| 51. |
- Asai, Ryoko
(författare)
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Social Media Supporting Democratic Dialogue
- 2013
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Ingår i: Ambiguous Technologies. - Lisbon : Autónoma University. ; , s. 36-43
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Konferensbidrag (refereegranskat)abstract
- The term of “social media” appears in newspapers and magazines everyday and the huge number of people use social media actively in daily life. Nowadays, in the highly Information and Communication Technology (ICT) developed country Japan, Japanese people enroll in social media and evolve a new way of communicating with others based on the “virtual” social distance between them. Among social media, Twitter has been focusing on its strong power as the tool for political change recent years. While Twitter has of-expressed problems as well as the “traditional” social media, it is characterized by the limited number of characters, strong propagation and optional reciprocity. Those characteristics stimulate people’s communication online and bring about opportunities for social interaction and democratic dialogue. On the other hand, in the deluge of information, we need to nurture skills to utilize critical and rational way of thinking through dialogue not only between others also between themselves internally. This study explores characteristics of social media and differences between “traditional” social media and Twitter, and how the difference affects people’s information behavior in Japan.
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| 52. |
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| 53. |
- Ekström, Mats, 1961-
(författare)
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Announced refusal to answer : a study of norms and accountability in broadcast political interviews
- 2009
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Ingår i: Discourse Studies. - London : Sage Publications. - 1461-4456 .- 1461-7080. ; 11:6, s. 681-702
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Tidskriftsartikel (refereegranskat)abstract
- This article investigates the announced refusal to answer asa form of dispreferred and challenging response in broadcastpolitical interviews. The aim is to study how the rightnessand wrongness of conduct is dealt with in situations of announcedrefusal. More specifically, the paper focuses on: (1) announcedrefusal as a particular type of conduct; (2) the orientationto norms and accountability in situations of announced refusal;(3) how the legitimacy of politics and journalism is negotiatedin broadcast interviews. The data consist of 23 cases from Swedishelection campaigns, and the analysis is based on ConversationAnalysis, focusing on how the participants treat themselvesand others as normatively accountable. The study indicates thatthe politicians understand themselves as accountable and avoidhostile actions in the interviews. Their refusals are designedmainly to be understood as appropriate distancing actions withoutexplicitly complaining about the interviewers’ conduct.
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| 54. |
- Fogde, Marinette, 1977-
(författare)
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Bildanalys
- 2010. - 2
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Ingår i: Metoder i kommunikationsvetenskap. - Lund : Studentlitteratur AB. - 9789144067636 ; , s. 179-192
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 55. |
- Nohrstedt, Stig Arne, 1946-
(författare)
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New War Journalism : Trends and Challanges
- 2009
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Ingår i: Nordicom Review. - Göteborg : Nordicom. - 1403-1108 .- 2001-5119. ; 30:1, s. 95-112
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Tidskriftsartikel (refereegranskat)abstract
- How has war journalism changed since the end of the Cold War? After the fall of the Berlin Wall in 1989 and the dissolution of the Soviet Union in 1991, there was talk of a new world order. The Balkan Wars of the 1990s gave rise to the concept of "new wars". The 1990-91 Gulf War was the commercial breakthrough for the around-the-clock news channel CNN, and the war in Afghanistan in 2001 for its competitor al-Jazeera. The 2003 Iraq war saw Internet’s great breakthrough in war journalism. A new world order, new wars, and new media – what impact is all this having on war journalism? This article outlines some important trends based on recent media research and discusses the new challenges as well as the consequences they entail for the conditions of war journalism, its professional reflexivity and democratic role.
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| 56. |
- Gullström, Charlie
(författare)
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Presence Design : Mediated Spaces Extending Architecture
- 2010
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis is a contribution to design-led research and addresses a readership in the fields of architecture as well as in media and communications. In juxtaposing the tools of the designer (e.g. drafting, prototyping, visual/textual/spatial forms of montage) with those of architectural theory, this thesis seeks to extend the disciplinary boundaries of architecture by observing its assimilation of other media practices. Its primary contribution is to architectural design and theory, and its aims are twofold: Firstly, this thesis applies the concepts of virtual and mediated space to architecture, proposing an extended architectural practice that assimilates the concept of remote presence. Through realized design examples as well as through the history and theory of related concepts, the thesis explores what designing mediated spaces and designing for presence entails for the practicing architect. As a fusion of architecture and media technology, video-mediated spaces facilitate collaborative practices across spatial extensions while simultaneously fostering novel and environmentally sustainable modes of communication. The impact of presence design on workplace design is examined. As an extended practice also calls for an extended discourse, a preliminary conceptual toolbox is proposed. Concepts are adapted from related visual practices and tested on design prototypes, which arise from the author’s extensive experience in designing work and learning spaces. Secondly, this thesis outlines presence design as a transdisciplinary aesthetic practice and discusses the potential contribution of architects to a currently heterogeneous research field, which spans media space research, cognitive science, (tele)presence research, interaction design, ubiquitous computing, second-order cybernetics, and computer-supported collaborative work. In spite of such diversity, design and artistic practices are insufficiently represented in the field. This thesis argues that presence research and its discourse is characterised by sharp disciplinary boundaries and thereby identifies a conceptual gap: presence research typically fails to integrate aesthetic concepts that can be drawn from architecture and related visual practices. It is an important purpose of this thesis to synthesize such concepts into a coherent discourse. Finally, the thesis argues that remote presence through the proposed synthesis of architectural and technical design creates a significantly expanded potential for knowledge sharing across time and space, with potential to expand the practice and theory of architecture itself. The author’s design-led research shows that mediated spaces can provide sufficient audiovisual information about the remote space(s) and other person(s), allowing the subtleties of nonverbal communication to inform the interaction. Further, in designing for presence, certain spatial features have an effect on the user’s ability to experience a mediated spatial extension, which in turn, facilitates mediated presence. These spatial features play an important role in the process through which trust is negotiated, and hence has an impact on knowledge sharing. Mediated presence cannot be ensured by design, but by acknowledging the role of spatial design in mediated spaces, the presence designer can monitor and, in effect, seek to reduce the ‘friction’ that otherwise may inhibit the experience of mediated presence. The notion of ‘friction’ is borrowed from a context of knowledge sharing in collaborative work practices. My expanded use of the term ‘design friction’ is used to identify spatial design features which, unaddressed, may be said to impose friction and thus inhibit and impact negatively on the experience of presence. A conceptual tool-box for presence design is proposed, consisting of the following design concepts: mediated gaze, spatial montage, active spectatorship, mutual gaze, shared mediated space, offscreen space, lateral and peripheral awareness, framing and transparency. With their origins in related visual practices these emerge from the evolution of the concept of presence across a range of visual cultures, illuminating the centrality of presence design in design practice, be it in the construction of virtual pictorial space in Renaissance art or the generative design experiments of prototypical presence designers, such as Cedric Price, Gordon Pask and numerous researchers at MIT Media Lab, Stanford Institute and Xerox PARC.
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| 57. |
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| 58. |
- Spante, Maria, 1967
(författare)
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Connected Practice: The Dynamics of Social Interaction in Shared Virtual Environment
- 2009
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis investigates the phenomenon of social interaction in shared virtual environments (SVEs), supported by virtual reality (VR) systems over time. SVEs are computer generated 3D graphical spaces where geographically distributed people can meet and interact with each other in a graphical space. Although there have been a number of studies about social interaction in SVEs, there has been a lack of research looking into changes over time, which this thesis does.In order to gain more knowledge about social interaction over the longer term, this thesis compares and contrasts four different types of VR systems that supported various SVEs. Two of the systems were internet based SVEs on desktop computers where many users could interact at the same time. One of the SVEs had voice based communication. The other SVE had text based communication. The other two were based in laboratory settings. One setting was networked immersive projection technologies (IPT) in which two participants performed a variety of tasks together. The other was one IPT connected to a desktop VR and participants changed systems half way through the trial in which they collaboratively solved a task together. In both settings voice based communication were used. Observations and other methods of analysis were carried out, focusing on differences and similarities in peoples behaviors in the process of social interaction over time in SVEs.The six papers contained in this thesis explore social interaction over time in shared virtual environments. This thesis argues that technology becomes not only a tool for social interaction; it also becomes a key aspect in social interaction. While the technology filters out some of the social cues we are familiar with from face to face situations, it also ‘filters in’ new cues that become important for how people can connect to each other in the shared virtual environment. Over time, these social cues, that people creates among themselves while using the technology, become essential for people learn about; otherwise they find it difficult to relate to each other and do things together in the shared virtual environments.The more difficulties people have in figuring out how to use the technology while interacting with others, the less they will accept the technology as an appropriate tool for connecting people and doing things together. The reason for this is that social and technical issues can only be separated analytically in shared virtual environments; in practice, as this thesis shows, they are highly intertwined.This thesis puts forward a dynamic model identifying the importance of looking more explicitly at individuals, technology, task and time while studying social interaction in SVEs. In this way, the thesis combines a number of insights both from previous social science theories of social interaction and practices - together with observations from the studies this thesis builds on. The thesis puts forward a concept that includes these insights - connected practice, defined as the dynamics of social interaction in technical systems. This concept can guide future studies to incorporate both technical and social aspects over time since it was shown to be the key to understanding the phenomenon of this thesis. It is finally suggested in the thesis that the concept connected practice can be utilized in other technical systems apart from SVEs in future research of social interaction in technical systems.
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| 59. |
- Cano-Viktorsson, Carlos, 1977-
(författare)
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From Maps to Apps : Tracing the Organizational Responsiveness of an Early Multi-Modal Travel Planning Service
- 2015
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Ingår i: The Journal of urban technology. - London : Taylor & Francis. - 1063-0732 .- 1466-1853. ; 22:4, s. 87-101
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Tidskriftsartikel (refereegranskat)abstract
- An Internet-based system for informing on multimodal travel planning (several modes of transportation) was introduced in Stockholm, Sweden in October 2000 in the form of a web page called trafiken.nu. The web page has a historical value of being one of the first attempts in Europe, and possibly the world, at providing an ICT-based travel planning service geared towards facilitating sustainable travel to the general public. The aim of this article is to investigate the historical development of trafiken.nu in order to draw lessons on how to better provide for a public information service with a potential for facilitating sustainable travel planning. Findings from the study of trafiken.nu suggest that the organizations behind the service have been slow in adapting to shifting media technology practices on how to provide for information which has affected the uptake of the service. Lessons from the case study provide a basis for arguing that organizations attempting to implement public information services would benefit from finding a means of harnessing collective intelligence in order to provide for a more customizable and responsive service to the general public.
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| 60. |
- Berglez, Peter
(författare)
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What is Global Journalism? : Theoretical and empirical conceptualisations
- 2008
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Ingår i: Journalism Studies. - London : Routledge. - 1461-670X .- 1469-9699. ; 9:6, s. 845-858
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Tidskriftsartikel (refereegranskat)abstract
- In this article, I argue that the emergence of transnational crises and threats such as the Muhammad cartoons controversy, the avian flu epidemic and climate change, calls for new ways of analysing news. The point of departure is that news media content seems to be becoming more and more deterritorialised, involving complex relations and flows across national borders and continents. In a globalising world, news on politics, ecological processes, agriculture etc. could thus become endowed with a global outlook on social reality, something which has by tradition only been associated with financial news. Even if it seems difficult to estimate more exactly the extent to which everyday news media content has become global, the indications are that it has become harder to categorise news texts as either solely domestic or foreign news. This, in turn, argues for the potential usefulness of the concept of global journalism, which transgresses and transcends the traditional domestic-foreign dichotomy. In news media and journalism studies, the concept of global journalism is under theoretical development, and still in need of a more stringent definition. The purpose of this article is therefore to theoretically define global journalism as a distinctive news style in order to facilitate empirical analyses of it, preferably news text analyses. The suggestion is that this news style rests on a distinct epistemology (the global outlook) when it comes to the representation of space, power and identity.
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