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41.
  • Rodéhn, Cecilia, 1977- (författare)
  • Landskapsbruk och Museipedagogik
  • 2018
  • Ingår i: Framtidens naturvärden i kulturmiljöer. - Uppsala : Institution för arkeologi och antik historia, Uppsala universitet. - 9789163969423 ; , s. 31-76
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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42.
  • Seeing Like a Smuggler: Borders from Below
  • 2022
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • The word smuggler often unleashes a simplified, negative image painted by the media and the authorities. Such state-centric perspectives hide many social, political and economic relations generated by smuggling. This book looks at the practice through the eyes of the smugglers, revealing how their work can be productive, subversive and deeply sociopolitical. By tracing the illegalised movement of people and goods across borders, Seeing Like a Smuggler shows smuggling as a contradiction within the nation-state system, and in a dialectical relation with the national order of things. It raises questions on how smuggling engages and unsettles the ethics, materialities, visualities, histories and the colonial power relations that form borders and bordering. Covering a wide spectrum of approaches from personal reflections and ethnographies to historical accounts, cultural analysis and visual essays, the book spans the globe from Colombia to Ethiopia, Singapore to Guatemala, Afghanistan to Zimbabwe, and from Kurdistan to Bangladesh, to show how people deal with global inequalities and the restrictions of poverty and immobility.
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43.
  • Slaney, Helen, et al. (författare)
  • Ghosts in the Machine : a motion-capture experiment in distributed reception
  • 2018
  • Ingår i: Digital Humanities Quarterly. - Boston : Alliance of digital humanities organisations. - 1938-4122. ; 12:3
  • Tidskriftsartikel (refereegranskat)abstract
    • Digital reconstructions of classical antiquity are generally ocularcentric, appealing only to the sense of vision. We propose that new technologies may be used to engage the other senses in the act of reception, and specifically here we focus on kinaesthesia, or the sense of self-movement. This paper analyses a phase of the project Ancient Dance in Modern Dancers in which participants created performance pieces in a genre of Graeco-Roman dance for use in a motion-capture system. It was necessary for the performers to develop a range of translational strategies in order to communicate their movement to the system, entailing what we term “distributed reception”, in which the ultimate recipient of ancient source-material is not a human actor but rather the machine with which s/he is in collaboration.
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44.
  • Stenström, Thure, 1927- (författare)
  • Ingemar Hedenius heliga rum : Sofokles - Kierkegaard - Mozart
  • 2011
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • Ingemar Hedenius heliga rum skildrar professorn i praktisk filosofi vid Uppsala universitet Ingemar Hedenius´ litterära och musikaliska intressen. Med speciell tyngdpunkt på tre av Hedenius favoriter, den antike tragöden Sofokles, den danske diktarfilosofen Sören Kierkegaard och den österrikiske tonsättaren W A Mozart, analyseras Hedenius estetik, hans litterära och musikaliska preferenser. Hedenius djupa och Schopenhauerinfluerade pessimism kommer honom att beundra Sofokles framställning av lidandet i "Kung Oidipus" men också medlidandet i "Oidipus i Kolonos". Fastän programmatisk ateist hyllade Hedenius Sören Kierkegaard som den störste av nordiska prosaister. Som tvärflöjtist på närmast professionell nivå, eminent musikkännare och musikteoretiker var han väl förtrogen med den klassiska repertoaren och utvecklade en egen musikalisk estetik. I Mozarts musik hittade han tröst för sin egen djupa pessimism.
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45.
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46.
  • Arentzen, Thomas, 1976-, et al. (författare)
  • Byzantine Tree Life : Christianity and the Arboreal Imagination
  • 2021
  • Bok (refereegranskat)abstract
    • This book examines the many ways Byzantines lived with their trees. It takes seriously theological and hagiographic tree engagement as expressions of that culture’s deep involvement—and even fascination—with the arboreal. These pages tap into the current attention paid to plants in a wide range of scholarship, an attention that involves the philosophy of plant life as well as scientific discoveries of how communicative trees may be, and how they defend themselves. Considering writings on and images of trees from Late Antiquity and medieval Byzantium sympathetically, the book argues for an arboreal imagination at the root of human aspirations to know and draw close to the divine. 
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47.
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48.
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49.
  • Axelson, Tomas, 1960- (författare)
  • Vernacular meaning making : Examples of narrative impact in fiction film questioning the 'banal' notion in mediatization of religion theory
  • 2015
  • Ingår i: Nordicom Review. - : Walter de Gruyter GmbH. - 1403-1108 .- 2001-5119. ; 36:2, s. 143-156
  • Tidskriftsartikel (refereegranskat)abstract
    • The outcome of an audience study supports theories stating that stories are a primary means by which we make sense of our experiences over time. Empirical examples of narrative impact are presented in which specific fiction film scenes condense spectators' lives, identities and beliefs. One conclusion is that spectators test the emotional realism of the narative for greater significance, connecting diegetic fiction experiences with their extra-diegetic world in their quest for meaning, self and identity. The 'banal' notion of the mediatization of religion theory is questioned as unsatisfactory in the theoretical context of individualized meaning-making processes. As a semantically negatively charged concept, it is problematic when analyzing empirical examples of spectators' use of fictional narratives, especially when trying to characterize the idiosyncratic and complex interplay between spectators' fiction emotions and their testing of mediated narratives in an exercise to find moral significance in extra-filmic life. Instead vernacular meaning-making is proposed.
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50.
  • Axelsson, Marcus, 1979- (författare)
  • ”Kalla mig inte mamsell!” : En jämförelse av tre skandinaviska översättares behandling av kulturspecifika element i fransk- och engelskspråkig skönlitteratur
  • 2016
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • The present study deals with the work and practice of three Scandinavian translators, namely Kjell Olaf Jensen (Norwegian), Marianne Öjerskog (Swedish) and Agnete Dorph Stjernfelt (Danish). The main question of the thesis is what strategies the translators use when translating culture-specific elements from French and English. Theoretically the thesis positions itself within the framework of Descriptive Translation Studies and draws upon system theories as well as Pierre Bourdieu’s sociology of culture. The method consists of a source text – target text analysis, using a somewhat modified version of Pedersen’s (2007) method identifying seven translation strategies, namely (1) retention, (2) specification, (3) direct translation, (4) generalization, (5) substitution, (6) omission and (7) official equivalent. In this thesis the three former and the official equivalent are categorized as “adequate”, whereas generalization, substitution and omission are categorized as “acceptable” using Toury’s (2012) terminology. Six different types of culture-specific elements are investigated, namely (1) titles, address and professional titles, (2) currencies, (3) weights and measures, (4) literature and music, (5) education, and (6) names. In addition to this analysis, interviews with the three translators were carried out. Results show that there are both similarities and dissimilarities in the translators’ choices of translation strategies. It also turns out that the strategies used to a great extent depend on the culture-specific element in question and hardly ever on the source language. Results also suggest that the higher the translators’ amount of accumulated total capital, the more likely it is that they adopt a heterodoxic translation strategy. Jensen and Stjernfelt are more often positioned at one of the two extremes of the adequacy–acceptability axis than is the case for Öjerskog. Moreover, results from the interviews and the text analyses show that there are a number of norms that govern the translators’ practices. The translatorial practice is to manoeuver in a field governed by norms in order to produce the best possible target texts – target texts that are true to the original and conform to domestic literary standards.
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