| 21. |
- Fleischer, Rasmus, 1978-
(författare)
-
Per Lundin, Computers in Swedish Society
- 2014
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Ingår i: Historisk Tidskrift. - 0345-469X .- 2002-4827. ; 134:3, s. 551-553
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Recension (övrigt vetenskapligt/konstnärligt)
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| 22. |
- Fleischer, Rasmus, 1978-
(författare)
-
Protecting the musicians and/or the record industry? On the history of ‘neighbouring rights’ and the role of Fascist Italy
- 2015
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Ingår i: Queen Mary Journal of Intellectual Property. - : Edward Elgar Publishing. - 2045-9807 .- 2045-9815. ; 5:3, s. 327-343
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Tidskriftsartikel (refereegranskat)abstract
- The early history of the so-called ‘neighbouring rights’, as part of the history of copyright, has so far been given very little attention by scholars. This article sheds light on a European contest over the rights in sound recordings during the 1930s, 1940s and 1950s. This forms an important part of the background to the Rome Convention of 1961. The article first looks separately at how musicians’ unions and the record industry were raising different demands for protective legislation, motivated by the use of new electronic media. At the beginning, no one imagined that these protections would be bundled together as ‘neighbouring rights’. While the International Labour Organization (ILO) put great efforts into creating a convention protecting only the performers, another actor turned out to be more influential in the long run, proposing a hierarchical bundling of rights in which only record companies were entitled to compensation for the use of recordings. This actor was the Fascist government of Italy. The article argues that there are some continuities from the legal philosophy of Italian Fascism to the system of ‘neighbouring rights’ established in the Rome Convention.
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| 23. |
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| 24. |
- Fleischer, Rasmus, 1978-
(författare)
-
”Ryssfrågan” blir allt mer akut
- 2022
-
Ingår i: Göteborgs-Posten. - 1103-9345.
-
Tidskriftsartikel (populärvet., debatt m.m.)
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| 25. |
- Fleischer, Rasmus, 1978-
(författare)
-
Spotify älskar Muzak
- 2022
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Ingår i: Clarté. - 0345-2085. ; :2, s. 28-33
-
Tidskriftsartikel (populärvet., debatt m.m.)
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| 26. |
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| 27. |
- Fleischer, Rasmus, 1978-
(författare)
-
The Pirate Bay och den nya nätpolitiken
- 2013
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Ingår i: Sveriges historia. 1965-2012. - Stockholm : Norstedts Förlag. - 9789113023915 ; , s. 471-474
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 28. |
- Fleischer, Rasmus, et al.
(författare)
-
The Political Significance of Spotify in Sweden – Analysing the #backaspotify Campaign using Twitter Data
- 2018
-
Ingår i: Culture Unbound. Journal of Current Cultural Research. - : Linkoping University Electronic Press. - 2000-1525. ; 10:2, s. 1-21
-
Tidskriftsartikel (refereegranskat)abstract
- This article discusses the political significance of the streaming music company Spotify in Sweden, taking as a case a coordinated campaign in late spring 2016, known by the hashtag #backaspotify (translated as “support Spotify!”), which was mainly played out on the social media platform Twitter. The campaign is analysed using a set of data retrieved from Twitter, examining both the content and the interactions in 1,791 messages. Results show that the main political issue concerned the lack of access to rented apartments in central Stockholm, and that the main actors in the campaign were predominantly associated with public affairs consultants and the youth wings of political parties belonging to the centre-right. The campaign, however, was very short-lived and had diminished significantly already after two days. We conclude that Spotify transcends its role as a streaming music company, and additionally can be used as a point of reference in political campaigns to promote issues that are of wider scope than the music industry alone.
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| 29. |
- Fleischer, Rasmus, 1978-, et al.
(författare)
-
The Political Significance of Spotify in Sweden – Analysing the #backaspotify Campaign using Twitter Data
- 2018
-
Ingår i: Culture Unbound. - : Linkoping University Electronic Press. - 2000-1525. ; 18:2, s. 301-321
-
Tidskriftsartikel (refereegranskat)abstract
- This article discusses the political significance of the streaming music company Spotify in Sweden, taking as a case a coordinated campaign in late spring 2016, known by the hashtag #backaspotify (translated as “support Spotify!”), which was mainly played out on the social media platform Twitter. The campaign is analysed using a set of data retrieved from Twitter, examining both the content and the interactions in 1,791 messages. Results show that the main political issue concerned the lack of access to rented apartments in central Stockholm, and that the main actors in the campaign were predominantly associated with public affairs consultants and the youth wings of political parties belonging to the centre-right. The campaign, however, was very short-lived and had diminished significantly already after two days. We conclude that Spotify transcends its role as a streaming music company, and additionally can be used as a point of reference in political campaigns to promote issues that are of wider scope than the music industry alone.
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| 30. |
- Fleischer, Rasmus, 1978-
(författare)
-
Towards a Postdigital Sensibility : How to get Moved by too Much Music
- 2015
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Ingår i: Culture Unbound. - : Linkoping University Electronic Press. - 2000-1525. ; 7, s. 255-269
-
Tidskriftsartikel (refereegranskat)abstract
- The article explores the affective consequences of the new mode of instant access to enormous levels of musical recordings in digital format. It is suggested that this "musical superabundance" might weaken the individuals ability to be affected by music in everyday life, while at the same time leading to a renewed interest in collective experience, in ways which are not limited to established notions of musical "liveness". According to a theory of affect influenced by Spinoza, what is at stake is the capacity of the body to be affected by music. The article proposes that a renegotiated relationship between collective and individual modes of experiencing music can be conceptualized with help of Spinozas distinction between two kinds of affections: actions and passions. After scrutinizing the interface of hardware like Apples Ipod and online services like Spotify, the article proceeds by discussing three musical practices which can all be understood as responses to the superabundance of musical recordings: (1) the ascetic practice of "No Music Day"; (2) the revival of cassette culture; (3) the "bass materialism" associated with the music known as dubstep. While none of these approaches provide any solution to the problem of abundance, they can still be understood as attempts to cultivate a "postdigital sensibility". The article tries to conceptualize the postdigital in a way that transcends the narrower notion of "post-digital aesthetics" that has recently been gaining popularity. Finally, it is argued that such a sensibility has a political significance in its potential to subvert the contemporary processes of commodification.
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