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21.
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  • Grinell, Klas, 1969 (författare)
  • En systematisk avvikelse: Islam enligt Hegel
  • 2006
  • Ingår i: I skuggan av samtiden: en vänbok till Sven-Eric Liedman och Amanda Peralta, red. Johan Kärnfelt, Arachne. - 9197623903
  • Bokkapitel (övrigt vetenskapligt)
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27.
  • Grinell, Klas, 1969, et al. (författare)
  • Expressions, Mediations, and Exclusions in Post-secular Societies: Introduction
  • 2012
  • Ingår i: European Review. - 1062-7987. ; 20:1, s. 68-76
  • Tidskriftsartikel (refereegranskat)abstract
    • Modernist theories of development and democratization predicted that secularization would lead to the disappearance of religion. This has not happened. But contemporary democratic states are secular and define religion as a private matter. At the same time, a politics of recognizing religiosity is deeply rooted in the modern state, and it is obvious that intangible values play an important role and have a valid claim to public spaces. On the metaphorical agora, the square that constitutes the middle ground between the cathedral and the parliament, commitment born in the cathedral is transformed into rational arguments that can be presented in parliament. But who governs the square? Do spiritual values need a public defence? Can or should all religious commitments and expressions be transformed into profane arguments? How could public spaces be designed and maintained to promote peaceful mediations between profane, sacred and other principled commitments? By assembling artistic and academic thinkers who do not confine themselves to intellectual analysis, but demand our involvement and our realization that we are part of the processes we are considering, this Focus contributes to a discussion of religiosity and public spaces in post-secular societies.
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  • Grinell, Klas, 1969 (författare)
  • Framing Islam at the World of Islam Festival, London, 1976
  • 2018
  • Ingår i: Journal of Muslims in Europe. - 2211-792X .- 2211-7954. ; 7:1, s. 73-93
  • Tidskriftsartikel (refereegranskat)abstract
    • This article focuses on a neglected historical example where contemporary museological framings of Islam in Europe were established—the World of Islam Festival in London, 1976. The material consulted consists of the publications and materials from the Festival Trust, media coverage and academic discussions of the Festival. These are analyzed from a frame theory perspective. The Festival is situated in a very specific historical period after the advent of Gulf oil money, but before the resurgence of Islam and the Iranian revolution. It was framed by the traditionalist perspective of Frithjof Schuon and Seyyed Hossein Nasr and in large part funded by the United Arab Emirates. It is argued that what might at first appear to be a festival celebrating the presence of Muslims in modern Britain acted to stabilize a dichotomy between Islam and modernity that is still dominant in museological framings of Islam in Europe.
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