| 31. |
- Doganova, Liliana, et al.
(författare)
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Five years! Have we not had enough of valuation studies by now?
- 2018
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Ingår i: Valuation Studies. - 2001-5992. ; 5:2, s. 83-91
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- The disparate and heterogeneous body of work that falls under the rubric of “valuation studies” has really taken off in recent years. There are a number of exciting edited volumes and special issues that have been published in the past couple of years (e.g. Berthoin Antal et al. 2015; Cefai et al. 2015; Dussauge et al. 2015; Kornberger et al. 2015). This journal, recently just an idea, is now completing Volume 5 with its tenth issue. Sometimes we hear mumbled irritations about how valuation studies are about everything—and are actually everywhere. “Victory!” we could then answer in triumph, not without noticing how the valuation of valuation studies (and, indeed, of Valuation Studies) goes hand-in-hand with a sense of academic terrain, and the occupation thereof.
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| 32. |
- Doganova, Liliana, et al.
(författare)
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Valuation Studies and the Critique of Valuation
- 2014
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Ingår i: Valuation Studies. - : Linkoping University Electronic Press. - 2001-5992. ; 2:2, s. 87-96
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 33. |
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| 34. |
- Fuentes, Christian, 1978, et al.
(författare)
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Soundtracking: music listening practices in the digital age
- 2019
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Ingår i: European Journal of Marketing. - : Emerald. - 0309-0566 .- 1758-7123. ; 53:3, s. 483-503 (S1)
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Tidskriftsartikel (refereegranskat)abstract
- The purpose of this paper is to further develop the conceptualization of music consumption in the digital age by examining how contemporary music listening is interweaved with other practices, how it shapes those practices and how it is in turn shaped by them. The paper draws on extensive, qualitative interviews with 15 Swedish music consumers. During the course of these interviews, specific situations of everyday music listening were discussed in detail. Drawing on practice theory and more specifically the concepts of dispersed and integrative practices, the authors identify and explore a mode of music listening that they term soundtracking, which involves choosing and listening to music mainly to accompany other everyday practices. As soundtracking grows in importance, music is increasingly consumed as an affective-practical resource. Its significance is then not derived from its ability to demarcate difference and construct consumer identities but from its capacity to evoke emotions and moods than enable and enrich a set of everyday practices. When music is consumed as part of soundtracking, issues such as the audio quality of music or ownership of material music media become less important, while aspects such as mobility, accessibility and the adaptability of music increase in importance. This has important implications for how and what music should be produced and marketed. This paper offers an alternative view of contemporary music consumption compared to previous research, which has considered music listening primarily as an integrative practice on which the practitioner is fully focussed. The paper also contributes to practice theory by offering an empirically based understanding of a dispersed practice, showing that such practices are neither without shape nor necessarily very simple in their structure.
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| 35. |
- Geiger, S, et al.
(författare)
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Market mash ups: The process of combinatorial market innovation
- 2021
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Ingår i: Journal of Business Research. - : Elsevier. - 1873-7978 .- 0148-2963. ; 124, s. 445-457
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Tidskriftsartikel (refereegranskat)abstract
- This paper investigates market innovation that takes place at the intersection of previously weakly connected markets. Based on a longitudinal study of the development of the digital therapeutics market, we delineate the concept of combinatorial market innovation as a market innovation process that is characterized by the deliberate synthesis of market subprocesses from two (or more) existing markets. We develop a conceptualization of combinatorial market innovation related to five market subprocesses (configuring exchange agents, qualifying offerings, fashioning modes of exchange, generating market representations, and establishing market norms). Focusing on how these processes interact, we identify three distinct types of intertwinement – sequential interrelation, mutual reinforcement, and interference. We also reflect on the need for market innovation studies to more strongly consider overlaps and adjacencies between markets and market systems.
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| 36. |
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| 37. |
- Hagberg, Johan, 1973, et al.
(författare)
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Cheapest on the market?
- 2011
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Ingår i: Market Encounters Workshop, Copenhagen Business School, 10-12 March 2011..
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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| 38. |
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| 39. |
- Hagberg, Johan, 1973, et al.
(författare)
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Digitalized markets
- 2020
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Ingår i: Consumption Markets & Culture. - : Informa UK Limited. - 1025-3866 .- 1477-223X. ; 23:2, s. 97-109
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 40. |
- Hagberg, Johan, 1973, et al.
(författare)
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Digitalized music: Entangling consumption practices
- 2017
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Ingår i: Cochoy, Franck, Hagberg, Johan, Petersson McIntyre, Magdalena & Sörum, Niklas. (2017). Digitalizing Consumption: How devices shape consumer culture. - London : Routledge. - 9781138124899 - 9781315647883 ; , s. 167-189
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Bokkapitel (refereegranskat)
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