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Sökning: WFRF:(Dunin Woyseth Halina)

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11.
  • Nilsson, Fredrik, 1965, et al. (författare)
  • 'Doctorateness' in the Making Disciplines. What do experts say on the issue?
  • 2014
  • Ingår i: 4th International Conference on Professional Doctorates. 10th - 11th April 2014. Wales Millenium Center, Cardiff. Conference Proceedings.
  • Konferensbidrag (refereegranskat)abstract
    • The expectations with regard to quality of research in the fields of Architecture, Design and Arts as well as its education are constantly higher. In organised research education, academic standards of ‘designerly’ research are being taught and discussed, and the PhD students learn to master the research craft. The final trial is the assessment of the doctoral thesis, where a committee decides whether an expected level of ‘doctorateness’ has been achieved. During the last years a discussion has emerged on how to define the concept of ‘doctorateness’ in the contemporary situation of developments in different fields of knowledge, both in traditional academic disciplines as well as in creative fields. This research project “’Doctorateness’ in the Making Disciplines” studies how the concept of ‘doctorateness’ could be considered in our own field of architecture, design and arts, and arts and design education. The aim of the project is to provide a more operative definition of ‘doctorateness’, which could become a pedagogical tool to be used in research education, in dialogues with professionals on field-specific knowledge and in assessment of doctoral work. The earlier stages of the project were reported on the previous conference on Professional Doctorates (Dunin-Woyseth and Nilsson, 2012). This paper concerns the most recent stage which is based on the planned expert symposium where a group of international experts in assessment of doctoral work in creative fields will be requested to elaborate on their understanding of concepts of “doctorateness” and on field-specific criteria for adequate assessment of research in the Making Professions.It is expected that the insight derived from the symposium will be the next step in the research project on the way to developing approaches for establishing appropriate protocols and standards for doctoral examination processes in practice-based fields.
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  • Nilsson, Fredrik, 1965, et al. (författare)
  • Emerging Epistemic Communities and Cultures of Evidence. On the Practice of Assessment of Research in the Creative Fields
  • 2017
  • Ingår i: Perspectives on Research Assessment in Architecture, Music and the Arts. Discussing Doctorateness. - New York : Routledge, 2017. : Routledge. ; , s. 15-32
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • This chapter discusses the theoretical frameworks around the concept of doctorateness and how this could be considered in the field of architecture, design and arts. The authors use a study of the assessment of PhD theses at one institution as the base for reflections on how the assessment practice and its frameworks have changed and also can be elaborated further. The chapter also summarises some aspects of the authors’ previous writings based on their experience of research training and research assessment in several European environments, sometimes in joint studies together with doctoral students from various backgrounds and contexts. The assessment of doctorateness in the field of architecture, design and the arts has developed to include more of the field-specific character of the discipline and professional practice, and has in new ways engaged the emerging communities of ‘practitioner-researcher’ with their multiple competences and backgrounds.
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  • Nilsson, Fredrik, 1965, et al. (författare)
  • Negotiating 'Doctorateness' in Practice-related Design Disciplines. Some Notes from a Scandinavian Perspective of Research Education
  • 2012
  • Ingår i: 3rd International Conference on Professional Doctorates. Conference Proceedings. - 9780956381248
  • Konferensbidrag (refereegranskat)abstract
    • There are continually higher expectations with regard to quality of research in the ADA fields (Architecture, Design and Arts). In organised research education academic standards of designerly research are being taught, discussed and negotiated. During the years of doctoral ‘apprenticeship’ the PhD students learn to master the research craft. The final trial is the assessment of the doctoral thesis, where a committee decides whether an expected level of “doctorateness” has been achieved.Already in 1997 UK Council for Graduate Education published a report on quality of doctoral work in the ADA fields, in which the term “doctorateness” appeared in the following context: “The essence of ‘doctorateness’ is about an informed peer consensus on mastery of the subject; mastery of analytical breadth (where methods, techniques, contexts and data are concerned) and mastery of depth (the contribution itself, judged to be competent and original and of high quality)” (UKCGE,1997:11). The concept of “doctorateness” has been central in doctoral courses the authors during several years have offered in Belgium, Norway and Sweden. In 2011-2012 the authors are together with a group of international doctoral candidates studying the “doctorateness” of several recent practice-related doctoral theses in architecture and design executed in Scandinavia. The theses are analysed together with the assessments of the committees, using an approach of integrative research review (Cooper, 1984). This methodology conceptualizes the integrative research review as a form of scientific inquiry similar to the primary research process. The paper will report on the analyses and findings from these studies. The aim is to contribute to a broader debate on whether “doctorateness” as defined in the UKCGE context can become a useful pedagogical tool for promoting a culture of designerly research.
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  • Nilsson, Fredrik, 1965, et al. (författare)
  • Perspectives on Research Assessment in Architecture, Music and the Arts. Discussing Doctorateness
  • 2017
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • Research in the creative fields of architecture, design, music and the arts has experienced dynamic development for over two decades. The research in these practice and arts based fields has become increasingly mature, but has also led to various discussions on what constitutes doctoral proficiency in these fields. The term ‘doctorateness’ is often used when referring to the assessment of the production of doctoral research and the research competence of research students, but in architecture and the arts the concept of doctorateness has not yet attained a clearly articulated definition. The assessment of quality has been practiced by way of supervising, mentoring and the evaluation of dissertations, but much less discussed. This book offers perspectives on how to qualify and assess research in architecture, music and the arts. It creates a broader arena for discussion on doctorateness by establishing a framework for its application to creative fields. The book is grouped into three sections and includes contributions from international experts in the various fields, working in Australia, Belgium, Brazil, Canada, Norway, Sweden, Switzerland, Spain, the Netherlands and the UK. The first section offers general frameworks for further conceptualising doctorateness in the fields in question. It is followed by a section that describes and discusses various experiences, concerns and visions on the production and assessment of doctoral research reporting from doctoral programmes in different stages of development. The third section includes future-oriented perspectives on knowledge-building processes, and asks how the ongoing, profound changes in academia could influence the concept of quality in both doctoral process and product. The book presents different perspectives on research assessment practices and developments of relevant criteria in the practice-based and creative fields of architecture and the arts. The contributions propose ways of framing this issue conceptually, show the need for awareness of the specific context and tradition programmes develop and give proposals for various potential trajectories for the future.
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