participation discussed in multiple disciplines from media studies to anthropology, from political sciences to sociology, the first issue of the new yearbook History of Intellectual Culture (HIC) dedicates a thematic section to the way knowledge can and arguably must be conceptualized as "participatory".Introducing and exploring "participatory knowledge", the volume aims to draw attention to the potential of looking at knowledge formation and circulation through a new lens and to open a dialogue about how and what concepts and theories of participation can contribute to the history of knowledge. By asking who gets to participate in defining what counts as knowledge and in deciding whose knowledge is circulated, modes of participation enter into the examination of knowledge on various levels and within multiple cultural contexts.The articles in this volume attest to the great variety of approaches, contexts, and interpretations of "participatory knowledge", from the sociological projects of the Frankfurt School to the Uppsala-based Institute for Race Biology, from the Argentinian National Folklore Survey to current hashtag activism and Covid-19-archive projects. HIC sees knowledge as rooted in social and political structures, determined by modes of transfer and produced in collaborative processes. The notion of "participatory knowledge" highlights in a compelling way how knowledge is rooted in cultural practices and social configurations.
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