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Träfflista för sökning "AMNE:(SOCIAL SCIENCES Media and Communications) "

Sökning: AMNE:(SOCIAL SCIENCES Media and Communications)

  • Resultat 17851-17860 av 26224
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17851.
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17852.
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17853.
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17854.
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17855.
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17856.
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17857.
  • Cassinger, Cecilia, et al. (författare)
  • 20 Years of Nordic Place Branding Research : A Review and Future Research Agenda
  • 2021
  • Ingår i: Scandinavian Journal of Hospitality and Tourism. - : Informa UK Limited. - 1502-2250 .- 1502-2269. ; 21:1, s. 70-77
  • Tidskriftsartikel (refereegranskat)abstract
    • In the past 20 years, the Nordic region has fostered a distinct place branding scholarship and practice. This paper briefly revisits hallmark contributions that founded and shaped Nordic place branding and argues that by today, the Nordic approach earned widespread international acknowledgement. The Nordic region offers more than a regional context of place branding; its cultural and geo-political idiosyncrasies greatly affect the axiological position of place branding research. By positioning Nordic place branding research on the global scene, the paper outlines the contours of a hybrid scholarly approach (the Nordic wave), which bridges across managerial and critical schools of branding and promotes a more extroverted knowledge collaboration with branding practitioners. The paper concludes with discussing the potential the NordicWave for future place branding endeavours.
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17858.
  • Cassinger, Cecilia, et al. (författare)
  • Resolving or intensifying crisis? Examining public perceptions of crisis public diplomacy in foreign and domestic contexts
  • 2022
  • Konferensbidrag (refereegranskat)abstract
    • This paper focuses on public diplomacy efforts during crises that involve multiple, transboundary, and often hostile publics. Traditionally, public diplomacy is employed to resolve crises (Zaharna, 2004) and bring about understanding from foreign publics (Pamment, 2012). Recently, some studies point to a new style of public diplomacy that intentionally causes and intensifies crises for the purpose of strengthening the support among the domestic public while alienating the foreign public (e.g., Putnam, 1988; Zaharna, 2004). The present study addresses this new type of public diplomacy and the tension between the public's perceptions of crisis public diplomacy in foreign and domestic contexts. As a particular case in point, it examines China’s so-called wolf-warrior diplomacy, characterised by a more aggressive combat form of public diplomacy (Zhu, 2020), undertaken during the Chinese ambassador Gui Congyou's office in Sweden between 2017 and 2021. The tension between China and Sweden escalated during Gui's office time. The study contrasts public perceptions in Sweden and China by investigating the news media coverage on Gui's public diplomacy efforts during crises. A qualitative content analysis (Mayring, 2004) is employed to examine news articles in order to understand the following three research questions: 1) What type of crisis events emerged in Chinese public diplomacy efforts in Sweden? 2) How were the crisis events negotiated in the opinion pages of Swedish and Chinese newspapers? 3) Which unintended consequences can be identified as a result of the public diplomacy effort and its elaboration in the public in both countries? The findings illuminate tensions between the wolf-warrior diplomacy discourse and the discourse in news media in Sweden and China. More specifically, two types of crises, explicit and implicit, are identified. First, the wolf-warrior style of public diplomacy explicitly addresses crisis events, which are less conflictual, but related to Chinese domestic interest. Second, implicit crisis, emerge in news media opinion pages and interviews, which concern ideological differences between the countries. These tensions are more difficult to reconcile as they are embedded in historical political tensions. In conclusion, the study advances the understanding of crisis public diplomacy by shedding light on communication efforts that intensify crisis to attract domestic support instead of winning the hearts and minds of international publics. ReferencesCull, N. J. (2021). From soft power to reputational security: Rethinking public diplomacy and cultural diplomacy for a dangerous age. Place Branding and Public Diplomacy, 1-4.Mayring, P. (2004). Qualitative content analysis. In Flick, U., Kardoff, E. V., & Steinke (eds.) A companion to qualitative research (pp. 266-270), London: Sage. Pamment, J. (2012). New public diplomacy in the 21st century: A comparative study of policy and practice. New York, NY: Routledge.Putnam, R. (1988). Diplomacy and domestic politics: The logic of a two-level game. International Organization, 42(3), 427–60.Zaharna, R. S. (2004). Asymmetry of cultural styles and the unintended consequences of crisis public diplomacy. In Slavik, H. (ed.) Intercultural communication and diplomacy (pp. 133-42), Malta and Geneva: DiploFoundation.Zhu, Z. (2020). Interpreting China’s ‘wolf-warrior diplomacy’. The Diplomat, 15, 648-658.
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17859.
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17860.
  • Castaldo Lundén, Elizabeth, 1974-, et al. (författare)
  • Because Fashion Matters : Studying the Intersections of Fashion, Film and Media
  • 2015
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • The increasing interest in the study of fashion has opened up to the emergence of Fashion Studies as an independent field, with programs in several universities around the globe. However, the study of fashion should not be regarded as a new phenomenon. For decades, scholars from varied disciplines in the humanities and the social sciences have immersed themselves in the study of fashion, particularly in relation to film and media. Since the early days of cinema, the film industry played a key role in the promotion and representation of fashion. Likewise, its mediated character through newsreels, television, newspapers, magazines, photography and even paintings has facilitated the study of costume and dress history. Film scholars like Jane Gaines, Stella Bruzzi, and Pamela Church Gibson—among others—have vastly contributed to the interdisciplinary study of these intersections. Furthermore, in order to explore the specificities of these areas, Church Gibson launched the journal Fashion Film and Consumption, though the publishing house Intellect Books in 2011.In this contemporary setting, a pertinent and necessary topic to explore is the demands on interdisciplinary approaches, both from the side of Fashion Studies scholars with a purist point of view, and from their counterpoints in Film and Media more likely to envelop fashion in visual culture as a whole.As discussions regarding delimitations and canons take place behind close doors in fashion programs, the need to open up such debate to Film and Media scholars is vital to the future of a field that has seen a great part of its development through these neighboring contributions. The workshop will explore the study of Film, Media and Fashion in coexistence with the emergence of Fashion Studies as an independent field, focusing on questions of methodology, theory and practice through the experience of different film and media scholars working with fashion and film. Before opening up the floor for discussion, a brief set of presentations will serve as a framework to address the debate, engaging the audience in reflections surrounding the following questions:  What are the challenges and advantages of film and media scholars engaging in fashion research? Is Fashion Studies an exclusive realm for fashion scholars? Is there one singular way to study and teach fashion independently from its neighboring disciplines? What can different approaches used in Film and Media Studies contribute to the study of fashion? To what extent can Fashion Studies exist as a totally independent field, avoiding connections with Film and Media? 
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